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The archive and the repertoire : performing cultural memory in the Americas
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ISBN: 9780822331360 9780822331230 0822331233 0822331365 0822385317 1282921037 9786612921032 Year: 2003 Publisher: Durham, N.C. Duke University Press

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Abstract

Diana Taylor provides a new understanding of the vital role of performance in the Americas. From plays to official events to grassroots protests, performance, she argues, must be taken seriously as a means of storing and transmitting knowledge. Taylor reveals how the repertoire of embodied memory--conveyed in gestures, the spoken word, movement, dance, song, and other performances--offers alternative perspectives to those derived from the written archive and is particularly useful to a reconsideration of historical processes of transnational contact. The Archive and the Repertoire invites a remapping of the Americas based on traditions of embodied practice. Examining various genres of performance including demonstrations by the children of the disappeared in Argentina, the Peruvian theatre group Yuyachkani, and televised astrological readings by Univision personality Walter Mercado, Taylor explores how the archive and the repertoire work together to make political claims, transmit traumatic memory, and forge a new sense of cultural identity. Through her consideration of performances such as Coco Fusco and Guillermo Gómez-Peña's show Two Undiscovered Amerindians Visit, Taylor illuminates how scenarios of discovery and conquest haunt the Americas, trapping even those who attempt to dismantle them. Meditating on events like those of September 11, 2001 and media representations of them, she examines both the crucial role of performance in contemporary culture and her own role as witness to and participant in hemispheric dramas.

Keywords

Sociology of minorities --- Theatrical science --- America --- #VCV monografie 2005 --- #SBIB:39A5 --- #SBIB:39A74 --- #SBIB:316.7C210 --- Kunst, habitat, materiële cultuur en ontspanning --- Etnografie: Amerika --- Cultuursociologie: kunst: algemeen --- Ethnicity --- Memory --- Minorities --- North and south. --- Performance art --- Performing arts --- Postcolonialism and the arts --- Postcolonialism --- Social aspects --- Social conditions. --- Political aspects --- Civilization. --- Ethnic relations. --- Social conditions --- North and south --- Arts, Modern --- Happenings (Art) --- Post-colonialism --- Postcolonial theory --- Political science --- Decolonization --- Arts and postcolonialism --- Arts --- Show business --- South and north --- Acculturation --- Culture conflict --- Retention (Psychology) --- Intellect --- Psychology --- Thought and thinking --- Comprehension --- Executive functions (Neuropsychology) --- Mnemonics --- Perseveration (Psychology) --- Reproduction (Psychology) --- Ethnic identity --- Group identity --- Cultural fusion --- Multiculturalism --- Cultural pluralism --- Ethnic minorities --- Foreign population --- Minority groups --- Persons --- Assimilation (Sociology) --- Discrimination --- Ethnic relations --- Majorities --- Plebiscite --- Race relations --- Segregation --- Americas --- New World --- Western Hemisphere --- Mémoire --- Art de performance --- Arts du spectacle --- Art et histoire --- Société --- Aspect politique --- Mémoire --- Société

Holy terrors : Latin American women perform
Authors: ---
ISBN: 9780822332275 9780822332404 Year: 2003 Publisher: Durham Duke University Press

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Holy Terrors presents exemplary original work by fourteen of Latin America’s foremost contemporary women theatre and performance artists. Many of the pieces—including one-act plays, manifestos, and lyrics—appear in English for the first time. From Griselda Gambaro, Argentina's most widely recognized playwright, to such renowned performers as Brazil's Denise Stoklos and Mexico’s Jesusa Rodríguez, these women are involved in some of Latin America's most important aesthetic and political movements. Of varied racial and ethnic backgrounds, they come from across Latin America—Argentina, Brazil, Mexico, Chile, Colombia, Puerto Rico, Peru, and Cuba. This volume is generously illustrated with over seventy images. A number of the performance pieces are complemented by essays providing context and analysis.
The performance pieces in Holy Terrors are powerful testimonies to the artists' political and personal struggles. These women confront patriarchy, racism, and repressive government regimes and challenge brutality and corruption through a variety of artistic genres. Several have formed theatre collectives—among them FOMMA (a Mayan women’s theatre company in Chiapas) and El Teatro de la máscara in Colombia. Some draw from cabaret and ‘frivolous’ theatre traditions to create intense and humorous performances that challenge church and state. Engaging in self-mutilation and abandoning traditional dress, others use their bodies as the platforms on which to stage their defiant critiques of injustice. Holy Terrors is a unique English-language presentation of some of Latin America's fiercest, most provocative art.

Contributors
Sabina Berman
Tania Bruguera
Petrona de la Cruz Cruz
Diamela Eltit
Griselda Gambaro
Astrid Hadad
Teresa Hernández
Rosa Luisa Márquez
Teresa Ralli
Diana Raznovich
Jesusa Rodríguez
Denise Stoklos
Katia Tirado
Ema Villanueva

Holy terrors: Latin American women perform
Authors: --- --- ---
ISBN: 0822332272 082233240X 0822385325 1282921045 9786612921049 Year: 2003 Publisher: North Carolina Duke University Press

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