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Relaas over de laatste acht jaar van het leven van de Duitse dichter (1797-1856).

Authors, German --- Authors, German. --- Heine, Heinrich

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Heine --- Heinrich --- 1797-1856 --- Authors --- German --- 19th century --- Biography

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Heinrich-Heine-Universität Düsseldorf --- Geschichte 2001-2009

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As the most prominent German-Jewish Romantic writer, Heinrich Heine (1797-1856) became a focal point for much of the tension generated by the Jewish assimilation to German culture in a time marked bya growing emphasis on the shared ancestry of the German Volk. As both an ingenious composer of Romantic verse and the originator of modernist German prose, he defied nationalist-Romantic concepts of creative genius that grounded German greatness in an idealist tradition of Dichter und Denker. And as a brash, often reckless champion of freedom and social justice, he challenged not only the reactionary ruling powers of Restoration Germany but also the incipient nationalist ideology that would have fateful consequences for the new Germany--consequences he often portended with a prophetic vision born of his own experience. Reaching to the heart of the `German question,' the controversies surrounding Heine have been as intense since his death as they were in his own lifetime, often serving as an acid test for important questions of national and social consciousness. This new volume of essays by scholars from Germany, Britain, Canada, and the United States offers new critical insights on key recurring issues in his work: the symbiosis of German and Jewish culture; emerging nationalism among the European peoples; critical views of Romanticism and modern philosophy; Europeanculture on the threshold to modernity; irony, wit, and self-critique as requisite elements of a modern aesthetic; changing views on teleology and the dialectics of history; and final thoughts and reconsiderations from his last, prolonged years in a sickbed. Contributors: Michael Perraudin, Paul Peters, Roger F. Cook, Willi Goetschel, Gerhard Hoehn, Paul Reitter, Robert C. Holub, Jeffrey Grossman, Anthony Phelan, Joseph A. Kruse, and George F. Peters.
Roger F. Cook is professor of German at the University of Missouri, Columbia.

Heine, Heinrich, --- Criticism and interpretation. --- Heine, Heinrich --- Geĭne, Genrikh, --- Khaĭne, Khaĭnrikh, --- Haine, --- Chaine, Herrikos, --- Hai-nieh, --- Heine, Enrique, --- Heine, H. --- Haineh, Henrikh, --- Haineh, Hainrikh, --- Hainah, Hinrikh, --- Haine, H., --- Heine, Henri, --- Heine, Henryk, --- Heine, Enrico, --- Haine, Hainrix, --- Haine, Hainrikh, --- Heine, Henry, --- Heine, Harry, --- היין, היינריך, --- היינה --- היינה, היינריך --- היינה, היינריך, --- היינה, הינריך --- היינע, היינריך --- היינע, היינריך, --- היינריך, היינה, --- הינה, הינריך --- הינה, הינריך, --- הײנע, הײנע --- הײנע, הײנריך --- הײנע, הײנריך, --- Гейне, Генрихъ, --- German literature --- History and criticism. --- Creative Genius. --- European Culture. --- Freedom. --- German Identity. --- German-Jewish Writer. --- Heinrich Heine. --- Irony. --- Literary Criticism. --- Modern Aesthetic. --- Nationalism. --- Romantic Writer. --- Romanticism. --- Social Justice. --- LITERARY CRITICISM / European / German. --- Authors, German

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Publisher Description (unedited publisher data) Counter This book offers a theory of Romantic song by re-evaluating Schumann's Dichterliebe of 1840, one of the most enigmatic works of the repertoire. It investigates the poetics of Early Romanticism in order to understand the mysterious magnetism and singular imaginative energy that imbues Schumann's musical language. The Romantics rejected the ideal of a coherent and organic whole and cherished the suggestive openness of the Romantic fragment, the disconcerting tone of Romantic irony and the endlessness of Romantic reflection - thereby realising an aesthetic of fragmentation. Close readings of many songs from Dichterliebe show the singer's intense involvement with the piano's voice, suggesting a 'split Self' and the presence of the 'Other'. Seeing Schumann as the 'second poet of the poem' - here of Heine's famous Lyrisches Intermezzo - this book considers essential issues of musico-poetic intertextuality, introducing into musicology a hermeneutic that seeks to synthesise philosophical, literary-critical, music-analytical and psycho-analytical modes of thought.

Romanticism --- Romantiek --- Romantisme --- Romanticism in music. --- Romantisme dans la musique. --- Muzikale analyse. --- Gedichten. --- Romantiek. --- Rezeption. --- Schumann, Robert, --- Schumann, Robert. --- Heine, Heinrich. --- Schumann, Robert <1810-1856> / Dichterliebe. --- Heine, Heinrich, --- Dichterliebe (Schumann, Robert). --- Dichterliebe. --- Buch der Lieder. --- Schumann, Robert --- Music and literature --- Germany --- 19th century