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Les arts du spectacle recouvrent aussi bien la création, la représentation, la médiation, l'interprétation que la réception. Les industries culturelles sont devenues à la fois une appellation polysémique et un vocable qui suggère une grille d'analyse à dominante économique et culturelle. Les métiers seraient ce référent à un savoir-faire professionnel, aux pratiques et aux connaissances qui ne sont plus limités à quelques auteurs, mais concerneraient l'ensemble des acteurs d'un projet collectif. La visée de cet ouvrage est de revisiter ces trois pôles, de montrer comment leurs articulations ont, au fil de l'histoire, sous-tendu la manière d'appréhender les interactions entre œuvre, production et public. Il s'agit au fond de saisir les traits d'une généalogie : initiatives des acteurs, trajectoires, confluences, cheminements diversifiés, influence des groupes de pression, transformation des systèmes, émergence de conventions, constructions réglementaires ou élaborations institutionnelles.

Performing arts --- Cultural industry --- Arts du spectacle --- Industrie culturelle --- Congresses --- Congrès --- Cultural industries --- Congrès --- Performing arts - Congresses --- Cultural industries - Congresses

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Le numérique met en cause les anciens équilibres des industries de la culture et de la communication. Une batterie de sigles - ADSL, DVD, MP3, P2P, DRM - semble menacer de ruiner un système où coexistent majors et stars, indépendants et jeunes créateurs, régulations et traditions. Et justifier ainsi toutes les stratégies défensives, voire répressives. Pourtant, au-delà des menaces, ce nouveau paradigme porte également les germes d'une nouvelle croissance. La nouvelle donne est là pour durer, mais pour quelles économies, quels usages, quelles stratégies ? Ce Repères présente les tendances techniques, industrielles et commerciales du nouveau paysage numérique en formation et propose les clefs des dynamiques et stratégies à l'œuvre, de la production à la distribution en passant par les régulations.

Cultural industries --- Information technology --- Digital electronics --- Industries culturelles --- Technologie de l'information --- Electronique numérique --- Electronique numérique

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This short handbook collects essays on all aspects of the motion picture industry by leading authorities in political economy, economics, accounting, finance, and marketing. In addition to offering the reader a perspective on what is known and what has been accomplished, it includes both new findings on a variety of topics and directions for additional research. Topics include estimation of theatrical and ancillary demand, profitability studies, the resolution of evident paradoxes in studio executive behavior, the interaction of the industry and government, the impacts of the most recent changes in accounting standards, and the role and importance of participation contracts. New results include findings on the true nature of the seasonality of theatrical demand, the predictive power of surveys based upon trailers, the impact of the Academy Awards, the effectiveness of prior history measures to gauge cast members and directors, and the substitutability of movies across different genres.

Industrial economics --- film --- filmindustrie --- Film --- marketing --- Motion picture industry --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Economic aspects --- Business, Economy and Management --- Economics

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This is a book about one of the great untold stories of modern cultural life: the remarkable ascendancy of prizes in literature and the arts. James F. English documents the dramatic rise of the awards industry and its complex role within what he describes as an economy of cultural prestige.

Art --- Awards --- Cultural industries --- Cultural industries. --- Culture --- Intellectual life --- Literary prizes --- Popular culture --- Prestige. --- Value. --- Economic aspects. --- Standard of value --- Creative industries --- Culture industries --- Cultural life --- Book awards --- Book prizes --- Literary awards --- Literature --- Prizes (Rewards) --- Rewards (Prizes, etc.) --- Prizes --- Social psychology --- Social influence --- Cost --- Economics --- Exchange --- Wealth --- Prices --- Supply and demand --- Industries --- Contests --- Science --- Economic utility

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'Media Talk' provides an accessible introduction to the analysis of the spoken word by examining linguistic and discursive aspects of broadcast media. Beginning with the observation that talk is central to all genres of radio and television, Ian Hutchby examines the forms of speech used by broadcasters as their primary means of communicating with audiences. He looks at a range of media forms and genres, including televised audience debates, confrontational TV talk shows such as Oprah Winfrey and Ricki Lake, open-line talk radio shows, advice-giving broadcasts, news interviews and political panel discussions. Hutchby argues that the study of talk provides insights into the very nature of mass communication, and invites the reader into further consideration of a range of important issues, such as the relationship between broadcasters and audiences, and the public role of media output. The book not only describes the role of media talk but also provides detailed examples of analytical tools. It is key reading for students on courses in language and the media, media discourse, communication and cultural studies.

Broadcasting. --- Conversation analysis. --- Broadcasting --- Conversation analysis --- Analysis of conversation --- CA (Interpersonal communication) --- Conversational analysis --- Oral communication --- Broadcasting industry --- Communication and traffic --- Cultural industries --- Telecommunication --- CONVERSATION --- RADIO ET TELEVISION --- MASS MEDIA --- ANALYSE