Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

es mots et les choses (une archéologie des sciences humaines)

filosofie --- Metaphysics --- wetenschapsfilosofie --- Philosophy of science --- metafysica --- cultuurfilosofie --- Philosophy and psychology of culture --- Filosofie --- Foucault, Michel --- Oudheid --- China --- Romeinse Rijk --- Hellenisme --- Griekenland --- Hellas --- Film --- Literatuur --- Muziek --- Schilderkunst --- Tekenkunst --- Vlaanderen --- Vlaams --- Emigratie --- Vrouw

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

When it was first published in France in 1961 as Folie et Déraison: Histoire de la Folie à l'âge Classique, few had heard of a thirty-four year old philosopher by the name of Michel Foucault. By the time an abridged English edition was published in 1967 as Madness and Civilization, Michel Foucault had shaken the intellectual world. This translation is the first English edition of the complete French texts of the first and second edition, including all prefaces and appendices, some of them unavailable in the existing French edition.

Diseases [Mental ] --- Déséquilibres psychiques --- Geestesstoornis --- Geestesziekten --- Madness --- Maladies mentales --- Maladies psychiques --- Mental diseases --- Mental disorders --- Mental illness --- Trouble mental --- Troubles mentaux --- Troubles psychiatriques --- Ziekten [Geestes] --- Psychiatry --- Disabilities --- Psychology, Pathological --- Mental health --- History --- Mentally ill --- Philosophy. --- Care --- History. --- Psychiatry - History --- Mental illness.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Philosophical anthropology --- Power (Philosophy) --- Justice (Philosophy) --- State, The --- Anthropologie philosophique --- Pouvoir (Morale) --- Justice (Philosophie) --- Etat --- Philosophy --- Philosophie

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Artists and writers reconsider the relationship between the body and electronic technology in the twenty-first century through essays, artworks, and an encyclopedic "Abecedarius of the New Sensorium."The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In Sensorium, contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own edgy investigations of embodied technology and the technologized body. These range from Matthieu Briand's experiment in "controlled schizophrenia" and Janet Cardiff and Georges Bures Miller's uneasy psychological soundscapes to Bruce Nauman's uncanny night visions and François Roche's destabilized architecture. The art in Sensorium―which accompanies an exhibition at the MIT List Visual Arts Center―captures the aesthetic attitude of this hybrid moment, when modernist segmentation of the senses is giving way to dramatic multisensory mixes or transpositions. Artwork by each artist appears with an analytical essay by a curator, all of it prefaced by an anchoring essay on "The Mediated Sensorium" by Caroline Jones. In the second half of Sensorium, scholars, scientists, and writers contribute entries to an "Abecedarius of the New Sensorium." These short, playful pieces include Bruno Latour on "Air," Barbara Maria Stafford on "Hedonics," Michel Foucault (from a little-known 1966 radio lecture) on the "Utopian Body," Donna Haraway on "Compoundings," and Neal Stephenson on the "Viral." Sensorium is both forensic and diagnostic, viewing the culture of the technologized body from the inside, by means of contemporary artists' provocations, and from a distance, in essays that situate it historically and intellectually.

82:7 --- 7.02 --- 7.039 --- 7.01 --- (069) --- Kunst en technologie --- Lichaam en technologie --- Technologie en sociologie --- Briand, Mathieu --- Cardiff, Janet & George Bures Miller --- Sadr Haghighian, Natascha --- Ikeda, Ryoji --- Jankowski, Christian --- Nauman, Bruce --- Roche, François en R&Sie(n) --- Sala, Anri --- Tolaas, Sissel --- Beeldende kunst 2000-2006 --- 82:7 Literatuur en kunst --- Literatuur en kunst --- Kunst technieken --- Kunstgeschiedenis 2000 - 2050 --- Kunst theorie, filosofie, esthetica --- (Musea. Collecties) --- Exhibitions --- Beeldende kunst ; 2000-2006 --- Kunst ; technieken --- Kunstgeschiedenis ; 2000 - 2050 --- Kunst ; theorie, filosofie, esthetica --- Art and technology --- Art, Modern --- Technology --- Applied science --- Arts, Useful --- Science, Applied --- Useful arts --- Science --- Industrial arts --- Material culture --- Contemporary art --- Modernism (Art) --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Technology and art --- Social aspects --- History --- Art and technology. --- Perception sensible --- Technologie --- Cybernétique --- Art et technologie --- Sciences et arts