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"Catalogue entries on popular songbooks, kimono, and decorative arts further investigate the potent relations between styles and ideologies imported from the West and those newly established as Japanese tradition. The nihonga paintings, woodblock prints, textiles, and domestic artifacts discussed and illustrated here come primarily from the Honolulu Academy of Arts, which organized the exhibition documented by this book. Many of these works have never been published and several major paintings, exhibited in Japan during the 1920s and 1930s then lost after the war, are brought to light here for the first time in decades. This catalogue not only presents newly discovered works but also, in bringing together a broad range of objects representative of mainstream Taisho visual culture, reconstructs the styles popular from 1915 to 1935 in a celebration of Taisho Chic."--Jacket.

Art --- Art, Japanese --- Women in art --- Western influences --- Honolulu Academy of Arts --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Japanese art --- Andepandan (Group of artists) --- Kyūshū-ha (Group of artists) --- Ryu (Group of artists) --- Honolulu (Hawaii). --- Honoruru Bijutsukan --- ホノルル美術館 --- Honolulu Museum of Art --- J6600 --- J6017.46 --- J6000.70 --- J6020 --- J4144 --- Japan: Art and antiquities -- industrial art, craft and design --- Japan: Art and antiquities -- musea, exhibitions, collections, fairs in Australia and Oceania -- US territory, American Samoa, Hawaii --- Japan: --- Japan: Art and antiquities -- Japanese aesthetics (Japonism) --- Japan: Sociology and anthropology -- cultural trends and movements -- modernism --- Exhibitions --- J6008.70 --- Japan: Art and antiquities -- history -- Kindai (1850s- ), bakumatsu, Meiji, Taishō --- Art, Primitive