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In an era of social confusion and visual pandemonium, David Levi Strauss tackles issues of photography and politics in a way that few critics today are courageous enough to attempt. The essays collected in "Between the Eyes" address topics ranging from propaganda and the imagery of dreams, to Sebastião Salgado's epic social documents and the deeply personal photographic revelations of Francesca Woodman. Other issues broached here include the legitimacy of photographic imagery and the media frenzy surrounding the events of September 11, as well as essays on the work of Ania Bien, Miguel Rio Branco, Alfredo Jaar, Joel-Peter Witkin and others, plus an interview with painter Leon Golub (who worked from photographs). Reviewing the first edition of "Between the Eyes," "Publisher's Weekly" wrote: "'Photography and Propaganda, ' a study of the work and deaths in '80s Central America of photojournalists Richard Cross and John Hoagland, should be required reading in the age of embeddedness, and 'Photography and Belief' is a terrific meditation on truth in the age of digital manipulation."
Photography --- photography [process] --- politics --- propaganda --- mass media --- kunst en politiek
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Art --- avant-garde --- Situationist --- kunst en politiek --- anno 1950-1959 --- anno 1960-1969 --- anno 1970-1979 --- Europe
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kunst --- eenentwintigste eeuw --- performances --- Goldman Emma --- kunst en politiek --- Braun Matti --- Davids Yael --- Byrne Gerard --- Ligna --- Castillo Deball Mariana --- Billing Johanna --- 7.039 --- Davids, Yael ; Byrne, David ; Castillo Deball, Mariana ; Braun, Matti ; Billing, Johanna ; LIGNA
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Ataman, Kutlug --- 7.071 ATAMAN --- 791.471 ATAMAN --- Ataman Kutlug --- eenentwintigste eeuw --- film --- installaties --- kunst --- kunst en economie --- kunst en politiek --- Turkije --- video --- video-installaties --- videokunst --- Installations (Art) --- Installation art --- Art, Modern --- Environment (Art) --- Exhibitions
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Political philosophy. Social philosophy --- Political science --- Representation (Philosophy) --- Science politique --- Représentation (Philosophie) --- Philosophy. --- Philosophie --- Philosophy --- #SBIB:32H3 --- #SBIB:324H20 --- Representationalism (Philosophy) --- Representationism (Philosophy) --- Culture --- Political philosophy --- Politieke wetenschappen: inleidende werken, handboeken, methoden --- Politologie: theorieën (democratie, comparatieve studieën….) --- Exhibitions --- Representation (Philosophy). --- politics --- democracies --- new media art --- Political science - Philosophy --- kunst en politiek --- Political systems
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Abramovic, Marina ; Absalon ; Adams, Dennis ; Ahtila, Eija-Liisa ; Almarcegui, Lara ; Almond, Darren ; Altena, Maarten ; Alvi, Tariq ; Amer, Ghada ; Amorales, Carlos ; Ang, Tiong ; Antoni, Janine ; Applebroog, Ida ; Araki, Nobuyoshi ; Asher, Dan ; Ashes, Daniel J. ; Auguste-Dormeuil, Renaud ; Bagnoli, Marco ; Bain, Mark ; Baldessari, John ; Balka, Miroslaw ; Banner, Fiona ; Barry, Judith ; Bartana, Yael ; Bartolini, Massimo ; Bastiaans, Christiaan ; Bedaux, Jacoba ; Beeke, Anthon ; Bekirovic, Sema ; Bell, Craig ; Beltrán, Erick ; Benczúr, Emese ; Berchem, Otto ; van Bergen, André ; Bien, Waldo ; Bijl, Guillaume ; Bijl, Marc ; Billingham, Richard ; Birnbaum, Dara ; Blake, John ; Blankestein, Jan ; Blocher, Sylvie ; Bloom, Barbara ; Bond, Henry ; Bonvicini, Monica ; Borland, Christine ; Borofsky, Jonathan ; Boyce, Martin ; Breitz, Candice ; Brinch, Jes ; Brito, Hugo ; Broodthaers, Marcel ; Brown, Tony ; van Brummelen, Lonnie ; Bruys, Nathalie ; Bulatov, Erik ; Bunuel, Luis ; Burki, Marie José ; Burton, Scott ; Bustamante, Jean-Marc ; Cabrita Reis, Pedro ; Cage, John ; Calle, Sophie ; Cantor, Mircea ; Caramelle, Ernst ; Carrión, Ulises ; Cate, Ritsaert ten ; Cattelan, Maurizio ; Chauchat, Alice ; Choi Jeong Hwa ; Choi, Sulki ; Ciraci, Sarah ; De Cock, Jan ; Coenen, Arno ; Collins, Hannah ; de Cordier, Thierry ; Corillon, Patrick ; Cox, Huub ; Cristovao, Claudia ; D'Orazio, Federico ; Daem, Hilde ; Daniels, René ; Davey, Grenville ; Davids, Yael ; Dejanov, Plamen ; Demand, Thomas ; Diesel ; Dietvorst, Jan ; Dion, Mark ; Doherty, Willie ; Dominguez, Juan ; Donachie, Jacqueline ; Dujourie, Lili ; Dumas, Marlene ; Duprat, Hubert ; Eckart, Christian ; Edzgveradze, Gia ; Eisinga, Jeroen ; Eliasson, Olafur ; Emin, Tracey ; Espaliú, Pepe ; Eynaudi, Alix ; etc.
