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Visual pathways --- Visual perception --- Visual cortex --- Voies optiques --- Perception visuelle --- Centre visuel --- Congresses. --- Congrès
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Qu'est-ce que voir ? Qu'est-ce que dire ce que l'on voit ? Qu'est-ce que faire voir ? Qui dit ce qu'il faut voir ? Cette étude tente de dégager l'économie propre à l'image dans le marché des visibilités auquel tout concourt aujourd'hui à la réduire. Toute image ne fait-elle pas le deuil de son objet ? Comment se construit la légitimité et le sens du jugement portant sur des objets "iconiques" qui sont des figures émotionnelles ? La passion de l'image est indissociable en Occident du destin iconique de la Passion christique. Cette passion ne s'est pas contentée d'articuler l'image à la doctrine de l'incarnation, elle a aussi fait l'objet d'un traitement institutionnel. Le vocabulaire de la chair s'est trouvé lié au lexique du corps de l'Eglise et, par la suite, à celui de tous les pouvoirs fondés sur l'adhésion et la soumission des regards. Décider d'une image est l'affaire d'un commerce, celui des êtres de parole qui ne cessent de faire circuler tous les signes qui produisent un monde commun. L'économie du visible est un choix politique, celui du partage des goûts et des dégoûts, donc des formes sensibles où se jouent les figures de l'amour et de la haine, donc d'une humanité qui reste toujours à construire.
Philosophy, Modern. --- Iconographie --- Perception de l'art --- Sémiologie de l'image --- Image (philosophie) --- Regard --- Sociologie visuelle --- Perception visuelle --- Communication visuelle --- Perception des images --- Image (théologie) --- Philosophie --- Philosophy, Modern --- Modern philosophy --- Sociologie visuelle. --- Perception visuelle. --- Communication visuelle. --- Perception des images. --- Philosophie.
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Vision --- Visual perception --- Perception visuelle --- Philosophy --- History --- Philosophie --- Histoire --- Optics --- Perspective. --- Visual perception. --- Optics and art. --- Art, Ancient. --- History. --- Ptolemy, --- Alhazen, --- Philosophy. --- Optics - History. --- Optique --- Philosophie. --- Histoire.
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This comparative, interdisciplinary study investigates the relationship between literature and the visual arts in France and Britain from 1750-1900. Through a close examination of the prose writings of Diderot, Baudelaire and Ruskin, read against the background of contemporary philosophy, aesthetics and theories of language, In the Mind's Eye proposes a new interpretation of the influence and rivalries underlying the development of art criticism as a genre during this period. The visual impulse - the desire to transcend the limitations of language and make the reader see - is located within the historical traditions of ekphrasis, enargeia and the paragone , while in each chapter, the individual author's theories of the mind, memory and imagination provide a critical framework for his stylistic experiments. In the Mind's Eye presents an in-depth analysis of the cultural, theoretical and aesthetic implications of artistic border crossings, and by contextualizing the movement toward visual/verbal hybridity in the fiction and criticism of Diderot, Baudelaire and Ruskin, brings new perspectives to nineteenth-century studies in art and literature.
Comparative literature --- Thematology --- Diderot, Denis --- Baudelaire, Charles --- Ruskin, John --- Perception visuelle dans la littérature --- Visual perception in literature --- Visuele waarneming in de literatuur --- Criticism and interpretation --- English --- French --- literature --- Visual Arts
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We readily and effortlessly recognize the faces of our friends and the objects around us, but these cannot be simple tasks for our visual systems. Faces are all extremely similar as visual patterns. We see objects from different viewpoints and in different arrangements. How do our visual systems solve these problems? The contributors to this volume attempt to answer this question by considering how analytic and holistic processes contribute to the perception of faces, objects, and scenes. The primacy of parts versus that of wholes has been debated for a century, beginning with the structuralists, who championed the role of elements, and the Gestalt psychologists, who argued that the whole is different from the sum of its parts. This is the first volume to focus on the current state of the debate as it exists in the field of visual perception by bringing together the views of the leading researchers, including James Tanaka, Ken Nakayama, Michael Tarr, John Hummel, Marlene Behrmann, Daniel Simons, John Henderson, and Andrew Hollingworth. These contributors address questions such as whether analytic and holistic processes contribute differently to the perception of faces and objects, whether different mechanisms code holistic and analytic information, and whether a single universal system can be sufficient for visual-information processing. The chapters in this volume provide a snapshot of the current thinking on how the processing of wholes and parts contributes to our remarkable ability to recognize faces, objects, and scenes, and illustrate the diverse conceptions of analytic and holistic processing that currently coexist within one research area and across research areas, and the variety of approaches brought to bear on the issues. This volume will appeal to graduate students and researchers in visual perception, and cognitive and developmental psychology. "I think it would make an excellent, even exciting, book. It provides an up-to-date review of the literatur
