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Lecture --- Hermeneutique --- Quebec (province) --- Quebec (province) --- Lecture --- Hermeneutique --- Quebec (province) --- Histoire --- Quebec (province) --- Histoire
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Hermeneutics --- Bible --- 22.06 --- Bijbel: exegese; hermeneutiek --- Herméneutique --- Hermeneutics. --- Exegese. --- Hermeneutiek. --- Bible. --- Biblia --- Hermeneutics - Congresses.
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Bible. --- Criticism, interpretation, etc. --- Herméneutique (Bible). --- "Bible. --- Bible. A.T. Judith. --- Bible. A.T. Tobie.
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From the mysterious glosses by 'EK' in the poetry of Edmund Spenser, to the self-commentary in Vladimir Nabokov's Pale Fire, readers of literature have been fascinated by the comments, addenda, and footnotes added by authors to their own work. In this insightful and original work, Sherry Roush investigates poets' motivations for writing glosses. She argues that self-commentary differs fundamentally from standard commentary, and that it does not necessarily impose an authoritative reading, determine the poem's significance, or furnish factual autobiographical information. Rather, self-commentary presents an intriguing ulterior poetic dimension and adds to the inherent tension of the text. Roush focuses her study on three pairs of authors, each representing a distinct historical-contextual period: Dante and Boccaccio in the early Italian self-commentative tradition, Lorenzo de' Medici and Girolamo Benivieni in high Renaissance Florence, and Giordano Bruno and Tommaso Campanella at the turn of the seventeenth century. Through numerous examples, Roush highlights the non-linear development of this mixed genre, and shows how poetic self-commentaries respond to unique literary, historical, and political exigencies, and offer keys to understanding the underlying poetic message. This seminal study will be of particular value to scholars interested in poetry, hermeneutics, autobiography, and Renaissance studies.
Hermeneutics --- Hermeneutiek --- Herméneutique --- Hermeneutics. --- Italian poetry --- History and criticism. --- Interpretation, Methodology of --- Criticism --- History and criticism
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Philosophy, German --- Phenomenology. --- Hermeneutics --- Art --- Language and languages --- Philosophie allemande --- Phénoménologie --- Herméneutique --- Langage et langues --- Philosophy --- Philosophie --- Gadamer, Hans-Georg, --- Phénoménologie --- Herméneutique --- Phenomenology --- Philosophy, Modern --- Gadamer, Hans-Georg
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Hermeneutics --- Hermeneutiek --- Herméneutique --- Religion --- Hermeneutics. --- History. --- Histoire --- 27 <082> --- 930.21 "19" --- Kerkgeschiedenis--Feestbundels. Festschriften --- Historiografie: 20ste eeuw --- Festschrift - Libri Amicorum --- 930.21 "19" Historiografie: 20ste eeuw --- Herméneutique --- Religious history --- Interpretation, Methodology of --- Criticism --- History --- Religion - History.
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Theory of knowledge --- Ricoeur, Paul --- Hermeneutics --- Ricœur, Paul --- Interpretation, Methodology of --- Criticism --- Lü-ko-erh --- Ricœur, P. --- Li-kʻo, Pao-lo --- ريكور، بول --- ريكور، پول --- Рикёр, Поль --- Rikër, Polʹ --- Hermeneutics. --- Ricœur, Paul. --- Ricœur, Jean Paul Gustave --- Ricœur, Paul, --- Ricœur, Paul, - 1913-2005 --- Ricoeur, Paul (1913-2005) --- Herméneutique --- Interprétation (philosophie) --- Critique et interprétation
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perceptual essences that can be rendered directly manifest in perception with the help of theoretically structured instruments serving as 'readable technologies'. " Scientific knowledge should thus be understood as an extension of "unassisted" perception. A perceptual fact has an outer horizon "which separates it from the ground on which it appears," and an inner horizon "composed of a multiplicity of possible perceptual profiles organized by an invariant essence. " The perceiving subject can "bring forth a representative sample of the profiles in question," occasionally by making use of certain technological processes, which are themselves subject to interpretation in terms of theoretical representations. The theoretical entities described in these representations are not "simply detected thanks to an inferential operation, but rather, they are directly perceived. " It follows from this that the correspondence between the "manifest image" and the "scientific image" is not done one-to-one, but by a "many-to-one or one-to many application between contextually defined perceptual objects within contexts that are mutually incompatible but complementary. " This should not, however, be understood as a form of conventionalism, nor as a form of "cultural relativism. " Pre comprehension, which guides interpretation imposes strict limits to the descriptive categories which can be used and to the manner in which they can be linked to appropriate empirical objects. The author applies his hermeneutic principles to the study of visual perception. (In fact this question is treated in the first part of the book.
Hermeneutics --- Hermeneutiek --- Herméneutique --- Science --- Philosophy --- Normal science --- Philosophy of science --- Interpretation, Methodology of --- Criticism --- Philosophy and science. --- Phenomenology . --- Modern philosophy. --- Aesthetics. --- Religion. --- Philosophy of Science. --- Phenomenology. --- Modern Philosophy. --- Religious Studies, general. --- Religion, Primitive --- Atheism --- Irreligion --- Religions --- Theology --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Art --- Literature --- Proportion --- Symmetry --- Modern philosophy --- Philosophy, Modern --- Science and philosophy --- Psychology
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Paradigm (Linguistics) --- Deconstruction --- Hermeneutics --- Paradigme (Linguistique) --- Déconstruction --- Herméneutique --- Communication --- Reference (Linguistics) --- Relevance --- Rhetoric --- Language and languages --- Speaking --- Authorship --- Expression --- Style, Literary --- Pertinence --- Relevancy --- Meaning (Philosophy) --- Meaning (Psychology) --- Signification (Linguistics) --- Linguistics --- Onomasiology --- Semantics --- Interpretation, Methodology of --- Criticism --- Communication, Primitive --- Mass communication --- Sociology --- Communication. --- Hermeneutics. --- Relevance. --- Rhetoric. --- Reference (Linguistics). --- Déconstruction --- Herméneutique --- Literature --- Literary style
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Parent and child --- Father figures --- Father and child --- Parents --- Parents et enfants --- Image du père --- Père et enfant --- Psychology --- Psychologie --- Literary semiotics --- Theory of knowledge --- Critique. --- Semiotique et litterature. --- Hermeneutique. --- Criticism --- Semiotics and literature --- Critique --- Sémiotique et littérature
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