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Conceptual art consisted of a loose collection of related practices that emerged worldwide during the 1960s and 1970s. This collection of essays offers readers a wealth of new research on the earliest international exhibitions of Conceptual art; new interpretations of some of its most important practitioners; and a reconsideration of the relationship between Conceptual art and the intellectual and social context of the 1960s and 1970s. Of special note are the contributions that focus on the explicitly social and political aspirations of this influential avant-garde artistic practice.

Art conceptuel --- Art conceptuel --- Art conceptuel --- Art conceptuel --- Art conceptuel --- Art conceptuel --- Art --- Art, Modern --- Art, Modern --- Art, Modern. --- Aufsatzsammlung. --- Aufsatzsammlung. --- Concept-art. --- Concept-art. --- Conceptual art --- Conceptual art --- Conceptual art --- Conceptual art --- Conceptual art --- Conceptual art --- Conceptual art. --- Conceptuele kunst. --- Konceptkonst --- 1900-1999. --- Australia. --- Great Britain. --- North America.

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Allan Kaprow has been described as an avant-garde revolutionary, a radical sociologist, a Zen(ish) monk, a progressive educator, and an anti-art theorist. But, above all, as this book reminds us, he has been an influential artist. Known for his "Happenings," Kaprow created vanguard performances in the early 1960s in which he collaged various art forms (painting, music, dance), disguised as ordinary things (newspaper, noise, body movement), into quasi-theatrical events. In the decades since, his works have remained open to the changing character of contemporary experience, always seeking the thresholds at which art and life converge. Because this art places such emphasis on direct experience, some people today think Kaprow's works were primarily transitory and immaterial. 'Childsplay 'corrects that misconception by providing a vivid description of Kaprow's Happenings and other art activities, clarifying their materiality, duration, and setting, as well as the ways in which people participated in them. Jeff Kelley brings the artist, his era, and his work to life by showing that Kaprow's artworks were physically present, socially engaged, and intellectually resonant in the moment of their enactment.

Kaprow, Allan --- kunst --- twintigste eeuw --- installaties --- Kaprow Allan --- concept art --- conceptuele kunst --- happenings --- performances --- 7.071 KAPROW --- Conceptual art --- Happening (Art) --- Criticism and interpretation. --- Conceptual --- Action theater --- Event art --- Manifestations (Happenings) --- Mixed means, Theater of --- Painter's theater (Happenings) --- Realizations (Happenings) --- Theater of mixed means --- Total art (Happenings) --- Total theater (Happenings) --- Art, Modern --- Arts, Modern --- Pantomime --- Performance art

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Wat drijft een man, die publiek vooral bekend staat als een bedrijfsleider en bankier, om een boek te schrijven over hedendaagse beeldende kunst? Paul Tanghe studeerde rechten en economie en was vanaf 1966 actief in ondernemingen, in de textielindustrie, en vanaf 1968 in de financiële sector, met name in CERA Bank en na de fusie met Kredietbank vanaf 1998 in Cera Holding en de Almanij/KBC-Groep. Al die jaren besteedde hij evenwel zijn hele vrije tijd aan kunst. Hij behaalde een licentie filosofie en schreef een verhandeling over het kunstfilosofische onderwerp: Robert Morris: vorm en vormeloosheid. Hij bestudeerde systematisch de kunst van het Westen maar ook van andere culturen en onderzocht gedurende jaren één voor één de meest diverse muziekvormen. Het boek is een gepassioneerde getuigenis en een boeiend filosofisch traktaat. Vanuit een beschrijving van het ontstaan en de belangrijkste kenmerken van de hedendaagse kunst trekt hij grenzen en zoekt hij naar verbanden om de beeldende kunst een plaats te geven binnen het geheel van menselijke activiteiten. Hij onderzoekt op een dieper niveau de eigenheid van de beeldende kunst door een aantal basiskenmerken ervan te belichten en hij neemt een standpunt in in de discussie over de zingevende functie van kunst. Maar ook wat betreft het gebrek aan zin en de vele vormen van waanzin binnen de hedendaagse kunst...

