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It has been said that all cinema is a special effect. In this examination of time in film Sean Cubitt tries to get at the root of the uncanny effect produced by images and sounds that don't quite align with reality. What is it that cinema does? Cubitt proposes a history of images in motion from a digital perspective, for a digital audience." "Students of film will find Cubitt's analysis of noncanonical films like Sam Peckinpah's Pat Garrett and Billy the Kid as enlightening as his fresh takes on such classics as Renoir's Rules of the Game.

Film --- Sean Cubitt --- vroege film --- fantastische film --- decor --- Renoir Jean --- film --- filmtheorie --- filmgeschiedenis --- receptie-esthetica --- twintigste eeuw --- speciale effecten --- tijd --- ruimte --- beweging --- stille film --- digitale film --- geluid --- filmmuziek --- animatie --- Eisenstein Sergei --- Hollywood --- 791.41 --- 791.43 --- Cinematography --- Motion pictures --- Cinéma --- Cinéma, histoire --- Philosophie --- Special effects --- Philosophy --- Effets spéciaux --- Special effects (Cinematography) --- Trick cinematography --- Special effects. --- Philosophy. --- Cinematography - Special effects --- Motion pictures - Philosophy --- Cinéma - Effets spéciaux --- Cinéma - Philosophie