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"Human passion was Samuel Richardson's great theme. His novels reveal the conflict of human passion in all its aspects - love, lust, and suffering - and the attempt to achieve a virtuous existence. In Passion and Virtue, this conflict is considered and critically analysed in fourteen essays, all originally published in Eighteenth-Century Fiction, the leading journal for the analysis of fiction from this period."--Jacket.

Epistolary fiction, English --- Emotions in literature. --- Virtue in literature. --- History and criticism. --- Richardson, Samuel, --- Criticism and interpretation. --- Quebec (Province) --- History --- Quebec (province)

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Sociology of the family. Sociology of sexuality --- History --- Feminism --- Role models --- Biographical details --- Book --- Kenny, Elizabeth --- Cowan, Edith Dircksey --- Cox, Martha Caldwell --- Berne, Dagmar --- Durack, Fanny --- Gilmore, Mary --- Goodisson, Lillie --- Joyce, Eileen --- Kellerman, Annette --- Lawson, Louise --- Loch, Joice NanKivell --- Lyons, Enid Burnell --- Mitchell, Roma Flinders --- Simon, Ella --- Taylor, Florence --- Richardson, Henry Handel --- Rosanove, Joan --- Australia

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Selected by Choice magazine as an Outstanding Academic TitlePaul Giles traces the paradoxical relations between English and American literature from 1730 through 1860, suggesting how the formation of a literary tradition in each national culture was deeply dependent upon negotiation with its transatlantic counterpart. Using the American Revolution as the fulcrum of his argument, Giles describes how the impulse to go beyond conventions of British culture was crucial in the establishment of a distinct identity for American literature. Similarly, he explains the consolidation of British cultural identity partly as a response to the need to suppress the memory and consequences of defeat in the American revolutionary wars.Giles ranges over neglected American writers such as Mather Byles and the Connecticut Wits as well as better-known figures like Franklin, Jefferson, Irving, and Hawthorne. He reads their texts alongside those of British authors such as Pope, Richardson, Equiano, Austen, and Trollope. Taking issue with more established utopian narratives of American literature, Transatlantic Insurrections analyzes how elements of blasphemous, burlesque humor entered into the making of the subject.

American literature --- Comparative literature --- anno 1800-1899 --- anno 1700-1799 --- 802.0 --- 820 --- Engels. Engelse taalkunde --- Engelse literatuur --- English literature --- English influences. --- History and criticism. --- Appreciation --- United States --- English-speaking countries --- Great Britain --- Civilization --- British influences. --- Intellectual life --- Relations --- 820 Engelse literatuur --- 802.0 Engels. Engelse taalkunde --- English influences --- History and criticism --- Anglophone countries --- Countries, English-speaking --- Revolutionary period, 1775-1783 --- 19th century --- 1783-1850 --- Colonial period, ca. 1600-1775 --- British influences --- Pope, Alexander --- Richardson, Samuel --- Franklin, Benjamin --- Byles, Mather --- Jefferson, Thomas --- Sterne, Laurence --- Burke, Edmund --- Austen, Jane --- Irving, Washington --- Hawthorne, Nathaniel --- Trollope, Anthony --- Poe, Edgar Allan --- Equiano, Olaudah --- 820 English literature. Literature in English --- English literature. Literature in English --- Countries, Anglophone --- American History. --- American Studies. --- Cultural Studies. --- Literature.

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Iconography --- Art --- paperwork [visual works] --- artists' books [books] --- Contemporary [style of art] --- papierkunst --- paper [fiber product] --- hedendaagse kunst --- Creed, Martin --- Kunito --- Ahmon, Jess --- Picasso, Pablo --- Andrews, Carol --- Atkinson, Jon --- Ayers, Linda --- Azakami, Makiko --- Azumi, Tomoko --- Bajus, Jozef --- Barker, Laurence --- Baxter, Penny --- Becker, Helmut --- Bicknell, Les --- Burnfield, Penny --- Chatani, Masahiro --- Clifford, Grace --- Corr, Mhairi --- Correia, Jean-Claude --- Cruikshank, Damian --- Cutts, Susan --- Dawson, Sophie --- Degener, Amanda --- Farmer, Jennie --- Farrow, Carol --- Floderer, Vincent --- Fuse, Tomoko --- Gentenaar, Peter --- Georgeot, Alain --- Gibbs, Dave --- Gray, Nicola --- Griffiths, Brian --- Guilleminot, Marie-Ange --- Gumuchdjian, Philip --- Harbin, Robert --- Hatakeyama, Norie --- Hay, Graham --- Heughan, Chrissie --- Holmes, Cas --- Howell, Douglas Morse --- Ibe, Kyoto --- Ida, Shoichi --- Ita, Kei --- Jackson, Paul --- Jaffe, Jeanne --- Jaycock, Carl --- Johnson, Paul --- Joisel, Eric --- Kaikkonen, Kaarina --- Kawamura, Tetsuji --- Keyte, Julia --- Kondon, Tomie --- Koretsky, Donna --- Koretsky, Elaine --- Lane, Sue --- Lucchesi, Paola --- Muhlert, Karin --- Nash, Catherine --- Niczewski, Peter --- O'Kelly, Angela --- Parry, Jacki --- Richardson, Maureen --- Rindl, Deb --- Robinson, Brian --- Robinson, Ivor --- Rush, Peter --- Shimura, Asao --- Spence, Steven --- Stanley, Andrea --- Stockwell, Susan --- Thomas, Charlie --- Torley-Gentenaar --- Turner, Sylvie --- Tyson, Matthew --- Ulbricht, Gangolf --- Walpole, Jess --- Weber, Thérèse --- Wilson-Hart, Alison --- Yoshizawa, Akira --- Hunter, William Joseph --- Ban, Shigeru --- Manheim, Julia --- Miyake, Issey --- Tyler Ken