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2001 (4)

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Yeats, the Irish literary revival and the politics of print.
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ISBN: 1859182607 1859182615 9781859182611 Year: 2001 Publisher: Cork Cork university press

Material modernism : the politics of the page
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ISBN: 0521661544 9780521661546 Year: 2001 Publisher: Cambridge, U. K. New York Cambridge University Press

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Abstract

"Material Modernism draws on editorial theory, cultural studies, and the history of the book to argue for a freshly historicized reading of modernism. Instead of taking texts as consisting of disembodied words, Bornstein considers their physical bodies as themselves semantically important. He argues that current constructions of literary modernism - like those that regard its achievements and attitudes as favouring the anti-historical over the historical, or product over process - are derived from the fixed, current, material forms of its texts. By studying modernism in its original sites of production and in the continually shifting physicality of its transmissions, an alternative construction emerges that emphasizes historical contingency, multiple versions, and the material features of the text itself. Bornstein recontextualizes works by a range of British, Irish, and American authors, including W.B. Yeats, Emma Lazarus, Gwendolyn Brooks, Ezra Pound, Marianne Moore, James Joyce, and writers of the Harlem Renaissance, among others."--Jacket.

The Hybrid Muse: postcolonial poetry in English
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ISBN: 0226703436 0226703428 9780226703435 Year: 2001 Publisher: Chicago, Ill. University of Chicago Press

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In recent decades, much of the most vital literature written in English has come from the former colonies of Great Britain. But while post-colonial novelists such as Chinua Achebe, Salman Rushdie and V.S. Naipaul have been widely celebrated, the achievements of postcolonial poets have been strangely neglected. In "The Hybrid Muse", Jahan Ramazani argues that postcolonial poets have also dramatically expanded the atlas of literature in English, infusing modern and contemporary poetry with indigenous metaphors, rhythms and creoles. A rich and vibrant poetry, he contends, has issued from the hybridization of the English muse with the long resident muses of Africa, India and the Caribbean. Starting with the complex case of Ireland, Ramazani closely analyzes the work of leading postcolonial poets and explores key questions about the relationship between poetry and postcolonialism. As inheritors of both imperial and native cultures, poets such as W.B. Yeats, Derek Walcott, Louise Bennett, A.K. Ramanujan and Okot p'Bitek invent compelling new forms to ariculate the tensions and ambiguities of their cultural in-betweeness. They forge hybrid figures, vocabularies and genres that embody the postcolonial condition. Engaging an array of critical topics, from the aesthetics of irony and metaphor to the politics of nationalism and anthropology, Ramazani reconceptualizes issues central to our understanding of both postcolonial literatures and 20th-century poetry. The first book of its kind, "The Hybrid Muse" should help internationalize the study of poetry, and in turn, strengthen the place of poetry in postcolonial studies.

Modernism and eugenics : Woolf, Eliot, Yeats, and the culture of degeneration
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ISBN: 1107123933 0521033306 0511119704 0511485026 0511153775 0511303556 0511044070 128015490X 0511017855 9780511017858 9780511044076 9780511119705 9780521806015 0521806011 9780511485022 9781107123939 9780521033305 9780511153778 9780511303555 Year: 2001 Publisher: Cambridge, UK ; New York, NY : Cambridge University Press,

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In Modernism and Eugenics, first published in 2001, Donald Childs shows how Virginia Woolf, T. S. Eliot and W. B. Yeats believed in eugenics, the science of race improvement and adapted this scientific discourse to the language and purposes of the modern imagination. Childs traces the impact of the eugenics movement on such modernist works as Mrs Dalloway, A Room of One's Own, The Waste Land and Yeats's late poetry and early plays. The language of eugenics moves, he claims, between public discourse and personal perspectives. It informs Woolf's theorization of woman's imagination; in Eliot's poetry, it pictures as a nightmare the myriad contemporary eugenical threats to humankind's biological and cultural future. And for Yeats, it becomes integral to his engagement with the occult and his commitment to Irish Nationalism. This is an interesting study of a controversial theme which reveals the centrality of eugenics in the life and work of several major modernist writers.

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