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Changing Pictures is the first extensive art historical study on the discoloration of old master paintings, concentrating on oil paintings from the 15th to the 17th centuries. The point of departure for this book is contemporaneous writings on oil painting technique and on the use of colour and light and shade in paintings – texts written by both professional and amateur painters, art lovers or connoisseurs, and ranging from manuscripts with succinct practical instructions to early published scholarly treatises which expound in detail the myriad aspects of the art of painting. In this book, the historical research has been conducted in parallel with a technical study of paintings and the artificial ageing of reconstructed traditional paints. This integrated approach provides new insight into the composition of the paints used by the old masters. It also reveals that both the degree and the nature of the discoloration can depend on a large number of material and technical variables, including the quality of the pigments, the type of binding medium and the painting technique. Historical writings also provide valuable understanding of the original colours and modelling of old paintings. By means of several examples of ‘changed pictures’, the author demonstrates how studies of the old texts – together with examinations of preparatory sketches/drawings, early copies of the discoloured paintings and our knowledge of the ageing of paint materials – enable us to deduce a painting’s original appearance thereby gaining a more reliable insight into the intentions of the artist.

restauratie (kunst) --- color [perceived attribute] --- Painting --- oil paint [paint] --- kleurenleer --- restoration [process] --- Conservation. Restoration --- Dyes --- schildertechnieken --- olieverfschilderijen --- painting techniques --- oil paintings [visual works] --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- Europe --- Paint --- Pigments --- Artists' materials --- Deterioration --- Conservation and restoration --- Preservation --- History --- Painting, Renaissance --- Kleuren. --- Schilderijen. --- Techniek. --- History. --- Conservation and restoration. --- Preservation. --- Enamel paints --- Paints --- Varnish paints --- Coatings --- Finishes and finishing --- Protective coatings --- Corrosion and anti-corrosives --- Paint materials --- Paintings, Renaissance --- Renaissance painting --- Paint - Deterioration --- Painting - Conservation and restoration --- Pigments - Preservation --- Artists' materials - Europe - History

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Animals in art --- Animals --- Painting, European --- Painting, Renaissance --- Symbolic aspects --- Themes, motives --- 7.04 --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- animal art --- Dierensymboliek. --- zinnebeelden --- 14de eeuw --- Paintings, Renaissance --- Renaissance painting --- European painting --- Animal kingdom --- Beasts --- Fauna --- Native animals --- Native fauna --- Wild animals --- Wildlife --- Organisms --- Human-animal relationships --- Zoology --- Animal painting and illustration --- Pets in art --- Wild animals in art --- Zoo animals in art --- symbolism [artistic concept] --- Iconography --- dieren --- symboliek --- 15de eeuw --- 16de eeuw --- 17de eeuw --- Animals in art - Encyclopedias --- Animals - Symbolic aspects - Europe - Encyclopedias --- Painting, European - Themes, motives - Encyclopedias --- Painting, Renaissance - Themes, motives - Encyclopedias --- Animaux --- Symboles --- dieren. --- zinnebeelden. --- symboliek. --- 14de eeuw. --- 15de eeuw. --- 16de eeuw. --- 17de eeuw.