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The Complete Tales of Ketzia Gold is a lavishly poetic novel that draws upon the motifs of traditional German, Russian and Yiddish folklore and fairy stories to recount the visionary obsessions of a passionate young woman. The narrative moves freely through time and space, uniting Ketzia Gold's early childhood with her sexual awakenings, creating a dreamscape of haunting vividness. Marked by a logical illogic and disarmingly sane madness, this haunting and innovative fable creates an emotional landscape that's as impossible to escape as it is for young Ketzia to inhabit. Kate Bernh
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An important reintroduction to this literature, this compilation of Thomas Crane's original translations of Italian folk stories includes new critical analysis. In the mid-19th century, at a time when stories told by common folk were considered worthless superstitions, Thomas Frederick Crane began to gather and study Italian popular tales-fairy stories, nursery tales, and jests.
Fairy tales. --- Tales. --- Tales --- Anthropology --- Social Sciences --- Folklore
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Fiction --- Spanish literature --- anno 1990-1999 --- Fairy tales --- History and criticism --- Short stories, Spanish --- Spanish fiction --- Fairy tales - History and criticism
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Fairy tales --- Law and literature --- History and criticism --- -Law and literature --- Literature and law --- Literature --- Fairytales --- Children's stories --- Tales --- Fairy tales - Germany - History and criticism
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Ce n'est qu'en 1697 que Charles Perrault érige les contes de fées en genre littéraire. Puis un nouveau conte merveilleux naît des recherches des frères Grimm et des cercles romantiques avec Andersen. Ces contes obéissent à des structures et fonctionnent selon des archétypes.Le conte de fées occidental est abordé ici à travers des manuscrits, estampes et dessins originaux.Ce cahier pédagogique a été publié à l’occasion de l’exposition « Il était une fois… Les contes de fées » présentée par la Bibliothèque nationale de France site Richelieu, galerie Mansart, du 20 mars au 17 juin 2001.
Folklore --- Literature --- sprookjes --- Fairy tales --- Fairy tales in literature --- Illustrated books --- Exhibitions --- Bibliothèque nationale de France --- Contes de fées --- Contes de fées dans la littérature --- Livres illustrés dans la littérature --- Exhibitions. --- Expositions --- Bibliothèque nationale de France --- Fairy tales - Exhibitions --- Fairy tales in literature - Exhibitions --- Illustrated books - Exhibitions
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Contes de fées --- Fairy tales --- Fées [Contes de ] --- Sprookjes --- Tales [Fairy ] --- Fairytales --- Children's stories --- Tales --- History and criticism
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Aan de hand van volkssprookjes, mythen, sagen, legenden, volksgebruiken, volksgeloof, prehistorische vondsten, taalkunde, oude literatuur en vergelijkende godsdienstwetenschap heeft de auteur afgeleid dat de (moeder) godinnen van de oudheid in menig opzicht zijn terug te voeren op de wijze vrouwen uit voorhistorische tijden. Deze wijze vrouwen of volksmoeders waren de religieuze leiders, de artsen, de rechters, kortom de wijze of vroede vrouwen met belangrijke functies. Later zouden hier zowel de vrouwelijke heiligen als ook de heksen uit voortkomen. Als rode draad loopt het sprookje van vrouw Holle door het boek. We vinden haar onder meer terug in volksgeloof met betrekking tot spinnen en weven en in volksgebruiken met betrekking tot de verering van een aantal vrouwelijke heiligen. In de folklore leven de wijze vrouwen nog voort als 'witte wieven', waarbij 'wit' wijs betekent.
Folklore --- Goddesses --- Women --- Women (in religion, folklore, etc.) --- Female gods --- Gods --- Mythology --- History --- Saints --- Matriarchy --- Fairy tales --- Book
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Fairy tales --- -Folk literature, German --- -German folk literature --- German literature --- Fairytales --- Children's stories --- Tales --- History and criticism --- -History and criticism --- Folk literature, German --- Germany --- Folk literature [German]
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