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1990 --- -20e eeuw --- 705.8 --- Amerika --- Whitney Museum of American Art --- beeldhouwkunst --- fotografie --- grafische vormgeving --- installaties --- muziek --- schilderkunst --- videokunst --- kunstgeschiedenis, 20e eeuw
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Ce catalogue reprend la production de Matthew Barney depuis 1994 à travers le cycle intitulé "Cremaster". Des films, sculptures, photographies, dessins sont associés avec ces cycles
multimediakunst --- multimedia works --- Barney, Matthew --- Art contemporain --- (069) --- 7.07 --- 778.5.07 --- Beeldende kunst ; film ; 1995-1997 ; Matthew Barney --- Film en filmfoto's ; M. Barney ; The Cremaster Cycle --- Matthew Barney (° 1967, San Francisco, VS) --- Tentoonstellingscatalogi ; New York ; Guggenheim Museum --- 1990 --- -705.8 --- fotografie --- installaties --- (Musea. Collecties) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Videokunstenaars, laserkunstenaars, computerkunstenaars, klank en beeld kunstenaars --- kunstgeschiedenis, 20e eeuw --- 791.45 BARNEY --- kunst --- twintigste eeuw --- Verenigde Staten --- videokunst --- Barney Matthew --- lichamelijkheid
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Photo-based artist and filmmaker Lorna Simpson is considered one of the key representatives of Black-American visual culture. Emerging in the 1980s, Lorna Simpson was in 1993 the first African-American woman ever to show in the Venice Biennale and to have a solo exhibition in the 'Projects' series of The Museum of Modern Art in New York. She is also one of very few Black-American artists ever to have exhibited at Documenta, in 1987 and 2002. Simpson's well-known fragmented photographs combining images with fragments of text create mysterious, quiet works that reflect the silence of a portion of society - African-American women - rarely if ever represented in art. Curator of Simpson's Autumn 2002 exhibition at the Studio Museum, Harlem, New York, Thelma Golden talks about the artist's shift from her signature photographic work to her recent, more filmic and sculptural art. In her Survey critic and scholar Kellie Jones places the work in the context of the history of African-American culture as well as the recent history of self-portraiture in art through photography and performance. Curator of Simpson's film presentation at the Whitney Museum of American Art, New York, in 2002, Chrissie Iles analyses in her Focus the artist's filmworks including a new work to be screened at Documenta 11 (2002). The artist's fragmentary usage of speech is paralleled in her Artist's Choice, an extract from Top Dog/UnderDog by contemporary African-American playwright Suzan Lori Parks, and reflected in her Artist's Writings.
Simpson, Lorna --- 7.071 SIMPSON --- 791.471 SIMPSON --- Afro-Amerikanen --- Kellie Jones, Thelma Goldern, Chrissie Iles --- Simpson Lorna --- Verenigde Staten --- feminisme --- film --- fotografie --- gender studies --- installaties --- kunst --- polaroids --- twintigste eeuw --- 705.8 --- conceptuele kunst --- foto-kunst --- videokunst --- kunstgeschiedenis, 20e eeuw --- motion pictures [visual works] --- installations [visual works] --- art [fine art] --- multimedia works --- photography [process] --- Art --- Simpson, Lorna, --- Criticism and interpretation. --- African American --- United States --- art [discipline] --- United States of America
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De conceptuele kunst stelde de gebruikelijke definitie van een kunstwerk - namelijk een door een kunstenaar vervaardigd voorwerp - danig op de proef. In dit toegankelijke boek wordt beschreven waarom de nieuwe avant-garde, die opkwam in de jaren zestig en zeventig van de twintigste eeuw, zulke baanbrekende kunst vervaardigde en in hoeverre deze beweging moet worden gezien als het keerpunt tussen de modernistische schilderkunst uit het verleden en de postmodernistische hedendaagse kunst.
