Listing 1 - 7 of 7 |
Sort by
|
Choose an application
The history of modern European languages has been largely determined by the range of functions they have acquired, particularly after 1500. This development necessitated a notable expansion of their syntax and lexis, but is most characteristically reflected in the conventionalization of text types. Starting from the German concept of Textsorte as developed from the 1960's onwards, the present account is a first comprehensive attempt at charting the field for the history and present-day situation of the English language. In text types, a designation is linked with a more or less stable form which guides the writer's production as well as the reader's expectation, permitting one to recognize straightforward uses as well as deliberate misuses. Some two thousand of such designations are here listed with minimal definitions and dates for first occurrences. The discussion then concentrates on selected types, which are seen as especially illustrative for English: book dedications, cooking recipes, advertisements, church hymns, lexical entries, and jokes. Their functions and development over time are treated in correlation with their specific linguistic characteristics and adaptations to different period styles and social changes in the readership. The functional range of text types in traditions outside England and the consequences of the export of English categories are exemplified by the history of Scots/Scottish English and of English in India. The arguments are accompanied by a lavish supply of textual excerpts and more than fifty pages of facsimiles, which are especially relevant for insights derived from typographical features. A full bibliography and indices are provided at the end. The book will prove useful for decisions on the constitution of representative text corpora and stimulate research into a greater number of individual text types as well as contrastive analyses at least among European languages.
English language --- Literary form --- History. --- Variation. --- Historical linguistics --- #KVHA:Taalkunde; Engels --- #KVHA:Historische linguistiek; Engels --- Anglais (Langue) --- Genres littéraires --- History --- Histoire --- Variation --- Form, Literary --- Forms, Literary --- Forms of literature --- Genre (Literature) --- Genre, Literary --- Genres, Literary --- Genres of literature --- Literary forms --- Literary genetics --- Literary genres --- Literary types (Genres) --- Literature --- Dialects --- Germanic languages
Choose an application
The Shape of the Signifier is a critique of recent theory--primarily literary but also cultural and political. Bringing together previously unconnected strands of Michaels's thought--from "Against Theory" to Our America--it anatomizes what's fundamentally at stake when we think of literature in terms of the experience of the reader rather than the intention of the author, and when we substitute the question of who people are for the question of what they believe. With signature virtuosity, Michaels shows how the replacement of ideological difference (we believe different things) with identitarian difference (we speak different languages, we have different bodies and different histories) organizes the thinking of writers from Richard Rorty to Octavia Butler to Samuel Huntington to Kathy Acker. He then examines how this shift produces the narrative logic of texts ranging from Toni Morrison's Beloved to Michael Hardt and Toni Negri's Empire. As with everything Michaels writes, The Shape of the Signifier is sure to leave controversy and debate in its wake.
American literature --- Literary form. --- Signification (Logic) in literature. --- History and criticism --- Theory, etc. --- History and criticism. --- Form, Literary --- Forms, Literary --- Forms of literature --- Genre (Literature) --- Genre, Literary --- Genres, Literary --- Genres of literature --- Literary forms --- Literary genetics --- Literary genres --- Literary types (Genres) --- English literature --- Literature --- Agrarians (Group of writers) --- Literary form --- Signification (Logic) in literature --- History and criticism&delete& --- Theory, etc
Choose an application
English language --- Creative writing --- Report writing --- Literary form --- Literature - General --- English Language --- English --- Languages & Literatures --- Form, Literary --- Forms, Literary --- Forms of literature --- Genre (Literature) --- Genre, Literary --- Genres, Literary --- Genres of literature --- Literary forms --- Literary genetics --- Literary genres --- Literary types (Genres) --- Literature --- Germanic languages --- Rhetoric --- Study and teaching. --- Study and teaching
Choose an application
"Genre theory in the past few years has contributed immensely to our understanding of the way discourse is used in academic, professional and institutional contexts. However, its development has been constrained by the nature and design of its applications, which have invariably focused on language teaching and learning, or communication training and consultation. This has led to the use of simplified and idealised genres. In contrast to this, the real world of discourse is complex, dynamic and unpredictable. This tension between the real world of written discourse and its representation in applied genre-based literature is the main theme of this book. The book addresses this theme from the perspectives of four rather different worlds: the world of reality, the world of private intentions, the world of analysis and the world of applications. Using examples from a range of situations including advertising, business, academia, economics, law, book introductions, reports, media and fundraising, Bhatia uses discourse analysis to move genre theory away from educational contexts and into the real world."--Bloomsbury Publishing Genre theory in the past few years has contributed immensely to our understanding of the way discourse is used in academic, professional and institutional contexts. However, its development has been constrained by the nature and design of its applications, which have invariably focused on language teaching and learning, or communication training and consultation. This has led to the use of simplified and idealised genres. In contrast to this, the real world of discourse is complex, dynamic and unpredictable. This tension between the real world of written discourse and its representation in applied genre-based literature is the main theme of this book. The book addresses this theme from the perspectives of four rather different worlds: the world of reality, the world of private intentions, the world of analysis and the world of applications. Using examples from a range of situations including advertising, business, academia, economics, law, book introductions, reports, media and fundraising, Bhatia uses discourse analysis to move genre theory away from educational contexts and into the real world. Introduction • Overview: Perspectives on Discourse • The World of Reality • The World of Private Intentions • The World of Analysis • The World of Applications • References
Discourse analysis, Literary. --- English language --- Literary form. --- Discourse analysis --- Geschreven taal --- Literaire stijl --- Discoursanalyse --- Study and teaching. --- Genres. --- Discourse analysis. --- Discoursanalyse. --- Literary form --- Discourse analysis, Literary --- Language and languages --- Form, Literary --- Forms, Literary --- Forms of literature --- Genre (Literature) --- Genre, Literary --- Genres, Literary --- Genres of literature --- Literary forms --- Literary genetics --- Literary genres --- Literary types (Genres) --- Literature --- Linguostylistics --- Stylistics --- Literary style --- Literary discourse analysis --- Rhetoric --- Study and teaching --- Style --- English language Study and teaching --- Style.
