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Icons --- Painting, Modern --- Spirituality in art --- Influence
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Painting, Modern - 20th century - Philosophy. --- Painting - Philosophy. --- Art --- Esthétique --- 20e siècle --- Appréciation --- Painting, Modern --- Painting
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Painting --- Painting, Modern --- Painting, Modern --- Sculpture --- Sculpture, Modern --- Sculpture, Modern --- Musée national d’histoire et d’art (Luxembourg)
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Lorsque l'imagination du peintre pénètre dans l'intimité des substances élémentaires, de l'air, de l'eau, de la terre ou du feu, quelles images picturales produit sa rêverie ? Qu'en est-il lorsque sa démarche s'inscrit dans le cadre de l'Abstraction ? L'utilisation des travaux de Gaston Bachelard sur l'imagination matérielle pour aborder l'étude du Naturalisme abstrait, plus particulièrement de ses tendances " élémentaristes ", permet de mettre en évidence le rôle singulier et éminent d'un courant trop souvent considéré comme un avatar impur de l'Abstraction en raison de son appartenance en apparence contradictoire à la fois au Naturalisme et à l'Abstraction. Dès les années 50, certains peintres ont construit un nouvel espace qui devait être un peu plus tard conceptualisé et théorisé par les mathématiciens et les physiciens. Par cette démarche, ils ont exprimé les relations ambivalentes et conflictuelles de l'homme du vingtième siècle avec la nature.
Painting, Modern --- Art --- Nature in art --- Art, Abstract --- Bachelard, Gaston, - 1884-1962
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Drawing --- Painting, Modern --- Dessin --- Peinture --- Van Gogh, Vincent, --- Drawings --- Gogh, Vincent van, --- Drawings. --- Van Gogh, Vincent --- Exhibitions --- 19th century --- Themes, motives --- Pictorial works --- Acqui 2006
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Painting, Modern --- Graphic arts --- Painting, Chinese. --- Painters --- Peinture --- Arts graphiques --- Peinture chinoise --- Peintres --- Catalogs --- Biography. --- Catalogues --- Biographies --- Voloshin, Maksimilian Aleksandrovich, --- Woloschin, Margarita, --- Art collections. --- Dom-muzeĭ Maksimiliana Aleksandrovicha Voloshina --- Catalogs.
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Schiele, Egon --- Liefde --- Dood --- Painting, Austrian--Exhibitions. --- Painting, Modern--20th century-Exhibitions. --- Jane Kallir --- Schiele Egon --- Wenen --- tekenkunst --- twintigste eeuw --- kunst --- portret --- zelfportret --- portretschilderkunst --- schilderkunst --- Wiener Sezession --- 75.071 SCHIELE --- 741.071 SCHIELE --- liefde --- 790 --- schilderkunst 20ste eeuw --- Oostenrijk kunst --- kunstenaars --- artistes --- liefde. --- Dood. --- Schiele, Egon.
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The picture plane of a painting creates boundaries and perspectives. It governs the relationship of daubs of pigment on a canvas to reality, allowing the viewer to connect with the imagined world of a work of art. Charles Harrison's latest endeavor, 'Painting the Difference', explores the role of the picture plane in modern painting and the relationships it creates among the artist, the subject, and the spectator. One of the most respected teachers and theorists of modern art, Harrison here offers a bold interpretation of the Modernist canon that uncovers the significance of gender to the functioning of the picture plane. Arguing that the representation of women in art was crucial to the character of modernity, Harrison traces the history of female subjects as they began to gaze out of the picture to confront and engage their viewers. Combining sweeping conceptual history with telling investigations into the details of particular paintings, 'Painting the Difference' deciphers the implications of sexual difference for the development of nineteenth- and twentieth-century art. Harrison shows how artists, reflecting the underlying anxieties of the time about gender, used female subjects' gazes both to create a sexualized relationship between these subjects and their viewers, and to simultaneously question that relationship. In considering works by artists such as Renoir, Manet, Degas, Cezanne, Picasso, and Matisse, as well as Rothko, Warhol, Cindy Sherman, and many more, Harrison incorporates elements of cultural criticism and social history into his arguments, and generous color illustrations permit the reader to test Harrison's claims against the works on which they are based. Rich with detail and compelling analysis, 'Painting the Difference' offers cutting-edge interpretation grounded in the reality of magnificent works of art.
