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This literary life of the best-loved of all the major Romantic writers uses Coleridge's own 'Biographia Literaria' as its starting point and destination. The most sustained criticism and ambitious theory that had ever been attempted in English, the 'Biographia' was Coleridge's major statement to an embattled literary culture in which he sought to define and defend, not just his own, but all imaginative life. This book offers a reading of Coleridge and his life in the context of that culture and the institutions that comprised it, and is a 'must-read' for any student or scholar of Coleridge.
Coleridge-Taylor, Samuel --- Coleridge, Samuel Taylor, --- Coleridge, Samuel Taylor --- Poets, English
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Poetry --- English literature --- Wordsworth, William --- Coleridge, Samuel Taylor
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This book endorses Coleridge's statement: "nothing can permanently please which does not contain in itself the reason why it is so". It conceives 'Kubla Khan' as of a hypnotic poem, in which the "obtrusive rhythms" produce a hypnotic, emotionally heightened response, giving false security to the "Platonic Censor", so that our imagination is left free to explore higher levels of uncertainty. Critics intolerant of uncertainty tend to account for the poem's effect by extraneous background information. The book consists of three parts employing different research methods. Part One is speculative, and discusses three aspects of a complex aesthetic event: the verbal structure of 'Kubla Khan', validity in interpretation, and the influence of the critic's decision style on his critical decisions. The other two parts are empirical. Part Two explores reader response to gestalt qualities of rhyme patterns and hypnotic poems in perspective of decision style and professional training. Part Three submits four recordings of the poem by leading British actors to instrumental investigation.
Poetics --- Cognitive styles. --- Psychological aspects. --- Coleridge, Samuel Taylor,
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Religious studies --- Coleridge-Taylor, Samuel --- Coleridge, Samuel Taylor --- Engelse letterkunde --- Littérature anglaise --- Theologie --- Théologie --- Religion in literature. --- Coleridge, Samuel Taylor, --- Religion. --- Criticism and interpretation. --- Coleridge, Samuel Taylor, - 1772-1834 - Religion. --- Coleridge, Samuel Taylor, - 1772-1834 - Opus Maximum. --- Coleridge, Samuel Taylor, - 1772-1834 - Criticism and interpretation. --- Coleridge, Samuel Taylor, - 1772-1834
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English poetry --- Romanticism --- History and criticism --- Coleridge, Samuel Taylor, --- Keats, John, --- Wordsworth, William, --- Criticism and interpretation. --- Criticism and interpretation. --- Criticism and interpretation.
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Art --- Literature --- Clare, John --- Keats, John --- Coleridge-Taylor, Samuel --- Wordsworth, William --- anno 1800-1899 --- Great Britain --- romantiek --- landschappen --- Coleridge, Samuel Taylor --- 18de eeuw --- 19de eeuw --- Groot-Brittannië --- romantiek. --- landschappen. --- Wordsworth, William. --- Coleridge, Samuel Taylor. --- Keats, John. --- Clare, John. --- 18de eeuw. --- 19de eeuw. --- Groot-Brittannië.
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Literary form --- Symbolism in literature --- Signs and symbols in literature --- Symbolism in folk literature --- History --- Coleridge, Samuel Taylor, --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Criticism and interpretation.
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Lyric poetry has long been considered an art form of timelessness, but Romantic poets became fascinated by one time above all others: evening, the threshold between day and night. Christopher R. Miller investigates the cultural background of this development. The tradition of evening poetry runs from the idyllic settings of Virgil to the urban twilights of T. S. Eliot, and flourished in the works of Coleridge, Wordsworth, Shelley and Keats. In fresh readings of familiar Romantic poems, Miller shows how evening settings enabled poets to represent the passage of time and to associate it with subtle movements of thought and perception. This leads to new ways of reading canonical works, and of thinking about the kinds of themes the lyric can express.
English poetry --- Time in literature. --- Perception in literature. --- Romanticism --- History and criticism. --- Coleridge, Samuel Taylor, --- Wordsworth, William, --- Shelley, Percy Bysshe, --- Keats, John, --- Kēts, Tzōn, --- Kits, Dzhon, --- Kʻichʻŭ, --- Shelley, P. B. --- Sheli, Persi Bish, --- Hsüeh-lai, --- Hermit of Marlow, --- Marlow, --- Victor, --- Shelli, Persi-Bishi, --- Šéli, Pérsi Ba, --- Shilī, --- Selley, Persy Byss, --- Shelli, P., --- Шелли, Перси Биши, --- שלי, פרסי ביש --- שלי, פרסי ביש, --- שעלי, פוירסי --- شلي --- Śeli, Pārsi Bīśa, --- Wœ̄tsawœ̄t, Winlīam, --- Wurdzwurth, Wilyam, --- Varḍsavartha Viliyama, --- Axiologus, --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Criticism and interpretation. --- キーツ, ジョン --- Arts and Humanities --- Literature --- Shelley, Percy Bysshe
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