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Art --- Picture frames and framing --- Art. --- Picture frames and framing. --- Frames, Picture --- Framing of pictures --- Picture framing --- Art, Daghestan --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Artists' materials --- Arts --- Aesthetics --- Art, Primitive

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Art --- Art, Modern --- Art. --- Art, Modern. --- Modern art --- Nieuwe Ploeg (Group of artists) --- Art, Daghestan --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Tate Gallery --- Tate Gallery. --- National Gallery, British Art --- Tate Gallery, London --- National Gallery of British Painting, Modern Foreign Painting and Modern Sculpture --- Tate Britain (Gallery) --- Tate Modern (Gallery) --- 2000-2099 --- art [fine art] --- kunst --- Tate Gallery [London] --- Arts and Humanities --- Performing Arts, Travel and Leisure --- art [discipline]

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This book explores Callimachus' allusive practice in his Aetia prologue and Hymns 4, 5, and 6, and in Ovid's Metamorphoses . The study includes an overview of modern approaches to poetic allusion, a close (re-)examination of the lexical allusions in the Aetia's and Metamorphoses' prologues, extensive examinations of allusive techniques within selections of these works, the poets' use of 'signposting' and 'authorization' techniques, and the relationship between allusion and genre.

Fables, Latin --- Mythology, Classical, in literature. --- Metamorphosis in literature. --- Allusions in literature. --- Rhetoric, Ancient. --- Intertextuality. --- Art. --- Art appreciation. --- Fables, Latin. --- Influence (Literary, artistic, etc.) --- Technique. --- Criticism --- Semiotics --- Ancient rhetoric --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Art --- Influence (Psychology) --- Literature --- Intermediality --- Intertextuality --- Originality in literature --- Latin fables --- Appreciation of art --- Art criticism --- Art, Daghestan --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- History and criticism. --- Rhetoric --- Analysis, interpretation, appreciation --- Ovid, --- Callimachus --- Callimachus. --- Callimachus Cyrenaeus --- Callimaco --- Callimaque --- Kallimachus --- Kallimachos --- Kallimachos van Kyrene --- Nasó, P. Ovidi, --- Naso, Publius Ovidius, --- Nazon, --- Ouidio, --- Ovide, --- Ovidi, --- Ovidi Nasó, P., --- Ovidiĭ, --- Ovidiĭ Nazon, Publiĭ, --- Ovidio, --- Ovidio Nasón, P., --- Ovidio Nasone, Publio, --- Ovidios, --- Ovidiu, --- Ovidius Naso, P., --- Ovidius Naso, Publius, --- Owidiusz, --- P. Ovidius Naso, --- Publiĭ Ovidiĭ Nazon, --- Publio Ovidio Nasone, --- Ūvīd, --- Kallimakh --- Kālīmākhūs al-Qūrīnī --- Qūrīnī, Kālīmākhūs --- Calímaco --- Kallimach --- אוביד, --- Ovidius Naso, Publius. --- Knowledge --- Literature. --- Appreciation --- Influence. --- Metamorphoses (Ovid) --- P. Ovidii Nasonis Metamorphoses (Ovid) --- Metamorphoses (Ovidius Naso, Publius) --- Publii Ovidii Nasonis Metamorphoseos liber (Ovid) --- Publii Ouidii Nasonis Metamorphoseos liber (Ovid) --- Metamorphoseos liber (Ovid) --- Rome (Empire) --- Rim --- Roman Empire --- Roman Republic --- Rome --- Romi (Empire) --- Byzantine Empire --- Italy --- Fables, Latin - History and criticism. --- Ovid, - 43 B.C.-17 or 18 A.D. - Metamorphoses. --- Ovid, - 43 B.C.-17 or 18 A.D. - Knowledge - Literature. --- Callimachus - Knowledge - Literature. --- Callimachus - Technique. --- Callimachus - Influence. --- Ovid, - 43 B.C.-17 or 18 A.D.