Visual perception. --- Whole and parts (Psychology). --- #PBIB:2004.1 --- Visual perception --- Whole and parts (Psychology) --- 152.14 --- Ganzheit (Psychology) --- Structure psychology --- Wholeness --- Gestalt psychology --- Perception --- Psychology --- Optics, Psychological --- Vision --- Visual discrimination --- Psychological aspects --- Perception visuelle --- Tout et parties (Psychologie)
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Visual perception. --- Art --- Perception visuelle --- Psychology. --- Psychologie --- Visual Perception --- Motion pictures --- Psychology --- Philosophy --- Art - Psychology --- Art - Philosophy --- Motion pictures - Philosophy --- Imagerie (psychologie) --- Communication visuelle --- Illustrations, images, etc. --- Perception des images --- Cinéma --- Image (philosophie) --- Interprétation --- Esthétique
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Perception --- Réalité --- Perception visuelle --- Sens et sensations --- Comportement spatial --- Reality --- Visual perception --- Senses and sensation --- Spatial behavior --- Perception. --- Visual Perception. --- Space Perception. --- Aspect psychologique --- Psychological aspects --- Sensation --- Psychophysics
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Considérations sur l'espace. Ce titre, à la fois sibyllin et malgré tout on ne peut plus explicite, constitue la porte d'entrée dans l'univers d'Henri Gaudin. Architecte de renommée mondiale, et l'un des plus grands architectes français vivants, Henri Gaudin ne donne pourtant pas là un traité d'architecture, mais bel et bien le livre d'un authentique écrivain. Pratiquant au plus haut degré ce que l'on peut appeler la vie avec la pensée, Henri Gaudin, avec cet ouvrage, invite le lecteur à partager un véritable itinéraire philosophique et spirituel, inscrivant sa démarche dans la longue durée et mettant pleinement en lumière ce que l'homme est en droit d'attendre, selon lui, de l'urbanisme en général et de l'urbanisme moderne en particulier. Somme considérable, faisant appel à toutes les sciences humaines et nous guidant à travers diverses civilisations, celle de l'Italie pré-moderne en particulier, Considérations sur l'espace tient à la fois du manifeste et de la récapitulation, plaçant l'homme au cœur de la cité et d'un urbanisme qui l'a trop souvent négligé.
Environmental planning --- ruimtelijke ordening --- comprehensive plans [reports] --- Space frame structures --- Visual perception --- Architecture --- Structures spatiales --- Perception visuelle --- Composition, proportion, etc. --- Composition, proportion, etc --- Architecte --- Ecrit d'architecte --- Espace --- Philosophie --- Théorie de l'architecture --- Théorie de l'urbanisme --- Gaudin, Henri --- Philosophy - Architecture --- Espace (architecture) --- Philosophie. --- Gaudin, Henri, --- Gaudin, Henri, 1933-2021
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Bewustzijn --- Cogito --- Cognitie --- Cognition --- Conscience (Psychophysiologie et philosophie) --- Consciousness --- Optics [Psychological ] --- Perceptie [Visuele ] --- Perception [Visual ] --- Perception visuelle --- Vision--Psychological aspects --- Visual perception --- Visuele perceptie --- Visuele waarneming --- Waarneming [Visuele ] --- Consciousness. --- Cognition. --- Brain --- Visual perception. --- Art --- Conscience --- Cerveau --- Evolution. --- Psychology. --- Evolution --- Psychologie --- Psychology --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Apperception --- Mind and body --- Philosophy --- Spirit --- Self --- Psychological aspects
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Exploring the interaction between light, color, and surfaces, the book provides an invaluable tool for the teaching and practice of color in architecture and design.
Color --- Color in architecture. --- Couleur --- Couleur en architecture --- Psychological aspects. --- Aspect psychologique --- 535 --- 535.6 --- 72.017 --- kleur --- kleurenleer --- kunst --- 7.017 --- Architectural polychromy --- Buildings --- Color in building --- Architecture --- Interior decoration --- Polychromy --- Kleur --- Licht --- Optica --- Kleurenleer --- Kleur (architectuur) --- licht en kleur(en) in de kunst --- Psychology --- kleuren --- Color in architecture --- Psychological aspects --- Couleur dans l'art --- Perception visuelle
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