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Haacke, Hans

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Haacke, Hans --- Haacke, Hans, --- 7.071 HAACKE, HANS --- Beeldende kunst ; 1956-2004 ; Hans Haacke --- Conceptuele kunst ; installaties --- Haacke, Hans °1936 (°Köln, Duitsland) --- Kunst en politiek --- Process Art --- 7.071 HAACKE --- Molly Nesbit, Walter Grasskamp, Jon Bird --- kunst en maatschappij --- Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--HAACKE, HANS --- kunstgeschiedenis, 20e eeuw --- 7.07 --- Kunst en maatschappij --- Duitsland --- Haacke Hans --- installaties --- kunst en politiek --- kunst --- twintigste eeuw --- 705.8 --- conceptuele kunst --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- sculpting --- Sculpture --- art [fine art] --- Conceptual --- Art styles --- Iconography --- Art --- anno 1900-1999 --- anno 2000-2099 --- Germany --- Criticism and interpretation. --- Contemporary [style of art] --- conceptual artists --- Haacke, Hans, - 1936 --- -705.8 --- -Haacke, Hans, - 1936 --- -Art styles --- art [discipline] --- kunstsociologie --- -Haacke, Hans

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Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum "to remove the work is to destroy the work" is being challenged by new models of site specificity and changes in institutional and market forces. One Place after Another offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renee Green, Suzanne Lacy, Inigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.

Art --- outdoor sculpture --- earthworks [sculpture] --- art [discipline] --- public art --- art theory --- site-specific works --- identity --- public spaces --- interactive art --- Andre, Carl --- LeWitt, Sol --- Buren, Daniel --- Lacy, Suzanne --- Holt, Nancy --- Haacke, Hans --- Morris, Robert --- Smithson, Robert --- Weiner, Lawrence --- Manglano-Ovalle, Iñigo --- Martinez, Daniel Joseph --- Müller, Christian Philipp --- Sperandio, Christopher --- Torres, Rigoberto --- Ukeles, Mierle Laderman --- Noguchi, Isamu --- Serra, Richard --- Moore, Henry --- Acconci, Vito --- Judd, Donald --- Dion, Mark --- Orozco, Gabriel --- Wodiczko, Krysztof --- Calder, Alexander --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2009

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Art styles --- Minimal --- Nauman, Bruce --- Baer, Jo --- Artschwager, Richard --- Stella, Frank --- Andre, Carl --- Serra, Richard --- Novros, David --- Oldenburg, Claes --- Weiner, Lawrence --- Chamberlain, John --- Truitt, Anne --- Kauffman, Craig --- McCracken, John Harvey --- Judd, Donald --- Graham, Dan --- Gonschior, Kuno --- Flavin, Dan --- Humphrey, Ralph --- Smith, Tony --- Smithson, Robert --- Barry, Robert --- Bladen, Ronald --- Ryman, Robert --- Mangold, Robert Peter --- Hesse, Eva --- Morris, Robert --- Rockburne, Dorothea --- Irwin, Robert --- Marden, Brice --- Huot, Bob/Robert --- Martin, Agnes --- Johanson, Patricia --- Asher, Michael --- Haacke, Hans --- Bochner, Mel --- LeWitt, Sol --- Chicago, Judy --- Bell, Larry --- Huebler, Douglas --- anno 2000-2099 --- anno 1900-1999 --- anno 1960-1969 --- anno 1950-1959 --- Art, Modern --- Art, American --- Minimal art --- (069) --- 7.038 --- Beeldende kunst ; 1958-1968 ; Minimal Art ; naslagwerken --- Andre Carl --- Ann Goldstein ; Essays by Diedrich Diederichsen, Jonathan Flatley, Carrie Lambert [et al.] --- Artschwager Richard --- Asher Michael --- Baer Jo --- Barry Robert --- Bell Larry --- Bladen Ronald --- Bochner Mel --- Chamberlain John --- Chicago Judy --- Flavin Dan --- Graham Dan --- Grosvenor Robert --- Haacke Hans --- Hesse Eva --- Huebler Douglas --- Humphrey Ralph --- Huot Robert --- Irwin Robert --- Johanson Patricia --- Judd Donald --- Kauffman Craig --- LeWitt Sol --- Mangold Robert --- Marden Brice --- Martin Agnes --- McCracken John --- Mogensen Paul --- Morris Robert --- Nauman Bruce --- Novros David --- Oldenburg Claes --- Rockburne Dorothea --- Ryman Robert --- Serra Richard --- Smith Tony --- Smithson Robert --- Stella Frank --- Truitt Anne --- Verenigde Staten --- Weiner Lawrence --- beeldhouwkunst --- concept art --- conceptuele kunst --- design --- installaties --- kunst --- minimal art --- minimalisme --- schilderkunst --- 705.8 --- (Musea. Collecties) --- Kunstgeschiedenis ; 1950 - 2000 --- kunstgeschiedenis, 20e eeuw --- Huot, Robert --- Baer, Josephine Gail --- Art, Modern - 20th century --- Art, American - 20th century - Exhibitions --- Minimal art - Exhibitions

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History --- Painting --- Sculpture --- private collections --- installations [visual works] --- painting [image-making] --- sculpting --- Art --- art history --- Paolini, Giulio --- Parmentier, Michel --- Durand-Dessert, Liliane --- Boltanski, Christian --- Kounellis, Jannis --- Pei-Ming, Yan --- Morellet, François --- Warhol, Andy --- Rousse, Georges --- Brouwn, Stanley --- Verjux, Michel --- Darboven, Hanne --- Flanagan, Barry --- Burgin, Victor --- Burkhard, Balthasar --- Fabro, Luciano --- Kosuth, Joseph --- Tatah, Djamel --- Rutault, Claude --- Oppenheim, Yves --- Federle, Helmut M. --- Cadere, André --- Garouste, Gérard --- Beuys, Joseph --- Rückriem, Ulrich --- Visser, Carel --- Feldmann, Hans-Peter --- Collin-Thiébaut, Gérard --- Anselmo, Giovanni --- Elk, van, Ger --- Pistoletto, Michelangelo --- Merz, Mario --- Wegman, William --- Frère, Michel --- Penone, Giuseppe --- Ruthenbeck, Reiner --- Charlton, Alan --- Panamarenko --- Manzoni, Piero --- Broodthaers, Marcel --- Ufan, Lee --- Brauntuch, Troy --- Durand-Dessert, Michel --- Sandback, Frederick Laue --- Tosani, Patrick --- Tremlett, David --- Lavier, Bertrand --- Haacke, Hans --- Graham, Dan --- Pascali, Pino --- Zorio, Gilberto --- Vercruysse, Jan --- Richter, Gerhard --- Wilson, Ian --- Honegger, Gottfried --- Parmeggiani, Claudio --- Hilliard, John --- Boetti, Alighiero --- Galerie Liliane et Michel Durand-Dessert --- anno 1900-1999 --- anno 2000-2099 --- verzameling Durand-Dessert (Grenoble) --- moderne kunst --- hedendaagse kunst --- Lee, Ufan --- verzameling Durand-Dessert (Grenoble). --- moderne kunst. --- hedendaagse kunst. --- Durand-Dessert, Liliane. --- Durand-Dessert, Michel. --- private collections [object groupings]