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ANGLAIS (LANGUE) --- ANGLAIS (LANGUE) --- ANGLAIS (LANGUE) --- VIEUX NORROIS (LANGUE) --- 1100-1500 (MOYEN-ANGLAIS) --- 1100-1500 (MOYEN-ANGLAIS) --- 1100-1500 (MOYEN-ANGLAIS) --- INFLUENCE SUR L'ANGLAIS --- ANGLAIS (LANGUE) --- ANGLAIS (LANGUE) --- ANGLAIS (LANGUE) --- VIEUX NORROIS (LANGUE) --- 1100-1500 (MOYEN-ANGLAIS) --- MOTS SCANDINAVES --- 1100-1500 (MOYEN-ANGLAIS) --- DIALECTES --- 1100-1500 (MOYEN-ANGLAIS) --- ETYMOLOGIE --- INFLUENCE SUR L'ANGLAIS
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An enquiry into the use and status of English in medieval England, this text is concerned with English relative to French and Latin and its regional and social varieties in relation to each other. It examines medieval views of language and the significance of English and how these shaped its use.
Language and culture --- -English language --- -Germanic languages --- Culture and language --- Culture --- History --- -Dialects --- Tense --- Variation --- -History --- English language --- Germanic languages --- Middle English language --- Middle English, 1100-1500 --- Middle English, 1100-1500&delete& --- Discourse analysis --- Texts --- England --- To 1500
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English philology. --- English language --- Old English, ca. 450-1100 --- English literature --- Middle English, 1100-1500 --- Early modern, 1500-1700
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"This edition presents the three extant texts of a largely unrecognised genre in Middle English verse: odes to saints written in strong-stress metre in fourteen-line stanzas. These hymns were composed in the North and East Midlands in around 1400. This is the first edition of these linguistically difficult, 'knotty', poems-- for many years they were previously edited separately: in 1907 (re-edited, 1937), 1889 and 1921. The new edition takes account of recent scholarship on the Middle English alliterative verse tradition, and includes full discussion of the three poems' hagiographical and historical context."--Page [2] Book Cover.
Poetry --- Old English literature --- English poetry --- Middle English, 1100-1500 --- History and criticism --- Christian poetry, English (Middle) --- Christian saints --- Christian poetry, English (Middle). --- Catherine, --- John, --- English poetry - Middle English, 1100-1500 - History and criticism --- Christian saints - Poetry --- Catharina v. m. Alexandriae --- Iohannes ap. ev. --- Iohannes Baptista --- Catherine, - of Alexandria, Saint - Poetry --- John, - the Baptist, Saint - Poetry --- Catherine, - of Alexandria, Saint --- John, - the Baptist, Saint
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Empire of Magic offers a genesis and genealogy for medieval romance and the King Arthur legend through the history of Europe's encounters with the East in crusades, travel, missionizing, and empire formation. It also produces definitions of "race" and "nation" for the medieval period and posits that the Middle Ages and medieval fantasies of race and religion have recently returned. Empire of Magic is expansive in scope, spanning the eleventh to the fifteenth centuries, and detailed in coverage, examining various types of romance—historical, national, popular, chivalric, family, and travel romances, among others—to see how cultural fantasy responds to changing crises, pressures, and demands in a number of different ways. Boldly controversial, theoretically sophisticated, and historically rooted, Empire of Magic is a dramatic restaging of the role romance played in the culture of a period and world in ways that suggest how cultural fantasy still functions for us today.
Roman courtois anglais --- Littérature anglaise --- Politique et littérature --- Littérature et société --- Civilisation médiévale --- Fantastique (littérature) --- Histoire et critique --- 1100-1500 (moyen anglais) --- Angleterre (GB) --- Angleterre (GB) --- Dans la littérature --- Moyen-Âge --- Roman courtois anglais --- Littérature anglaise --- Politique et littérature --- Littérature et société --- Civilisation médiévale --- Fantastique (littérature) --- Histoire et critique --- 1100-1500 (moyen anglais) --- Histoire et critique --- Angleterre (GB) --- Moyen-Âge --- Angleterre (GB) --- Histoire --- Avant 1500 --- Dans la littérature --- Moyen-Âge
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The figure of the monster in medieval culture functions as a vehicle for a range of intellectual and spiritual enquiries, from questions of language and representation to issues of moral, theological and cultural value. Monsters embody cultural tensions that go far beyond the idea of the monster as simply an unintelligible and abject other. The Monstrous Middle Ages looks at both the representation of literal monsters and the consumption and exploitation of monstrous metaphors in a wide variety of high- and late-medieval cultural productions, from travel writings and mystical texts to sermons, manuscript illuminations and maps. Individual essays explore the ways in which monstrosity shaped the construction of gendered and racial identities, religious symbolism and social prejudice in the Middle Ages. Reading the Middle Ages through its monsters provides an opportunity to view medieval culture from fresh perspectives. The Monstrous Middle Ages will be essential reading for anyone interested in the concept of monstrosity and its significance for medieval cultural production.
Thematology --- anno 500-1499 --- Monsters in art --- Monsters in de kunst --- Monsters in de literatuur --- Monsters in literature --- Monstres dans l'art --- Monstres dans la littérature --- Monsters --- Symbolic aspects --- History --- To 1500 --- Literature [Medieval ] --- History and criticism --- English literature --- Middle English, 1100-1500
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English literature --- Women in literature. --- Women and literature --- Women --- Single women --- Single women in literature. --- Femmes célibataires --- Littérature anglaise --- Femmes et littérature --- History and criticism. --- History --- Dans la littérature --- 16e siècle --- Angleterre (GB) --- 1100-1500 (moyen anglais) --- Histoire --- Thèmes, motifs --- Avant 1500
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