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Film --- Literature --- 82:791.43 --- 791.43:82 --- Literatuur en film --- Film en literatuur --- Film adaptations --- Motion pictures and literature. --- History and criticism. --- 791.43:82 Film en literatuur --- 82:791.43 Literatuur en film --- Motion pictures and literature --- Literature and motion pictures --- Moving-pictures and literature --- History and criticism
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Film --- Literature --- 82:791.43 --- 791.43:82 --- 791.43:82 Film en literatuur --- Film en literatuur --- 82:791.43 Literatuur en film --- Literatuur en film --- Film adaptations --- Motion pictures and literature --- Literature and motion pictures --- Moving-pictures and literature --- History and criticism --- Motion pictures and literature. --- History and criticism. --- Film adaptations - History and criticism
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Books in Motion addresses the hybrid, interstitial field of film adaptation. The introductory essay integrates a retrospective survey of the development of adaptation studies with a forceful argument about their centrality to any history of culture-any discussion, that is, of the transformation and transmission of texts and meanings in and across cultures. The thirteen especially composed essays that follow, organised into four sections headed 'Paradoxes of Fidelity', 'Authors, Auteurs, Adaptation', 'Contexts, Intertexts, Adaptation' and 'Beyond Adaptation', variously illustrate that claim by
Fiction --- Film adaptations. --- Motion pictures and literature. --- Intertextuality. --- Criticism --- Semiotics --- Influence (Literary, artistic, etc.) --- Literature and motion pictures --- Moving-pictures and literature --- Literature --- Adaptations, Film --- Books, Filmed --- Filmed books --- Films from books --- Motion picture adaptations --- Motion pictures --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Novelists --- Film adaptations --- Adaptations --- Philosophy
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Providing many interesting case studies and bringing together many leading authorities on the subject, this book examines the importance of film adaptations of literature in Russian cinema, especially during the Soviet period when the cinema was accorded a vital role in imposing the authority of the communist regime on the consciousness of the Soviet people.
Film adaptations. --- Russian literature --- Motion pictures and literature --- Literature and motion pictures --- Moving-pictures and literature --- Literature --- Adaptations, Film --- Books, Filmed --- Filmed books --- Films from books --- Motion picture adaptations --- Motion pictures --- Film adaptations --- Adaptations --- Adaptations cinématographiques --- Littérature russe --- Cinéma et littérature --- Film and video adaptations. --- Adaptations cinématographiques et télévisées
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De l'écrit à l'écran est le premier ouvrage qui aborde la question de la réécriture filmique du roman africain francophone. Il se sert de la sémiologie de l'image, de la poétique et des théories post-coloniales pour définir les enjeux théoriques, idéologiques et sémantiques régissant le passage des textes littéraires au cinéma. Il identifie des paramètres importants dans la poétique de l'écriture et montre le rôle de l'acte créateur dans l'altérité du texte dérivé, filmique, par rapport au texte de départ, littéraire. De ce fait, il formule des propositions novatrices par rapport aux inte
Motion pictures --- Motion pictures and literature --- African literature (French) --- Film adaptations. --- Adaptations, Film --- Books, Filmed --- Filmed books --- Films from books --- Literature --- Motion picture adaptations --- French literature --- Literature and motion pictures --- Moving-pictures and literature --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film adaptations --- Adaptations --- African authors --- History and criticism --- Recit filmique. --- Cinema et litterature --- Litterature africaine (française) --- Adaptations cinematographiques. --- Film and video adaptations. --- Adaptations cinematographiques et televisees. --- roman africain --- adaptation cinématographique --- littérature --- récit filmique --- Français (langue) --- cinéma
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This introductory book presents key concepts of narrative theory (or "narratology") and analyses five prose texts--the parable of the sower in St. Mark's Gospel, Franz Kafka's The Trial, James Joyce's 'The Dead', Joseph Conrad's Heart of Darkness, and Virginia Woolf's To the Lighthouse--by applying the principles of narrative theory. This book also discusses film versions of four of these texts: Orson Welles's The Trial, John Huston's The Dead, Francis Ford Coppola's Apocalypse Now, and Colin Gregg's To the Lighthouse. By lucidly presenting the concepts of narrative theory and illustrating and testing these concepts Narrative in Fiction and Film will be an invaluable text for undergraduates studying narrative theory as part of a literature or film studies course.
82:791.43 --- 82-3 --- #SBIB:309H507 --- 82-3 Proza. Fictie. Narratologie --- Proza. Fictie. Narratologie --- 82:791.43 Literatuur en film --- Literatuur en film --- Code en boodschap: narrativiteitstheorie --- Motion pictures and literature --- -Motion pictures and literature --- Literature and motion pictures --- Moving-pictures and literature --- Discourse analysis, Narrative. --- Motion pictures and literature. --- Fiction --- Narration (Rhetoric). --- Technique. --- Discourse analysis, Narrative --- Narration (Rhetoric) --- Narrative (Rhetoric) --- Narrative writing --- Narrative discourse analysis --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Technique --- Philosophy --- Rhetoric --- Narratees (Rhetoric) --- Literature --- Fiction writing --- Writing, Fiction --- Authorship --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Fiction - Technique
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