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Zero (The number) --- Zéro (Le nombre) --- Zero (the number) --- Theorie des nombres --- Arithmetique --- Histoire --- Numeration
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Tropical zones --- Tropical zones --- Erosion. --- Erosion --- erosion control --- erosion control --- Mulches --- Mulches --- Protective plants --- Protective plants --- soil fertility --- soil fertility --- Direct sowing --- Direct sowing --- Tillage --- Tillage --- Zero tillage --- Zero tillage --- Plant response --- Plant response --- Biological competition --- Biological competition --- Des interuniversitaire fsagx-ulg --- Des interuniversitaire fsagx-ulg
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Art styles --- zero --- stijlen in Westerse kunst --- Art Informel --- Saura, Antonio --- Wols --- Brüning, Peter --- Trier, Hann --- Fürst, Albert --- Klee, Paul --- Greis, Otto --- anno 1940-1949 --- anno 1950-1959 --- anno 1960-1969 --- Germany
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Rudi Fuchs bezocht ateliers in binnen- en buitenland, maakte tentoonstellingen en schreef beschouwingen over het werk van kunstenaars. Hij laat zich leiden door wat er gebeurt als je kijkt naar een kunstwerk. (laten zien wat er is, dat is eigenlijk alles, zei ooit zijn Leidse hoogleraar) maar ook door de omgeving van de kunstenaar. Met heldere stijl, grote opmerkingsgave en eruditie geeft Rudi Fuchs in Tussen Kunstenaars. Een Romance een overzicht van een halve eeuw hedendaagse kunst. Tussen Kunstenaars. Een Romance bevat een keuze uit de vele publicaties, inleidingen en toespraken die Rudi Fuchs de afgelopen decennia schreef. Pasolini, Pier Paolo ; Kounellis, Jannis ; van Gogh, Vincent ; Mondriaan, Piet ; Munch, Edvard ; Schwitters, Kurt ; Miro, Joan ; Appel, Karel ; Armando ; Dekkers, Ad ; Fulton, Hamish ; Weiner, Lawrence ; van Elk, Ger ; Dibbets, Jan ; Baselitz, Georg ; Penck, A.R. ; Immendorff, Jörg ; Judd, Donald ; Kiefer, Anselm ; Lüpertz, Markus ; Rainer, Arnulf ; Fabro, Luciano ; Gilbert & George ; Kirkeby, Per ; Merz, Mario ; Merz, Marisa ; Attersee, Christian Ludwig ; Sieverding, Katharina ; Buren, Daniel ; Hopper, Dennis ; Förg, Gunther ; Schouten, Marien ; Salle, David ; Herold, Georg ; Halley, Peter ; Birza, Rob ; Fernhout, Edgar ; Vedova, Emilio ; Raveel, Roger ; de Goede, Kees ; Verhoef, Toon ; Schoonhoven, Jan ; Visser, Carel ; Lohse, Richard Paul ; Henneman, Jeroen ; Becher, Bernd & Hilla ; Richter, Gerhard ; Knoebel, Imi ; Polke, Sigmar ; Byars, James Lee ; Nauman, Bruce ; LeWitt, Sol ; Nikkels, Walter ; Gachnang, Johannes ; Zandvliet, Robert ; Rückriem, Ulrich ; Pichler, Walter
art criticism --- beeldende kunst --- Dutch literature --- kunstbeschouwing --- fine arts --- Artists --- anno 1900-1999 --- Kunsttheorie ; beschouwingen ; essays ; Rudi Fuchs --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- Art, Modern --- fine arts [discipline] --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists)
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Radicalism. --- Art, Modern --- Radicalism --- Sociology & Social History --- Social Sciences --- Social Conditions --- Modern art --- Nieuwe Ploeg (Group of artists) --- Extremism, Political --- Ideological extremism --- Political extremism --- Political science --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Debord, Guy, --- Debord, G. --- D̲empor, Gky, --- Internationale situationniste. --- Debord, Guy
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De kunstverzamelaar in Nederland dient snel op de lijst van beschermde dersoorten te worden bijgeschreven, luidde in 1990 het oordeel van een panel specialisten uit de kunstwereld. Die bewering wordt in het fascinerende boek Iets wat zo veel kost, is alles waard onderzocht : het is het verslag van een zoektocht naar de motieven, achtergronden en keuzes van talloze Nederlanders voor wie het kopen en verzamelen van (moderne) kunst tot een eerste levensbehoefte is geworden. Renée Steenbergen deed ruim vijf jaar onderzoek naar het hoe en waarom van verzamelaars : hun relatie met kunstenaars, met galeries, en met musea. Haar boek biedt een kijkje in de artistieke keuken met zowel vermogende industriëlen, fiscalisten en advocaten als nooddruftige studenten : wat hen bindt is de verzamelwoede waar alles voor moet wijken, hun jacht op koopjes, hun hang naar vernieuwing en hun relatie tot kunst, die menselijke trekken aanneemt. Veelal wordt het kunstwerk gezien als een partner, die toegesproken wordt, hen inspireert en zin geeft aan hun leven. Alechinsky, Pierre ; Andre, Carl ; Andriesse, Jan ; Appel, Karel ; Armando ; Artschwager, Richard ; Asher, Dan ; Benner, Gerrit ; Bissière, Roger ; Bogart, Bram ; Bolink, Merijn ; Bonnard, Pierre ; Bourgeois, Louise ; Brand, Eelco ; Brands, Eugène ; Brandt, Bill ; Buren, Daniel ; Buurman, Lux ; Byars, James Lee ; Castelli, Vicenzo ; Cemin, Saint Clair ; Charchoune, Serge ; Claassen, Tom ; Cole, Willem ; Colton, Adam ; Copley, William ; de Cordier, Thierry ; Corneille ; Cunningham, Imogen ; Domela, César ; Dumas, Marlene ; Fontana, Lucio ; Fortuyn/O'Brien ; François, Michel ; Garcia, Dora ; Geelen, Guido ; Goldin, Nan ; Gudmundsson, Sigurdur ; Heerup, Henry ; van der Heyden, J.C.J. ; Hollingsworth, Dennis ; Hussem, Willem ; IJsbrand ; Jacklin, Michael ; Kapoor, Anish ; van Koningsbruggen, Rob ; Kunc, Milan ; Laken, Birgit ; van Leeuwen, René ; Leroy, Victor ; LeWitt, Sol ; Long, Richard ; Lucebert ; Luik, Hieke ; Maaskant, Jan ; Marini, Marino ; Molenaar, Jurriaan ; Mullican, Matt ; Oestreicher, Helly ; Oppenheim, Dennis ; Pauksté, Vygantas ; Penck, A.R. ; Picabia, Francis ; Poliakoff, Serge ; Riddey, John ; Roeland, Jan ; Röling, Matthijs ; Scholte, Rob ; Schoonhoven, Jan ; Servaas ; Sipek, Borek ; Skall ; Sottsass, Ettore ; van der Spek, Arjanne ; Struth, Thomas ; Taylor-Wood, Sam ; Teeken, Toon ; Tuzina, Günther ; Van Velde, Geer ; Vergara Santiago, Angel ; Visch, Henk ; de Vries, Auke ; Vroegindeweij, Leo ; Warhol, Andy ; Weiner, Lawrence ; Westerik, Co ; Weston, Edward ; de Wijdeven, André van
Art --- Business policy --- Service industry --- Netherlands --- Nederland --- Theses --- Art, Modern --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Collectors and collecting --- Modern [style or period] --- Art, Primitive
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Sculpture --- Computer. Automation --- Architecture --- Oosterhuis, Kas --- Lénard, Ilona --- Lénárd, Ilona --- ONL --- Kas Oosterhuis (° 1951, Amersfoort, Nederland) --- Architectuur ; architectuurtheorie ; 1988-2002 ; Kas Oosterhuis --- Multidisciplinair ontwerpbureau ONL ; K. Oosterhuis en Il. Lénard --- Ground Zero ; New York --- Architectuur en digitalisering --- Architectuur en beeldende kunst ; samengaan van beide disciplines --- Architectuur ; Nederland ; 1988-2002 --- 72.07 --- 72.01 --- 72.039 --- 72(492) --- Architecten. Stedenbouwkundigen A - Z --- Architectuur ; theorie, filosofie, esthetica --- Architectuurgeschiedenis ; 2000 - 2050 --- Architectuur ; Nederland --- Philosophy --- Philosophy.
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Making, amending, and interpreting constitutions is a political game that can yield widespread suffering or secure a nation's liberty and prosperity. Given these high stakes, Robert Cooter argues that constitutional theory should trouble itself less with literary analysis and arguments over founders' intentions and focus much more on the real-world consequences of various constitutional provisions and choices. Pooling the best available theories from economics and political science, particularly those developed from game theory, Cooter's economic analysis of constitutions fundamentally recasts a field of growing interest and dramatic international importance. By uncovering the constitutional incentives that influence citizens, politicians, administrators, and judges, Cooter exposes fault lines in alternative forms of democracy: unitary versus federal states, deep administration versus many elections, parliamentary versus presidential systems, unicameral versus bicameral legislatures, common versus civil law, and liberty versus equality rights. Cooter applies an efficiency test to these alternatives, asking how far they satisfy the preferences of citizens for laws and public goods. To answer Cooter contrasts two types of democracy, which he defines as competitive government. The center of the political spectrum defeats the extremes in "median democracy," whereas representatives of all the citizens bargain over laws and public goods in "bargain democracy." Bargaining can realize all the gains from political trades, or bargaining can collapse into an unstable contest of redistribution. States plagued by instability and contests over redistribution should move towards median democracy by increasing transaction costs and reducing the power of the extremes. Specifically, promoting median versus bargain democracy involves promoting winner-take-all elections versus proportional representation, two parties versus multiple parties, referenda versus representative democracy, and special governments versus comprehensive governments. This innovative theory will have ramifications felt across national and disciplinary borders, and will be debated by a large audience, including the growing pool of economists interested in how law and politics shape economic policy, political scientists using game theory or specializing in constitutional law, and academic lawyers. The approach will also garner attention from students of political science, law, and economics, as well as policy makers working in and with new democracies where constitutions are being written and refined.