Book design --- Livres --- Mise en pages --- Appel (Foundation : Amsterdam, Netherlands) --- Beeldende kunst ; Amsterdam ; stichting De Appel ; 1984-2005 --- Beeldende kunst ; Nederland ; 20ste eeuw --- 069(492) --- 7.038 --- Musea. Collecties ; Nederland --- Kunstgeschiedenis ; 1950 - 2000 --- kunst --- 069 --- 7.01 --- 7.038/039 --- performances --- installaties --- kunsttheorie --- kunst en politiek --- De Appel --- tentoonstellingen --- museologie --- eenentwintigste eeuw --- twintigste eeuw
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Art, Modern --- Political violence --- Violence in art. --- Political aspects. --- Psychological aspects. --- 7.039 --- 7.041 --- Thema's in de kunst ; oorlog ; 2000-2005 --- Kunsttheorie ; oorlog en trauma in de kunst --- Kunst en maatschappij --- Kunst en politiek --- Kunsttheorie ; over kunstenaars in oorlogstijd --- Kunstgeschiedenis ; 2000 - 2050 --- Iconografie ; de mens, portretten --- Violence in art --- Violence dans l'art --- Violence politique --- Political aspects --- Psychological aspects --- Aspect psychologique --- 1900 - 1999 --- Violence --- Political crimes and offenses --- Terrorism --- Modern art --- Nieuwe Ploeg (Group of artists)
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Andrea Fraser's work, writes Pierre Bourdieu in his foreword to Museum Highlights, is able to "trigger a social mechanism, a sort of machine infernale whose operation causes the hidden truth of social reality to reveal itself." It often does this by incorporating and inhabiting the social role it sets out to critique -- as in a performance piece in which she leads a tour as a museum docent and describes the men's room in the same elevated language that she uses to describe seventeenth-century Dutch paintings. Influenced by the interdisciplinarity of postmodernism, Fraser's interventionist art draws on four primary artistic and intellectual frameworks -- institutional critique, with its site-specific examination of cultural context; performance; feminism, with its investigation of identity formation; and Bourdieu's reflexive sociology. Fraser's writings form an integral part of her artistic practice, and this collection of texts written between 1985 and 2003 -- including the performance script for the docent's tour that gives the book its title -- both documents and represents her work.The writings in Museum Highlights are arranged to reflect different aspects of Fraser's artistic practice. They include essays that trace the development of critical "artistic practice" as cultural resistance; performance scripts that explore art institutions and the public sphere; and texts that explore the ambivalent relationship of art to the economic and political interests of its time. The final piece, "Isn't This a Wonderful Place? (A Tour of a Tour of the Guggenheim Bilbao)," reflects on the role of museums in an era of globalization. Among the book's 30 illustrations are stills from performance pieces, some never before published.
Art --- Performance art --- 069 FRAS --- 7.01 FRAS --- 7.071 FRASER --- Andrea Fraser ; edited by Alexander Alberro --- eenentwintigste eeuw --- feminisme --- Fraser Andrea --- gender studies --- installaties --- kunst --- kunst en politiek --- musea --- performances --- twintigste eeuw --- Verenigde Staten --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Social aspects --- Fraser, Andrea --- Aesthetics. --- Written works. --- Museology --- United States --- Art, Primitive --- United States of America
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Sociology of cultural policy --- Photography --- anno 1900-1999 --- Belgium --- Communauté flamande --- Cultuurbeleid --- Politique culturelle --- Vlaamse Gemeenschap --- cultuurbeleid --- 1961 - 2005 --- Vlaanderen --- 601 Cultuurbeleid --- Wim De Pauw, Herman Selleslags & Johan Swinnen --- België --- cultuur --- twintigste eeuw --- kunst en politiek --- kunst en maatschappij --- fotografie --- documentaire --- documentaire fotografie --- Selleslags Herman --- reportagefotografie --- 77.071 SELLESLAGS --- 316 --- Cultuur --- Culturele sector --- Creatieve activiteiten --- anno 2000-2009 --- anno 1980-1989 --- anno 1960-1969 --- anno 1950-1959 --- anno 1970-1979 --- anno 1990-1999 --- Flanders --- Public administration --- Martens, Luc --- Dewael, Patrick --- Mechelen, van, Frans --- Weckx, Hugo --- Anciaux, Bert --- Poma, Karel --- Backer-Van Ocken, De, Rika --- Grembergen, van, Paul --- Chabert, Jos --- 1961 - 2005. --- Vlaanderen.
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sculpting --- Sculpture --- Painting --- sociology --- communism --- art [fine art] --- Iconography --- painting [image-making] --- Art --- dictatorships --- anno 1900-1999 --- anno 2000-2099 --- North Korea --- Arts --- Art and state --- Arts and society --- Socialist realism in art --- Art, Korean --- K9800.05 --- K9808.90 --- K9800.15 --- K9139.50 --- K9110.15 --- Korea: Art and antiquities -- North Korea --- Korea: Art and antiquities -- history -- North Korea (1945- ) --- Korea: Art and antiquities -- policy, legislation, guidelines, codes of behavior -- North Korea --- Korea: History -- historiography, theory and philosophy -- North Korea --- Korea: Archaeology and antiquities -- policy, legislation, guidelines, codes of behavior -- North Korea --- Art and society --- Art and revolutions --- Communism and art --- Socialism and art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Korea [North ] --- Arts - Korea (North) --- Art and state - Korea (North) --- Arts and society - Korea (North) --- Socialist realism in art - Korea (North) --- Art, Korean - Korea (North) --- K9139.90 --- art [discipline] --- kunst en politiek
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