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Graphic arts --- Sociology of the family. Sociology of sexuality --- renaissance --- barok --- zonden --- lust --- gender --- seksualiteit --- Exhibitions --- Lust in art --- Prints, European --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- ondeugd, kwade, zonde --- barok. --- ondeugd, kwade, zonde. --- wellust, luxe, "Luxuria"; "Lussuria" (Ripa) ~ verpersoonlijking van een van de hoofdzonden. --- gender. --- seksualiteit. --- wellust, luxe, "Luxuria"; "Lussuria" (Ripa) ~ verpersoonlijking van een van de hoofdzonden
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Prints, European --- Estampe européenne --- Exhibitions --- Expositions --- Marseille (France) --- Genoa (Italy) --- Barcelona (Spain) --- Marseille (France) dans l'art --- Gênes (Italie) dans l'art --- Gênes (Italie) --- Barcelone (Espagne) dans l'art --- Barcelone (Espagne) --- In art --- Historical geography --- Maps --- Géographie historique --- Cartes --- Estampe européenne --- Gênes (Italie) dans l'art --- Gênes (Italie) --- Géographie historique
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As relatively inexpensive, transportable, and storable objects, prints occupied an important place in early modern European culture. Many of them reproduced other works of art and we now call them "reproductive" prints. They were often considered to be of lower status than so-called "original" prints, yet in their initial historical and cultural context, reproductive prints were crucial to the forging of a common visual culture. 'Paper museums' offers an important interpretive survey of these remarkable works. The contributors to the volume explore the diverse range of uses for reproductive prints, including establishing printmakers' reputations as truthful and authoritative artists, promoting an artist's oeuvre or the holdings of a collector, and enabling the public to enjoy original works vicariously. The volume also analyzes issues such as the culture of the print workshop and, in particular, the status of female printmakers; truth and authenticity ascribed to the printed form; and the dissemination of antique forms through prints.
Graphic arts --- anno 1500-1799 --- Europe --- 76 <064> --- 769 <4> --- 76 "15/17" --- 7.074 "15" --- 7.074 "16" --- 7.074 "17" --- 7.026 --- Grafische kunsten. Grafiek. Prentkunst--Tentoonstellingscatalogi. Museumcatalogi --- Prentenverzamelingen--Europa --- Grafische kunsten. Grafiek. Prentkunst--Moderne Tijd --- Kunstverzameling. Activiteiten van verzamelaars--16e eeuw. Periode 1500-1599 --- Kunstverzameling. Activiteiten van verzamelaars--17e eeuw. Periode 1600-1699 --- Kunstverzameling. Activiteiten van verzamelaars--18e eeuw. Periode 1700-1799 --- Kunstwerken: copiëren; reproduceren; facsimile's --- Exhibitions --- 7.026 Kunstwerken: copiëren; reproduceren; facsimile's --- 7.074 "17" Kunstverzameling. Activiteiten van verzamelaars--18e eeuw. Periode 1700-1799 --- 7.074 "16" Kunstverzameling. Activiteiten van verzamelaars--17e eeuw. Periode 1600-1699 --- 7.074 "15" Kunstverzameling. Activiteiten van verzamelaars--16e eeuw. Periode 1500-1599 --- 76 "15/17" Grafische kunsten. Grafiek. Prentkunst--Moderne Tijd --- 769 <4> Prentenverzamelingen--Europa --- 76 <064> Grafische kunsten. Grafiek. Prentkunst--Tentoonstellingscatalogi. Museumcatalogi --- Painting --- Prints, European --- Oil painting --- Painting, Primitive --- Paintings --- Reproduction --- Prints [European ]
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A portrait of the artist, 1525-1825 reveals how artists depicted themselves and their profession from the sixteenth to the nineteenth centuries. This reachly illustrated book presents more thans eighty engravings, etchings, woodcuts, mezzotints, and lithographs from the collection of the Sarah Campbell Blaffer Foundation. It provides an in-depth examination of works by Rembrandt van Rijn, Claude Lorrain, Adriaen van Ostade, Salvator Rosa, William Hogarth, Francisco Goya, and many other European masters. The prints are organized into four themes : icon, work, genius, and market. The prints featured in this book focus on artists' lives and work and on the roles that both artists and the arts held in society. Many of the examples are self-portraits, whereas others depict artists at work, interacting with clients, or in training.
self-portraits --- Iconography --- Art --- Blaffer, Sarah Campbell --- Sarah Campbell Blaffer Foundation [Houston, Tex.] --- Graphic arts --- anno 1500-1799 --- anno 1800-1899 --- Artistes dans l'art --- Artistes et modèles --- Artistes et modèles dans l'art --- Artists and models in art --- Artists in art --- Autoportraits --- Kunstenaars en modellen in de kunst --- Kunstenaars in de kunst --- Modellen en kunstenaars in de kunst --- Modellen in de kunst --- Models and artists in art --- Models in art --- Modèles dans l'art --- Modèles et artistes --- Modèles et artistes dans l'art --- Relations artistes-modèles --- Relations modèles-artistes --- Self-portraits --- Zelfportretten --- Prints, European --- Prints --- Exhibitions --- Private collections --- 76 <017.2> --- 76 <064> --- 769.041.5 --- 769 <73 HOUSTON> --- Grafische kunsten. Grafiek. Prentkunst--Private verzamelingen --- Grafische kunsten. Grafiek. Prentkunst--Tentoonstellingscatalogi. Museumcatalogi --- Portretverzamelingen --- Prentenverzamelingen--Verenigde Staten van Amerika. VSA. USA--HOUSTON --- 769 <73 HOUSTON> Prentenverzamelingen--Verenigde Staten van Amerika. VSA. USA--HOUSTON --- 769.041.5 Portretverzamelingen --- 76 <064> Grafische kunsten. Grafiek. Prentkunst--Tentoonstellingscatalogi. Museumcatalogi --- 76 <017.2> Grafische kunsten. Grafiek. Prentkunst--Private verzamelingen --- prints [visual works] --- Fine prints --- Sarah Campbell Blaffer Foundation --- Blaffer Foundation --- Blaffer (Sarah Campbell) Foundation --- Art collections --- Catalogs --- Portraits --- Endowments --- United States --- artists' portraits --- Artists and models in art - Exhibitions --- Prints, European - Exhibitions --- Prints - Private collections - Texas - Houston - Exhibitions
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