Art --- Sociology of the family. Sociology of sexuality --- anno 1800-1999 --- Gender identity in art. --- Painting, Modern --- Sex role in art. --- Themes, motives. --- Picasso, Pablo --- Cassatt, Mary --- Renoir, Auguste --- Cézanne, Paul --- Morisot, Berthe Marie Pauline --- Matisse, Henri --- Rothko, Mark --- Bonnard, Pierre --- Degas, Edgar --- anno 1900-1999 --- anno 1800-1899 --- Manet, Edouard --- Gender --- Sex --- Painting --- Images of women --- Book
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Iconography --- Prometheus --- anno 1800-1999 --- Prometheus (Greek deity) --- Mythology, Greek, in art --- Sculpture, Modern --- Painting, Modern --- Prométhée (Mythologie grecque) --- Mythologie grecque dans l'art --- Sculpture --- Peinture --- Art. --- Art --- mythologische figuren --- iconografie --- Fuseli, Henry --- Delville, Jean --- Klinger, Max --- 19de eeuw --- 20ste eeuw --- Prométhée (Mythologie grecque) --- Prometheus [Mythological character] --- mythologische figuren. --- iconografie. --- Prometheus. --- Fuseli, Henry. --- Delville, Jean. --- Klinger, Max. --- 19de eeuw. --- 20ste eeuw.
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Nederland kende in het begin van de twintigste eeuw een aantal vooraanstaande particuliere verzamelaars van eigentijdse beeldende kunst. Minder bekend, maar niet minder belangrijk, is tot nu toe de verzameling van dr. J.F.S. Esser. J.F.S. Esser was een bekend arts, maar kunsthistorisch gezien was hij allereerst verzamelaar van het vroege modernisme in Nederland. Hij had kunstenaars als Jan Sluijters en George. H. Breitner als patiënt en door het persoonlijke contact was hij een vroeg verzamelaar van hun werk. Hij steunde hen zowel in financiële als in morele zin, kocht vaak in het atelier en volgde hun artistieke ontwikkeling. Esser bracht in de periode van 1906 tot 1912 een indrukwekkende verzameling van naar schatting meer dan duizend werken bijeen. Zijn collectie bevat Nederlandse schilder- en tekenkunst uit de beginjaren van de twintigste eeuw met naast werk van de hier al genoemde schilders, onder meer werken van Isaac Israels, Théophile De Bock, Willem Witsen, Herman Gouwe, Hendrik Weegewijs, Piet van Wijngaerdt en Jaap Weijand. Deze publicatie geeft een representatief beeld van de inhoud en ontwikkeling van de collectie Esser en besteedt daarnaast aandacht aan zijn kleurrijke biografie.
Esser, Johannes Fredericus Samuel --- verzamelaars --- verzameling J.F.S. Esser --- 20ste eeuw --- Nederland --- Painting, Dutch --- Schilderkunst ; Nederland ; 20ste eeuw --- Sluijters, Jan 1881-1957 (°'s-Hertogenbosch, Nederland) --- Breitner, George Hendrik 1857-1927 (°Rotterdam, Nederland) --- Mondriaan, Piet (1872-1944) --- Beeldende kunst ; Nederland ; 20ste eeuw --- Kunstverzamelaars ; Nederland --- 069(492) --- Painting, Modern --- Rota Tora (Artists' group) --- Musea. Collecties ; Nederland --- verzamelaars. --- verzameling JFS Esser. --- Esser, Johannes Fredericus Samuel. --- 20ste eeuw. --- Nederland.
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