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2002 (4)

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Tender consciousness : sentimental sensibility in the emerging artist - Sterne, Yeats, Joyce, and Proust
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ISBN: 0820438685 Year: 2002 Publisher: New York ; Bern; Berlin Peter Lang

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The poetics of the "Künstlerinroman" and the aesthetics of the sublime
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ISBN: 0754602966 Year: 2002 Publisher: Aldershot Burlington : Ashgate,

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This study of the poetics of the Romantic K nstlerinroman (female artist novel) brings to the foreground its salient metafictional discourse on the aesthetics of the sublime, ever since its beginnings in Madame de Sta l's "Corinne ou L'Italie". The book presents detailed readings of H.D.'s "Palimpsest", Christa Wolf's "Nachdenken ber Christa T." and Marguerite Duras' "L'Amant" in a dialogue with Kant, Freud, Lacan, Cixous, Derrida and other philosophers, theorists, literary critics and writers. Each novel is explored in terms of its generic affiliations, its reflections on the role of literature and the writer in society and its aesthetic discourse on the sublime. The book stages an inquiry into the relation between genre, the sublime, gender and literary history from which emerge insights into the conditions of subjectivity underlying the experience and communication of the sublime.


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Figure d'artista : la nascita delle immagini alle origini della letteratura
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ISBN: 8879233432 Year: 2002 Volume: 3 Publisher: Fiesole (Firenze) : Cadmo,

Romantic image
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ISBN: 9780203167069 9781134506149 1134506147 0203167066 9781134506095 1134506090 9781134506132 1134506139 9781282777897 1282777890 9781003070856 100307085X 9781000107722 1000107728 9781000159035 1000159035 9781000136951 1000136957 0415261864 9780415261869 0415261872 9780415261876 9786612777899 Year: 2002 Publisher: London New York Routledge

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For the past four decades Frank Kermode, critic and writer, has steadily established himself as one of the most brilliant minds of his generation. Author and editor of over forty books, his prodigious output includes some of the best literary criticism to be published. Questioning the public's harsh perception of 'the artist', Kermode at the same time gently pokes fun at artists' own, often inflated, self-image. He identifies what has become one of the defining characteristics of the Romantic tradition - the artist in isolation and the emerging power of the imagination. The ingeniousness of Ke

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