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Gender, theatre, and the origins of criticism : from Dryden to Manley
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ISBN: 0521818109 0521188652 110712607X 0511120958 0511021119 0511147805 051133009X 0511483570 1280159790 0511054521 9780511021114 9780521818100 9780511120954 9780511483578 9780511054525 9781280159794 9780521188654 9780511147807 Year: 2002 Publisher: Cambridge : Cambridge University Press,

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Abstract

In Gender, Theatre and the Origins of Criticism, which was originally published in 2003, Marcie Frank explores the theoretical and literary legacy of John Dryden to a number of prominent women writers of the time. Frank examines the pre-eminence of gender, sexuality and the theatre in Dryden's critical texts that are predominantly rewritings of the work of his own literary precursors - Ben Jonson, Shakespeare and Milton. She proposes that Dryden develops a native literary tradition that is passed on as an inheritance to his heirs - Aphra Behn, Catharine Trotter, and Delarivier Manley - as well as their male contemporaries. Frank describes the development of criticism in the transition from a court-sponsored theatrical culture to one oriented toward a consuming public, with very different attitudes to gender and sexuality. This study also sets out to trace the historical origins of certain aspects of current criticism - the practices of paraphrase, critical self-consciousness and performativity.

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