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Les réflexions sur la création et la diversité culturelles ont longtemps été liées en France à l'attitude des pouvoirs publics : prennent-ils les initiatives nécessaires au développement des activités artistiques et à la démocratisation des consommations culturelles et disposent-ils des instruments adaptés ? Aujourd'hui, l'importance prise par les industries culturelles à l'échelle mondiale, la puissance de la détermination des majors, le numérique et Internet, conduisent à enrichir cette première perspective en lui associant des dimensions entrepreneuriales, industrielles et financières. Les premières Journées d'économie de la culture - dont les actes sont publiés ici - ont cherché à approfondir les réponses aux questions suivantes : peut-on encore concevoir une économie de l'art qui ne soit pas immergée dans l'économie des industries culturelles ? Les entreprises culturelles sont-elles différentes des autres ? Comment les artistes se situent-ils dans un tel redéploiement ? Comment accède-t-on aujourd'hui aux consommations culturelles ? Quelles sont les régulations nécessaires pour atteindre les objectifs des politiques culturelles ?

Cultural industries --- Industries culturelles --- Congresses --- Economic aspects --- Congresses. --- Congrès --- Aspect économique --- Congrès --- Aspect économique --- Economic aspects. --- Government policy. --- Cultural industries - Congresses --- Cultural industries - Economic aspects - Congresses --- Cultural industries - France - Congresses. --- Cultural industries - Economic aspects - France - Congresses --- Industries culturelles - Congrès --- Industries culturelles - Aspect économique - Congrès --- Industries culturelles - France - Congrès --- Industries culturelles - Aspect économique - France - Congrès

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African Filmmaking: North and South of the Sahara is the first comprehensive study in English linking filmmaking in the Maghreb (Algeria, Morocco and Tunisia) with that in francophone West Africa and examining the factors (including Islam and the involvement of African and French governments) which have shaped post-independence production. The main focus is the development over forty years of two main traditions of African filmmaking: a social realist strand examining the nature of postcolonial society and a more experimental approach where emphasis is placed on new stylistic patterns able to embrace history, myth and magic. The work of younger filmmakers born since independence is examined in the light of these two traditions. Features: *An overview of the socio-political context shaped by Islam and French colonialism. *A look at filmmaking in Africa before the mid-1960s. *An examination of the inputs of African and French governments into post-independence developments North and South of the Sahara. *A historical survey of the two major tendencies in African film production over the past 40 years. *A detailed analysis of the work of five talented young filmmakers, representative of those born since independence.

Motion pictures --- Motion picture industry --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries

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Motion pictures --- Motion picture industry --- Cinéma --- Industrie --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries

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Comprendre, pour le sociologue, c'est remonter de l'oeuvre à l'acte, du produit au procès, de l'art 'déjà fait' à l'art 'en train de se faire' en replaçant l'activité artistique dans son contexte de production, de diffusion et de réception. Issus d'enquêtes empiriques comme de recherches en bibliothèque, les textes que réunit ce recueil sont autant de tentatives de remplir ce vaste programme sans cesse amendé et disputé par la tradition sociologique.

Arts and society --- Arts --- Arts et société --- Philosophy --- Philosophie --- Arts et société --- Arts and society. --- Sociology of art --- Knowledge [Theory of ] --- Cultural industries --- Sociological aspects --- Sociologie de l'art --- Philosophie de l'art

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The business of culture is the business of designing, producing, distributing, and marketing cultural products. Even though it gives employment to millions, and is the main business of many large and small organizations, it is an area that is rarely studied from a strategic management perspective. This book addresses this void by examining a wide range of cultural industries--motion pictures, television, music, radio, and videogames--from such a perspective. The articles included in this book will be helpful to individuals who seek a better understanding of organizations and strategies in the

Culture --- Cultural industries --- Popular culture --- Industries --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Creative industries --- Culture industries --- Cultural sociology --- Sociology of culture --- Civilization --- Economic aspects --- Social aspects