Public law. Constitutional law --- Political philosophy. Social philosophy --- Constitutional law --- Game theory. --- Law and economics. --- Philosophy. --- Dret constitucional --- Filosofia. --- Jim Crow laws. --- Pareto frontier. --- accountability: of legislators. --- agenda setting rules. --- bargaining, legislative. --- chaos theorem. --- commodity, contingent. --- condemnation doctrine. --- consequentialism. --- delegation game. --- discussion set. --- emergency doctrine. --- engorgement principle. --- hate speech. --- intransivity. --- judicial review. --- law merchant. --- matching grants. --- maximin. --- natural monopoly. --- patronage system. --- political speech. --- private bads. --- slavery. --- sub-majority rule. --- term limits. --- unicameralism. --- white flight. --- zero-sum game.
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Suzaan Boettger offers the first comprehensive history of the Earthworks movement in the United States, providing a fascinating and in-depth analysis of the monumental forms that initiated the broader genre of Land Art. Examining the art, the artists, their dealers and proponents, Boettger interprets Earthworks as a manifestation both of artists' personal stories and of the late 1960s social and political tumult.Boettger overturns many commonly held notions of Earthworks' origins and intentions. She argues that Robert Smithson's work on the Dallas-Fort Worth airport stimulated his thinking and that his writing about it catalyzed the movement. The visionary environments that followed, often sculpted in expansive and remote western terrains, were idealized by Americans and Europeans alike as displays of cowboy bravado. Boettger identifies earthworkers Michael Heizer, Dennis Oppenheim, Robert Morris, Walter de Maria, and Stephen Kaltenbach as former Californians whose treatment of the landscape reflects a western spirit. Her international purview integrates early work by the Europeans Barry Flanagan, Jan Dibbets, Richard Long, and Pino Pascali as precedents and parallels. Her examination of Earthworks' relationship to the ecology movement perceptively corrects a popular misconception about the artists' goals while acknowledging the social and cultural complexities of the period. Insightful discussions of Carl Andre, Sol LeWitt, and Claes Oldenburg--in addition to the artists mentioned above--are accompanied by many rare and new photographs of both the art and its creators. Witty, accessible, and scrupulously researched, Earthworks constructs day-to-day chronologies of the development of the artistic movement and its intersections with the larger public events of the time, including specific accounts of galleries, exhibitions, and criticism. Boettger's dynamic social history and psychological insights bring new meaning to this pivotal movement that both embodied and disrupted contemporary notions of art, nature, society, and their relationship to each other.
Earthworks (Art) --- Environment (Art) --- Art, Modern --- Land Art ; landschapskunst ; omgevingskunst ; naslagwerken --- 7.047 --- Iconografie ; landschappen, zeegezichten, panorama's, land-art --- Assemblage (Art) --- Earth art --- Earth scale art --- Land art --- Conceptual art --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Art styles --- Iconography --- Art --- earthworks [sculpture] --- art [fine art] --- Nature --- public spaces --- landscapes [representations] --- anno 1900-1999 --- anno 2000-2099 --- Environnement (Art) --- History --- Histoire --- Art, Modern - 20th century. --- art [discipline] --- kunst in de openbare ruimte
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Debord, Guy --- Edited by Tom McDonough --- Debord Guy --- Bernstein Michèle --- Vaneigem Raoul --- Frey Théo --- Khayati Mustapha --- Viénet René --- Gilman Claire --- Andreotti Libero --- Ross Kristin --- McDonough Tom --- Kauffman Vincent --- Agamben Giorgio --- Levin Thomas Y. --- Crary Jonathan --- Clark T.J. --- Nicholson-Smith Donald --- situationistische internationale --- internationale situationniste --- situationisme --- Debord, Guy, --- Internationale situationniste. --- Art, Modern --- Radicalism. --- Radicalism --- 7.038 --- Clark T.J --- Frankrijk --- kunst --- kunst en politiek --- Levin Thomas Y --- politiek --- twintigste eeuw --- Extremism, Political --- Ideological extremism --- Political extremism --- Political science --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Debord, G. --- D̲empor, Gky,
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