Choose an application
"In Lyric Generations, G. Gabrielle Starr rejects the usual genealogy of lyric poetry in which Romantic poets are thought to have built solely and directly upon the works of Chaucer, Spenser, Shakespeare, and Milton. She argues instead the novelists such as Richardson, Haywood, Behn, and others, while drawing upon earlier lyric conventions, ushered in a new language of self-expression and community which profoundly affected the aesthetic goals of lyric poets. Examining the works of Cowper, Smith, Wordsworth, Coleridge, and Keats in light of their competitive dialogue with the novel, Starr advances a literary history that considers formal characteristics as products of historical change. In a world increasingly defined by prose, poets adapted the new forms, characters, and moral themes of the novel in order to reinvigorate poetic practice."--Jacket.
English fiction --- English poetry --- Literary form --- Lyric poetry --- History and criticism. --- History --- Engels. --- Romans. --- Lyriek. --- Lyric poetry. --- Literary form. --- English poetry. --- English fiction. --- Poesie lyrique --- Genres litteraires --- Poesie anglaise --- Roman anglais --- Histoire et critique. --- Histoire --- English literature --- Form, Literary --- Forms, Literary --- Forms of literature --- Genre (Literature) --- Genre, Literary --- Genres, Literary --- Genres of literature --- Literary forms --- Literary genetics --- Literary genres --- Literary types (Genres) --- Literature --- Poetry --- Ethnology --- Italic peoples --- Latini (Italic people)
Choose an application
Schwankromane wie etwa der "Pfaffe Amîs", der "Kalenberger" oder "Neithart Fuchs" standen lange Zeit im Schatten des bekannteren Eulenspiegel-Romans. Dabei prägten die übrigen Romane deutlich die Erscheinungsform auch dieses Werks der Weltliteratur und somit auch die faszinierende, zum Teil widersprüchlich wirkende Zeichnung seines Helden. Der Band zeigt, wie im 15. und 16. Jahrhundert, ausgehend von älteren Stoffen, mit den neuen Mitteln der typographischen Revolution eine literarische Gattung ins Leben gerufen wurde, die sich als Unterhaltungsliteratur an ein breiteres anonymes Publikum richtete. Die Untersuchung ermöglicht Einblicke sowohl in die Mentalitätsgeschichte einer Zeit, deren Ängste und Wünsche sich paradigmatisch in der Symbolfigur des Narren spiegeln, als auch in erste unternehmerische Strategien, Bücher am Markt zu etablieren, indem sie sich an anderen erfolgreichen Titeln orientieren.
Genres [Letterkundige ] --- Genres [Literaire ] --- Genres littéraires --- Humor en geestigheid in de literatuur --- Humor in literature --- Humour dans la littérature --- Letterkundige genres --- Literaire genres --- Literary form --- German literature --- Fabliaux --- Tales, Medieval --- History and criticism --- 830-91 --- Duitse literatuur: populaire literatuur; volksboek --- Humor in literature. --- Literary form. --- Romances, German --- History and criticism. --- 830-91 Duitse literatuur: populaire literatuur; volksboek --- Form, Literary --- Forms, Literary --- Forms of literature --- Genre (Literature) --- Genre, Literary --- Genres, Literary --- Genres of literature --- Literary forms --- Literary genetics --- Literary genres --- Literary types (Genres) --- Literature --- Romances [German ] --- Middle High German, 1050-1500 --- Early modern, 1500-1700 --- German literature - Early modern, 1500-1700 - History and criticism --- Fabliaux - History and criticism --- Tales, Medieval - History and criticism
Choose an application
82 <03>
---
82 <031>
---
82
---
Criticism
---
-English language
---
-Literature
---
-Literary form
---
-#BIBC:ruil
Listing 1 - 7 of 7 |
Sort by
|