Conceptual --- Art --- anno 1900-1999 --- minimal art --- Fluxus --- Art styles --- Minimal --- ruimtelijke kunst --- conceptuele kunst --- anno 1960-1969 --- anno 1970-1979 --- 7.038 --- kunst 20e eeuw --- 705.8 --- Arnatt, Keith --- Baldessari, John --- Barry, Robert --- Beuys, Joseph --- Bochner, Mel --- Broodthaers, Marcel --- Buren, Daniel --- Burgin, Victor --- Conceptuele kunst --- Cullen, Gregor --- Darboven, Hanne --- Dibbets, Jan --- Duchamp, Marcel --- Fido Hunt, Kay --- Graffix, Redback --- Graham, Dan --- Gérôme, Jean-Léon --- Haacke, Hans --- Harrison, Margaret --- Hilliard, John --- Kabakov, Ilja --- Kawara, On --- Kelly, Mary --- Koslov, Christine --- Kosuth, Joseph --- Kounellis, Janis --- Kunst --- Laderman Ukeles, Mierle --- Latham, John --- LeWitt, Sol --- Long, Richard --- Maciunas, George --- Magritte, René --- Malevitsj, Kasimir --- Manzoni, Piero --- Meireles, Cildo --- Merz, Mario --- Morris, Robert --- Mosset, Olivier --- Motonoga, Sadamasa --- Nauman, Bruce --- Olitski, Jules --- Ono, Yoko --- Parmentier, Michel --- Picabia, Francis --- Piper, Adrian --- Polke, Sigmar --- Ramsden, Mel --- Rauschenberg, Robert --- Rosler, Martha --- Ruscha, Ed --- Smithson, Robert --- Stella, Frank --- Toroni, Niele --- Weiner, Lawrence --- 20e eeuw --- kunstgeschiedenis --- kunstgeschiedenis - kunst na 1945 --- kunstgeschiedenis, 20e eeuw --- schilderkunst --- Art, Modern --- Conceptual art --- Art criticism --- conceptuele kunst.
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Art --- Installations (Art) --- Multimedia (Art) --- Textile fabrics in art --- 20e eeuw --- 705.8 --- conceptuele kunst --- installaties --- textiel --- (069) --- 7.038 --- 746.038 --- Kunst algemeen ; 2de h. 20ste eeuw ; nadruk op weefsels en stoffen --- Tentoonstellingscatalogi ; Philadelphia ; The Fabric Workshop and Museum --- Textiel ; kunstenaars werken met --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- kunstgeschiedenis, 20e eeuw --- (Musea. Collecties) --- Kunstgeschiedenis ; 1950 - 2000 --- Textielkunst ; 1950 - 2000 --- Fabric Workshop and Museum --- Fabric Workshop --- Fabric Workshop/Museum --- FWM --- materials [substances] --- museums [institutions] --- Oppenheim, Dennis --- Shonibare, Yinka --- Cole, Willie --- Oldenburg, Claes --- Lee, Bul --- Maisin Artists of Papua New Guinea --- Cardoso, María Fernanda --- Drew, Leonardo --- Morris, Robert --- Bourgeois, Louise --- Gonzalez-Torres, Felix --- Guilleminot, Marie-Ange --- Hodges, Jim --- Lipski, Donald --- Abramovic, Marina --- Lowe, Tristin --- Luna, James --- Marti, Virgil --- Lee, Mingwei --- Pfaff, Judy --- Ringgold, Faith --- Rubins, Nancy --- Semmes, Beverly --- Weems, Carrie Mae --- Yanagi, Yukinori --- Tuttle, Richard --- Hatoum, Mona --- Piper, Keith --- Lichtenstein, Roy --- Viola, Bill --- Kelley, Mike --- Venturi, Robert --- Scott Brown, Denise --- Aitken, Doug --- Friedman, Tom --- Hodgkin, Howard --- Bałka, Mirosław --- Green, Renée --- Kapoor, Anish --- Pardo, Jorge --- Rondinone, Ugo --- Smith, Kiki --- Nevelson, Louise --- Rollins, Tim --- Hamilton, Ann --- Bloom, Barbara --- Burden, Chris --- Chin, Mel --- Ireland, David --- Ligon, Glenn --- Simmons, Gary --- Sterbak, Jana --- Whiteread, Rachel --- Simpson, Lorna --- K.O.S. --- Gonzales-Torres, Felix --- Art, Primitive
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