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From the Werkbund to the Bauhaus to Braun, from furniture to automobiles to consumer appliances, twentieth-century industrial design is closely associated with Germany. In this pathbreaking study, Paul Betts brings to light the crucial role that design played in building a progressive West German industrial culture atop the charred remains of the past. The Authority of Everyday Objects details how the postwar period gave rise to a new design culture comprising a sprawling network of diverse interest groups-including the state and industry, architects and designers, consumer groups and museums, as well as publicists and women's organizations-who all identified industrial design as a vital means of economic recovery, social reform, and even moral regeneration. These cultural battles took on heightened importance precisely because the stakes were nothing less than the very shape and significance of West German domestic modernity. Betts tells the rich and far-reaching story of how and why commodity aesthetics became a focal point for fashioning a certain West German cultural identity. This book is situated at the very crossroads of German industry and aesthetics, Cold War politics and international modernism, institutional life and visual culture.

Industrial design --- Design, Industrial --- Mechanical drawing --- New products --- Design --- History. --- 20th century german culture. --- 20th century industrial design. --- architects. --- automobiles. --- bauhaus. --- braun. --- cold war politics. --- commodity aesthetics. --- consumer appliances. --- consumer groups. --- cultural identity. --- cultural studies. --- design. --- designers. --- domestic modernity. --- economic recovery. --- furniture. --- germany. --- historical. --- industrial culture. --- industry. --- institutional life. --- international modernism. --- materialism. --- modernism. --- modernity. --- moral regeneration. --- nation state. --- politics. --- postwar germany. --- social reform. --- visual culture. --- werkbund. --- west germany.

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In Germany, Weimar Classicism (roughly the period from Goethe's return to Germany from Italy in 1788 to the death of his friend and collaborator Schiller in 1805) is widely regarded as an apogee of literary art. But outside of Germany, Goethe is considered a Romantic, and the notion of Weimar Classicism as a distinct period is viewed with skepticism. This volume of new essays regards the question of literary period as a red herring: Weimar Classicism is best understood as a project that involved the ambitious attempt not only to imagine but also to achieve a new quality of wholeness in human life and culture at a time when fragmentation, division, and alienation appeared to be the norm. By not succumbing to the myth of Weimar and its literary giants, but being willing to explore the phenomenon as a complex cultural system with a unique signature, this book provides an account of its shaping beliefs, preoccupations, motifs, and values. Contributions from leading German, British, and North American scholars open up multiple interdisciplinary perspectives on the period. Essays on the novel, poetry, drama, and theater are joined by accounts of politics, philosophy, visual culture, women writers, and science. The reader is introduced to the full panoply of cultural life in Weimar, its accomplishments as well as its excesses and follies. Emancipatory and doctrinaire by turns, the project of Weimar Classicism is best approached as a complex whole. Contributors: Dieter Borchmeyer, Charles Grair, Gail Hart, Thomas Saine, Jane Brown, Cyrus Hamlin, Roger Stephenson, Elisabeth Krimmer, Helmut Pfotenhauer, Benjamin Bennett, Astrida Orle Tantillo, W. Daniel Wilson. Simon J. Richter is associate professor of German at the University of Pennsylvania.

German literature --- History --- 830 <09> --- 830 <09> Duitse literatuur--Geschiedenis van ... --- Duitse literatuur--Geschiedenis van ... --- History and criticism --- Duitse literatuur--Geschiedenis van .. --- Enlightenment --- Influence --- Classicism --- Pseudo-classicism --- Aesthetics --- Literature --- Civilization, Classical --- Civilization, Germanic --- Germanic literature --- Germanic peoples --- Literature, Medieval --- Germanic tribes --- Ethnology --- Indo-Europeans --- Teutonic race --- Germanic civilization --- Teutonic civilization --- Civilization --- Young Germany --- Sturm und Drang movement --- Storm and stress --- History and criticism. --- Influence. --- anno 1300-1399 --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699 --- Duitse literatuur--Geschiedenis van . --- Duitse literatuur--Geschiedenis van --- German literature - Middle High German, 1050-1500 - History and criticism. --- German literature - Early modern, 1500-1700 - History and criticism. --- Sturm und Drang movement. --- British literature. --- German literature. --- Goethe. --- North American literature. --- Romantic. --- Weimar Classicism. --- accomplishments. --- alienation. --- complex cultural system. --- cultural life. --- culture. --- division. --- drama. --- excesses. --- follies. --- fragmentation. --- human life. --- literary period. --- motifs. --- novel. --- philosophy. --- poetry. --- politics. --- preoccupations. --- science. --- shaping beliefs. --- theater. --- values. --- visual culture. --- women writers. --- Charms. --- Chronicles. --- Early Middle Ages. --- German Literature. --- Heroic Material. --- Hildebrandlied. --- Latin Influence. --- Literary Language. --- Ludwigslied. --- Manuscript Culture. --- Old High German Literature. --- Otfrid's Gospel-Poem. --- Prayers. --- Translations. --- Clayton Koelb. --- Drama. --- Eric Downing. --- Impressionism. --- Lyric Poetry. --- Music-Drama. --- Naturalism. --- Nineteenth-Century German Literature. --- Poetic Realism. --- Prose Fiction. --- Romanticism. --- Social and Political Context. --- Symbolism.