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This Companion provides an overview of the composer Anton Bruckner (1824-1896). Sixteen chapters by leading scholars investigate aspects of his life and works and consider the manner in which critical appreciation has changed in the twentieth century. The first section deals with Bruckner's Austrian background, investigating the historical circumstances in which he worked, his upbringing in Upper Austria, and his career in Vienna. A number of misunderstandings are dealt with in the light of recent research. The remainder of the book covers Bruckner's career as church musician and symphonist, with a chapter on the neglected secular vocal music. Religious, aesthetic, formal, harmonic, and instrumental aspects are considered, while one chapter confronts the problem of the editions of the symphonies. Two concluding chapters discuss the symphonies in performance, and the history of Bruckner-reception with particular reference to German Nationalism, the Third Reich and the appropriation of Bruckner by the Nazis.
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Music --- Composers --- Musique --- Compositeurs --- Biography --- Biographies --- Bruckner, Anton, --- Criticism and interpretation. --- Bruckner, Anton --- Bruckner, Josef Anton, --- Bruckner, Joseph Anton, --- Brukner, Anton, --- Burukkunā, Anton, --- Bruckner, Jozef Anton --- Criticism and interpretation --- Bruckner, Anton, - 1824-1896
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Few works in the nineteenth-century repertoire have aroused such extremes of hostility and admiration, or have generated so many scholarly problems, as Anton Bruckner's symphonies. In this 2004 book, Julian Horton seeks fresh ways of understanding the symphonies and the problems they have accrued by treating them as the focus for a variety of inter-disciplinary debates and methodological controversies. He isolates problematic areas in the works' analysis and reception, and approaches them from a range of analytical, historical, philosophical, literary, critical and psychoanalytical viewpoints. The symphonies are thus explored in the context of a number of crucial and sometimes provocative themes, including the political circumstances of the works' production, Bruckner and post-war musical analysis, issues of musical influence, the problem of editions, Bruckner and psychobiography, and the composer's controversial relationship to the Nazis.
Symphonies --- Analysis, appreciation. --- Analysis, appreciation --- Bruckner, Anton, --- Bruckner, Anton --- Bruckner, Josef Anton, --- Bruckner, Joseph Anton, --- Brukner, Anton, --- Burukkunā, Anton, --- Criticism and interpretation. --- Bruckner, Jozef Anton --- Criticism and interpretation
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