Art, Modern --- Philosophy --- kunstfilosofie --- philosophy of art --- hedendaagse kunst --- Philosophy and psychology of culture --- Contemporary [style of art] --- Art --- anno 1900-1999 --- C3 --- religieuze ervaring --- zingeving --- Kunst --- 130.2 --- 7.01 --- België --- concept art --- conceptuele kunst --- cultuurfilosofie --- filosofie --- kunst --- kunst en maatschappij --- kunst en religie --- kunsttheorie --- minimal art --- minimalisme --- twintigste eeuw --- 7.039 --- Beeldende kunst ; zingevende functie --- Kunsttheorie ; 21ste eeuw --- Kunsttheorie ; over hedendaagse kunst ; 21ste eeuw --- 625 Beeldende kunst --- #A0411A --- Kunst en cultuur --- Kunst ; theorie, filosofie, esthetica --- Kunstgeschiedenis ; 2000 - 2050 --- Kunstfilosofie --- Kunsten --- 1945 --- -Art, Modern --- -Kunstfilosofie --- -Philosophy and psychology of culture --- art [fine art] --- anno 2000-2099 --- 2e helft 20e eeuw --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- art [discipline] --- 1945-

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Art styles --- Minimal --- Nauman, Bruce --- Baer, Jo --- Artschwager, Richard --- Stella, Frank --- Andre, Carl --- Serra, Richard --- Novros, David --- Oldenburg, Claes --- Weiner, Lawrence --- Chamberlain, John --- Truitt, Anne --- Kauffman, Craig --- McCracken, John Harvey --- Judd, Donald --- Graham, Dan --- Gonschior, Kuno --- Flavin, Dan --- Humphrey, Ralph --- Smith, Tony --- Smithson, Robert --- Barry, Robert --- Bladen, Ronald --- Ryman, Robert --- Mangold, Robert Peter --- Hesse, Eva --- Morris, Robert --- Rockburne, Dorothea --- Irwin, Robert --- Marden, Brice --- Huot, Bob/Robert --- Martin, Agnes --- Johanson, Patricia --- Asher, Michael --- Haacke, Hans --- Bochner, Mel --- LeWitt, Sol --- Chicago, Judy --- Bell, Larry --- Huebler, Douglas --- anno 2000-2099 --- anno 1900-1999 --- anno 1960-1969 --- anno 1950-1959 --- Art, Modern --- Art, American --- Minimal art --- (069) --- 7.038 --- Beeldende kunst ; 1958-1968 ; Minimal Art ; naslagwerken --- Andre Carl --- Ann Goldstein ; Essays by Diedrich Diederichsen, Jonathan Flatley, Carrie Lambert [et al.] --- Artschwager Richard --- Asher Michael --- Baer Jo --- Barry Robert --- Bell Larry --- Bladen Ronald --- Bochner Mel --- Chamberlain John --- Chicago Judy --- Flavin Dan --- Graham Dan --- Grosvenor Robert --- Haacke Hans --- Hesse Eva --- Huebler Douglas --- Humphrey Ralph --- Huot Robert --- Irwin Robert --- Johanson Patricia --- Judd Donald --- Kauffman Craig --- LeWitt Sol --- Mangold Robert --- Marden Brice --- Martin Agnes --- McCracken John --- Mogensen Paul --- Morris Robert --- Nauman Bruce --- Novros David --- Oldenburg Claes --- Rockburne Dorothea --- Ryman Robert --- Serra Richard --- Smith Tony --- Smithson Robert --- Stella Frank --- Truitt Anne --- Verenigde Staten --- Weiner Lawrence --- beeldhouwkunst --- concept art --- conceptuele kunst --- design --- installaties --- kunst --- minimal art --- minimalisme --- schilderkunst --- 705.8 --- (Musea. Collecties) --- Kunstgeschiedenis ; 1950 - 2000 --- kunstgeschiedenis, 20e eeuw --- Huot, Robert --- Baer, Josephine Gail --- Art, Modern - 20th century --- Art, American - 20th century - Exhibitions --- Minimal art - Exhibitions