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Music and literature --- Musique et littérature --- Muziek en literatuur --- Literature and music --- Literature --- Beethoven, Ludwig van, --- Janáček, Leoš, --- Tolstoy, Leo, --- Beethoven, Ludwig van --- Janacek, Leos --- Beethoven (ludwig van), 1770-1827 --- Critique et interpretation --- Janáček, Leoš

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Het boek verzamelt artikels en bijdragen van Karel Wauters, emeritus hoogleraar moderne Nederlandse letterkunde aan de Universiteit Antwerpen. Ze houden verband met zijn belangstelling voor de literatuur en het muziekleven in Vlaanderen van de negentiende eeuw tot het interbellum. Heel diverse onderwerpen komen aan bod, zoals de Wagner-receptie in Vlaanderen, Peter Benoit, Hendrik Conscience, Guido Gezelle, Multatuli, het literair realisme, het schrijversduo Reimond Stijns en Isidoor Teirlinck, Gerard Walschap, de Nederlandse componist Diepenbrock, de Frans-Belgische auteur Georges Eekhoud en Hector Berlioz. Door een brede aanpak worden teksten, auteurs en fenomenen uit het culturele leven in Vlaanderen en Nederland in verband gebracht met de literatuur, de muziek en het geestesleven in Europa. Prof. Dr. Wauters heeft in zijn benadering van literatuur oog voor een ruimer verband met tijd en cultuur. De 'adem' uit de titel verwijst naar het persoonlijke, de betrokkenheid en het menselijke aspect in de kunstbeleving. Karel Wauters (1943) promoveerde in 1976 aan de K.U.Leuven op een proefschrift over «Wagner en Vlaanderen 1844-1914. Cultuurhistorische studie». Tot aan zijn emeritaat in oktober 2003 doceerde hij aan de Universiteit Antwerpen de geschiedenis van de Nederlandse letterkunde in de periode 1780-1914 en het tekstvak moderne Nederlandse auteurs.

Thematology --- Music --- Dutch literature --- anno 1800-1899 --- Histoire de la musique --- Huldeboeken --- Littérature néerlandaise --- Muziekgeschiedenis --- Mélanges --- Nederlandse letterkunde --- Wauters, Karel --- Flemish literature --- Music and literature. --- History and criticism. --- Wauters, Karel, --- History and criticism --- Music and literature --- Literature and music --- Literature --- Wauters, K. --- Dutch literature - History and criticism --- Flemish literature - History and criticism. --- LITTERATURE FLAMANDE --- MUSIQUE ET LITTERATURE --- HISTOIRE ET CRITIQUE

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Robert Schumann frequently expressed his deep admiration for the novels of Jean Paul Friedrich Richter, the late-eighteenth-century German novelist, essayist, and satirist. Schumann imitated Jean Paul's prose style in his own fiction and music criticism, and said once that he learned 'more counterpoint from Jean Paul than from my music teacher.' Drawing on the recent, groundbreaking work in musico-literary analysis of scholars such as Anthony Newcomb, John Daverio, and Lawrence Kramer, Erika Reiman embarks on a comparative study of Jean Paul's five major novels and Schumann's piano cycles of the 1830s, many of which are staples in the repertoire of concert pianists today. The present study begins with a thorough review of Jean Paul's literary style, emphasizing the digressions, intertextuality, self-reflexivity, and otherworldliness that distinguish it. The similarly digressive style that Schumann developed is then examined in his earliest works, including the enduring and highly original 'Carnaval' (1835), and in cycles of the later 1830s, notably 'Davidsbündlertänze' and 'Faschingsschwank aus Wien'. Finally, an analysis of three one-movement works from 1838-39 reveals links with Jean Paul's exploration of the idyll, an ancient genre that had experienced an eighteenth-century revival.Throughout, the author attempts to keep in mind the actual sound and performed experience of the works, and suggests ways in which an awareness of Jean Paul's style might change the performance and hearing of the cycles. Erika Reiman, received her Ph.D. in Musicology from the University of Toronto (1999) and has taught at Brock University, Wilfrid Laurier University, the University of Guelph, and the University of Toronto; she is also active as a pianist and chamber musician.

novelettes --- pianomuziek --- Jean Paul --- Schumann, Robert --- Music and literature --- Musique et littérature --- Muziek en literatuur --- 78 SCHUMANN, ROBERT --- 830 "18" JEAN PAUL --- Muziek--SCHUMANN, ROBERT --- Duitse literatuur--19e eeuw. Periode 1800-1899--JEAN PAUL --- Music and literature. --- Piano music --- History and criticism. --- 830 "18" JEAN PAUL Duitse literatuur--19e eeuw. Periode 1800-1899--JEAN PAUL --- 78 SCHUMANN, ROBERT Muziek--SCHUMANN, ROBERT --- History and criticism --- Literature and music --- Literature --- Jean Paul, --- Schumann, Robert, --- Paul, Jean, --- Richter, Johann Paul Friedrich, --- Rikhter, Zhen Polʹ Friderik, --- Richter, Jean Paul, --- Influence. --- Influence --- 19th century --- Piano music (Schumann, Robert) --- Klavierwerk (Schumann, Robert) --- Complete works for piano (Schumann, Robert) --- Carnaval. --- Davidsbündlertänze. --- Faschingsschwank aus Wien. --- Idyll Exploration. --- Jean Paul Friedrich Richter. --- Literary Influence. --- Performance and Hearing. --- Prose Style. --- Robert Schumann.