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In Proust and Emotion, Inge Crosman Wimmers proposes a new approach to A la recherche du temps perdu that centres on the role of affect. Through close reading of the hero-narrator's personal history, the author shows how emotional paradigms (especially separation anxiety), involuntary memory, and other compelling impressions give focus and structure to Proust's novel. Drawing on reader-oriented and emotion theories, she shows how affect commands the attention of the 'motivated reader' and is crucial to the process of self-understanding for both the narrator and the reader. This is the first extensive study in English to take fully into consideration the drafts (esquisses) published in the new Pleiade edition of the novel, the Mauriac edition of Albertine disparue, and material from the unpublished Proust manuscripts - all of which shed further light on the importance of affect in A la recherche. Proust and Emotion will appeal to readers interested in an approach to Proust that combines insights from philosophy, psychology, and literary aesthetics and in a poetics of reading that pays particular attention to emotion.
Emoties in de literatuur --- Emotions dans la littérature --- Emotions in literature --- Esthétique de la réception --- Reader-response criticism --- Emotions in literature. --- Reader-response criticism. --- Reader-oriented criticism --- Reception aesthetics --- Criticism --- Reading --- Proust, Marcel, --- Criticism and interpretation. --- Proust, Marcel --- Criticism and interpretation --- Prust, Marselʹ, --- Proust, Valentin Louis Georges Eugène Marcel, --- Pʻŭrusŭtʻŭ, Marŭsel, --- Pʻu-lu-ssu-tʻe, --- Пруст, Марсель, --- פרוסט, מארסל --- פרוסט, מרסל --- ,פרוסט, מרסל --- بروست، مارسيل،, --- À la recherche du temps perdu (Proust, Marcel)
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Peut-on filmer A la recherche du temps perdu ? C'est cette question qui guide l'auteur dans ses analyses des cinq adaptations cinématographiques de la Recherche (les scénarios, jamais réalisés, de Suso Cecchi d'Amico pour Luchino Visconti et de Harold Pinter pour Joseph Losey et les films de Volker Schlöndorff, de Raoul Ruiz et de Chantal Akerman). S'agissant de la prétendue aversion de Proust pour le cinéma, l'auteur en vient à la conclusion que si Proust n'était pas cinéphile, c'est que le cinéma n'était pas encore proustien.
Filmscenario's --- Proust, Marcel --- Scénarii de films --- Proust, Marcel, --- Film and video adaptations. --- 82:791.43 --- 82:791.43 Literatuur en film --- Literatuur en film --- Prust, Marselʹ, --- Proust, Valentin Louis Georges Eugène Marcel, --- Pʻŭrusŭtʻŭ, Marŭsel, --- Pʻu-lu-ssu-tʻe, --- Пруст, Марсель, --- פרוסט, מארסל --- פרוסט, מרסל --- ,פרוסט, מרסל --- بروست، مارسيل،, --- Adaptation cinématographique --- Art et cinéma --- Visconti, Luchino, --- Proust, Marcel, - 1871-1922 - Film adaptations --- Proust, Marcel, - 1871-1922. - À la recherche du temps perdu --- Proust, Marcel, - 1871-1922 - Adaptations cinématographiques et télévisées --- Visconti, Luchino, 1906-1976 --- PROUST (MARCEL), 1871-1922 --- ADAPTATIONS CINEMATOGRAPHIQUES --- Proust, Marcel, - 1871-1922 --- Authors, French
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