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Religion in literature --- Mysticism in literature

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Godsdienst in de literatuur --- Religion dans la littérature --- Religion in literature --- French fiction --- 18th century --- History and criticism --- 19th century --- Religion and literature --- France --- History --- England

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Sexology --- Sociolinguistics --- Thematology --- Spanish-American literature --- anno 1900-1999 --- Cuba --- Cuban literature --- Homosexuality in literature. --- Religion in literature. --- Santeria in literature. --- Voodooism in literature. --- Yoruba (African people) --- History and criticism. --- Religion. --- History and criticism

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Greek drama (Tragedy) --- Religion in drama --- Tragédie grecque --- Religion dans le théâtre --- History and criticism. --- Histoire et critique --- Euripides --- Criticism and interpretation --- Religion --- Religious drama, Greek --- Mythology, Greek, in literature. --- Gods, Greek, in literature. --- Religion in drama. --- Tragedy. --- Gods, Greek, in literature --- Mythology, Greek, in literature --- Tragedy --- -Greek religious drama --- Greek drama --- Drama --- Religion in poetry --- History and criticism --- -Euripides --- -Characters --- -Gods --- Religion in literature. --- -History and criticism --- Euripide --- Characters --- -Drama --- Greek religious drama --- -Religion in drama --- Tragédie grecque --- Religion dans le théâtre --- Religion in literature --- Gods. --- Religion. --- Criticism and interpretation. --- Religious drama, Greek - History and criticism.

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In this book on George Bernard Shaw's philosophy of religion, Stuart Baker examines Shaw's insistence that a religion for the contemporary world must be a true guide to daily living, as well as consistent with science. Baker concludes that Shaw was right and presents Shaw's arguments in analytical, logical, and scientific terms. Where previous work on Shaw's religious thought approaches the subject from the point of view of traditional religion, this study approaches his unusual religious ideas on their own terms, which differ from those of either traditional faith or modern atheistic materialism. Baker supports Shaw's contention that his metaphysical principles provide a more solid foundation for ethics and progressive politics than do most alternatives. Baker also endorses Shaw's belief that the scientific principles of rigorousness, logic, and analytical thinking bear out his argument that teleological principles are at work in the world and that the universe can be said to have a will that could be the subject of careful scientific investigation.

Religious drama, English --- Rationalism in literature. --- Religion in literature. --- Rationalism in literature --- Religion in literature --- English --- Languages & Literatures --- English Literature --- Religion in drama --- Religion in poetry --- English religious drama --- English drama --- History and criticism. --- History and criticism --- Shaw, Bernard, --- Birnārd Shū, --- Shū, Birnārd, --- Hsiao, Po-na, --- Shou, Dzhordzh Bernard, --- Corno di Bassetto, --- Bassetto, Corno di, --- Fellow of the Royal Society of Literature, --- Shou, Bernard, --- Shaw, George Bernard, --- Shaw, G. B. --- Shō, Bānādo, --- Shiyou, Baanādo, --- Shaw, G. Bernard --- Pern̲āṭṣā, --- Pern̲ārṭuṣā, --- Cā, Pern̲āṭ, --- Ṣā, Pern̲ārṭ, --- Ṣā, Jārj Pern̲ārṭu, --- Шоу, Джордж Бернард, --- שאו, בערנארד --- שאו, בערנארד, --- שאו, ברנארד, --- שאו, ברנארד --- שאו, ברנרד --- שאו, ג׳ורג׳ ברנרד --- شو، برنارد، --- Religion.