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Art patronage --- -Arts --- -Cultural industries --- -Privatization --- -Management
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Is business, for music, a regrettable necessity or a spur to creativity? Are there limits to the influence that economic factors can or should exert on the musical imagination and its product? In the eleven essays contained in this book the authors wrestle with these questions from the perspective of their chosen area of research. The range is wide: from 1700 to the present day; from the opera house to the community centre; from composers, performers and pedagogues to managers, publishers and lawyers; from piano miniatures to folk music and pop CDs. If there is a consensus, it is that music serves its own interests best when it harnesses business rather than denying it.
Music trade --- Music --- Criticism --- Music business --- Music industry --- Cultural industries --- History. --- History and criticism.
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Master and servant --- Cultural industries --- Labor laws and legislation --- Employeur et employé (Droit) --- Industries culturelles --- Travail --- Employees --- Law and legislation --- Personnel --- Droit --- Droit
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Broadcasting --- Internet --- Mass media --- Press law --- Broadcasting industry --- Communication and traffic --- Cultural industries --- Telecommunication --- Law and legislation --- Mass media - Law and legislation - France --- Broadcasting - Law and legislation - France --- Press law - France --- Internet - Law and legislation - France
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Henry IV's conversion to catholicism in 1593 and Papal absolution in 1595 were traversed by multiple problems and difficulties. These religious events were inseparable from concurrent political, diplomatic and military issues. The subject is therefore examined both within its civil war background and the wider, European context. This treatment is original, not least in its comprehensive coverage of the Papal dimension. Until now, the role of the Papacy has been consistently misinterpreted, while the manner in which the absolution was ultimately achieved has been known only through sketchy and
Motion pictures --- Motion picture industry --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History. --- History and criticism --- Henry.
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Books and Readers in Early Modern England examines readers, reading, and publication practices from the Renaissance to the Restoration. The essays draw on an array of documentary evidence-from library catalogs, prefaces, title pages and dedications, marginalia, commonplace books, and letters to ink, paper, and bindings-to explore individual reading habits and experiences in a period of religious dissent, political instability, and cultural transformation. Chapters in the volume cover oral, scribal, and print cultures, examining the emergence of the "public spheres" of reading practices. Contributors, who include Christopher Grose, Ann Hughes, David Scott Kastan, Kathleen Lynch, William Sherman, and Peter Stallybrass, investigate interactions among publishers, texts, authors, and audience. They discuss the continuity of the written word and habits of mind in the world of print, the formation and differentiation of readerships, and the increasing influence of public opinion. The work demonstrates that early modern publications appeared in a wide variety of forms-from periodical literature to polemical pamphlets-and reflected the radical transformations occurring at the time in the dissemination of knowledge through the written word. These forms were far more ephemeral, and far more widely available, than modern stereotypes of writing from this period suggest.
Book history --- anno 1500-1599 --- Great Britain --- Books and reading --- Literature and society --- Book industries and trade --- Book trade --- Cultural industries --- Manufacturing industries --- History --- England --- Intellectual life --- Cultural Studies. --- History. --- Library Science and Publishing. --- Literature. --- Medieval and Renaissance Studies.
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Mass communications --- Economic policy and planning (general) --- Sociology of culture --- Arts and society --- Arts et société --- Cultural industries --- Cultural policy --- Culture --- Culture [Industrie de la ] --- Culture [Marché de la ] --- Culturel [Marché du ] --- Cultuur --- Cultuurindustrie --- Cultuurpolitiek --- Industrie culturelle --- Industrie de la culture --- Kunsten en maatschappij --- Marché de la culture --- Marché du culturel --- Politique culturelle --- #SBIB:022.AANKOOP --- #SBIB:309H1013 --- #SBIB:309H040 --- Media algemeen: bedrijfseconomische aspecten, productie- en distributiestructuren --- Populaire cultuur algemeen --- Cultural industries. --- Creative industries --- Culture industries --- Industries --- Mass media --- Social aspects
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Archivistics --- Computer. Automation --- 026.068 --- Software, programmatuur. Elektronische informatiebronnen. Digitale bibliotheken. Virtuele bibliotheken --- Conferences - Meetings --- 026.068 Software, programmatuur. Elektronische informatiebronnen. Digitale bibliotheken. Virtuele bibliotheken --- Archival materials --- Book industries and trade --- Book trade --- Cultural industries --- Manufacturing industries --- Materials, Archival --- Archives --- Manuscripts --- Digitization --- History --- Research --- Sources
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History of the Netherlands --- Film --- History of Belgium and Luxembourg --- anno 1940-1949 --- Motion picture industry --- -Motion pictures --- -Motion pictures, German --- -Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- German motion pictures --- Foreign films --- History --- History and criticism --- Motion pictures --- Motion pictures, German --- History. --- -History
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This monograph departs from traditional studies of national cinema by accentuating the intercultural and intertextual links between Malaysian films and Asian (as well as European and American) film practices. Using cross-cultural analysis, the author characterizes Malaysia as a pluralist society consisting of a multiplicity of cultural identities. Malaysian film reflects this remarkable heterogeneity, particularly evident in the impact of the Indian and Hong Kong cinema. Detailed analyses of a selection of Malaysian films highlight their cultural complexities, while noting the tension between cultural inclusivity and ethnic exclusivity at the heart of this cinema.
Cinéma --- Motion pictures --- Malaysia --- Asia --- Social life and customs. --- Motion picture industry. --- Motion pictures. --- Music, Dance, Drama & Film --- Film --- Motion picture industry --- Film industry (Motion pictures) --- Moving-picture industry --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- History and criticism --- Cultural industries --- Audio-visual materials --- Mass media --- Performing arts --- motion pictures --- film
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