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Love stories --- History and criticism. --- Love --- Romances (Love stories) --- Romantic fiction --- Romantic stories --- Fiction --- History and criticism --- Love stories - History and criticism.

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In this work I have endeavoured to apply the theory of primary and secondary systems as defined by D.S. Likhachev to Russian literary texts. Likhachev's idea amounts to the fact that those systems reoccur alternately. Thus, a primary system evolves into a so-called elliptic stage which enables a succeeding, secondary system to develop itself. Conversely, when the latter has become the standard norm it gradually evolves, in turn, into a similar elliptic stage. This, in turn, gradually develops into a primary system too. As far as the fluent succession of systems is concerned, Likhachev's theory differs from a similar theory developed by E.R. Curtius. The latter assumes that literary works should be divided into works with a Classicistic and a Manneristic character. The first develop into the latter which show a frozen character with no original qualities. In the end works with a new Classicistic character develop themselves. These, in turn, have a vital character again. In other words, in Curtius' scheme there is no place for a fluent alternation of systems the way there is in Likhachev's.

Chain --- Classical --- Derzhavin's Poetry --- Gogol --- Gold --- Literature --- Mannerisms in Verbal and Pictorial Texts --- Observations --- Primary --- Romantic --- Russian --- russian Realism --- russian Romanticism --- Secondary --- Systems --- Waszink --- Weep

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Homophobia --- Gay rights --- Gays --- Homophobie --- Homosexuels --- Violence envers les homosexuels --- Violence against --- Droits --- Homophobia. --- Violence. --- Gay rights. --- Hate crimes. --- Crimes against. --- Law --- Sociology of minorities --- Sociology of the family. Sociology of sexuality --- Human rights --- Gays - Crimes against. --- DROIT INTERNATIONAL PUBLIC --- DISCRIMINATION A CARACTERE SEXUEL --- PROTECTION DE L'INDIVIDU --- Homosexuality --- Romantic and sexual orientation --- Legislation --- Book --- Discrimination --- Gay people --- Violence against.

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Analysis of the novellas of the German Romantic writer and composer, focusing on the issues of art and the artist. The German Romantic writer and composer E. T. A. Hoffmann (1776-1822) - perhaps best known to the English-speaking world through his 'Nutcracker' and through Jacques Offenbach's opera 'Tales of Hoffmann' - struggled to convince his predominantly bourgeois public of the merits of art and literature. Not surprisingly, many of his most important novellas are bound up with the dilemmas of art and the challenges faced by the Romantic artist, and it is these 'Künstlernovellen' that are the focus of this study. Birgit Röderargues that Hoffmann's artists are not simply individuals who create works of art, but rather figures through whom the author explores the predicament of those who reject the conventional world of bourgeois reality and seek to assert the claims of the imagination in a world dominated by prosaic rationalism. Contrary to previous scholars however, Röder demonstrates that Hoffmann's novellas clearly warn against a view of art as an autonomous aesthetic realm cut off from the world of reality. This is particularly apparent in Röder's analysis of gender relations in Hoffmann's oeuvre - especially the relationship between (male) artist and (female) muse - which underlines the extent to which art, literature, and the imagination are inseparably bound up with the prevailing social reality. The novellas that are given extensive consideration are 'Das Fräulein von Scuderi, Der Sandmann, Die Jesuiterkirche in G., Die Fermate, Der Artushof, Don Juan, Das Sanctus,' and 'Rat Krespel'. Birgit Röder teaches German language and literature at the University of Reading, UK.

Hoffmann, Ernst, Theodor, Amadeus --- Criticism and interpretation --- Hoffmann, E. T. A. --- Criticism and interpretation. --- Hoffmann, Ernst Theodor Amadeus --- Gofman, Ėrnst Teodor Amedeĭ, --- Hoffmann, Ernst Theodor Amadeus, --- Gofman, Ė. T. A. --- Hoffman, E. T. A., --- Huo-fu-man, En-ssu-tʻe Tʻai-ao-to-erh Wei-lien-huo-a-ma-tiu-ssu, --- Huo-fu-man, --- Hofmanis, E. T. A., --- Гофман, Эрнст Теодор Амадей, --- האפמאן, ע. ט. --- האפמען, ע.-ט --- LITERARY CRITICISM / European / German. --- Analysis. --- Art. --- Artist. --- Bad Baronet. --- Canon Lawyers. --- Catholic Church. --- Chaucer. --- Composer. --- Dilemmas. --- Don Juan. --- Female Muse. --- First Knight. --- Gender Relations. --- German Romantic Writer. --- Gulf War. --- Imagination. --- Male Artist. --- Novellas. --- PR Agent. --- Reality. --- Romantic Artist. --- Social Reality. --- Socialism. --- Urban Legend. --- Victorian Melodrama.

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Offering an account of the German philosophical tradition of thinking about art and the self, this text looks at recent historical research and contemporary arguments in philosophy and theory in the humanities following the path of German philosophy from Kant through Hegel to Nietzsche.

Subjectiviteit --- Subjectivity --- Subjectivité --- Aesthetics, German. --- Aesthetics, German - 18th century. --- Aesthetics, Modern. --- Subjectivity. --- Aesthetics, German --- Aesthetics, Modern --- Aesthetics --- Philosophy --- Philosophy & Religion --- Subjectivism --- History --- 7.01 <43> "17/18" --- -Aesthetics, German --- -Subjectivity --- Modern aesthetics --- German aesthetics --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--Duitsland voor 1945 en na 1989--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- 7.01 <43> "17/18" Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--Duitsland voor 1945 en na 1989--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- Knowledge, Theory of --- Relativity --- Aesthetics [German ] --- 18th century --- 19th century --- Aesthetics [Modern ] --- philosophy --- germany --- aesthetics --- Friedrich Nietzsche --- Friedrich Schleiermacher --- Friedrich Wilhelm Joseph Schelling --- Georg Wilhelm Friedrich Hegel --- Immanuel Kant --- Johann Gottlieb Fichte --- Metaphysics --- Modernity --- Critique of Judgement. --- Critique of Practical Reason. --- Critique of Pure Reason. --- Friedrich Schleiermacher. --- German politico-philosophical manifesto. --- Romantic thought. --- STI. --- aesthetic theory. --- conceptions of language. --- hermeneutics. --- human subject. --- modern philosophy. --- music. --- post-Kantian history. --- post-structuralism. --- pragmatism.