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Startled by rapid social changes at the turn of the twentieth century, citizens of Atlanta wrestled with fears about the future of race relations, the shape of gender roles, the impact of social class, and the meaning of regional identity in a New South. Gavin James Campbell demonstrates how these anxieties were played out in Atlanta's popular musical entertainment. Examining the period from 1890 to 1925, Campbell focuses on three popular musical institutions: the New York Metropolitan Opera (which visited Atlanta each year), the Colored Music Festival, and the Georgia Old-Time Fiddlers' Conve
Music --- History and criticism. --- Atlanta (Ga.) --- History. --- City of Atlanta (Ga.)
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Painting --- Woodner, Ian --- High Museum of Art [Atlanta, Ga]
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Real property, Exchange of --- National parks and reserves --- Law and legislation --- Timucuan Ecological and Historic Preserve (Fla.) --- Lewis and Clark National and State Historical Parks (Or. and Wash.) --- Martin Luther King, Jr., National Historic Site (Atlanta, Ga.) --- Sand Creek Massacre National Historic Site (Colo.) --- Real property --- Law --- Travel
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Real property, Exchange of --- National parks and reserves --- Law and legislation --- Timucuan Ecological and Historic Preserve (Fla.) --- Lewis and Clark National and State Historical Parks (Or. and Wash.) --- Martin Luther King, Jr., National Historic Site (Atlanta, Ga.) --- Sand Creek Massacre National Historic Site (Colo.) --- Real property --- Law --- Travel
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