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Motion pictures --- Cinéma --- Kieslowski, Krzysztof, --- film --- filmgeschiedenis --- filmtheorie --- twintigste eeuw --- filmregisseurs --- Polen --- Kieslowksi Krzysztof --- 791.471 KIESLOWSKI --- CPP --- Kieślowski, Krzysztof, --- Keslevskiĭ, Kshishtof, --- Criticism and interpretation. --- Kieślowski, Krzysztof
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Theory in film studies, as elsewhere, is in crisis. The once-dominant psychoanalytic paradigm is contested by cognitive models and 'Post-Theory'. In the background is a wider crisis in cultural studies, particularly as regards the public role of the politically-engaged intellectual. In this major new study Slavoj Z̆iz̆ek challenges both cognitivist-historicist accounts of cinema, and conventional film theory. Urging a more complex understanding of Lacan, Z̆iz̆ek seeks to revitalise psychoanalytic approaches to cinema, in defiance of the reductions of Post-Theory, and in so doing opens up new pathways in cultural and critical thought. Z̆iz̆ek's theoretical arguments are substantiated by provocative and illuminating analyses of the work of the polish director Krzysztof Kieślowski (1941-96), from his early documentary films of everyday life to the celebrated Decalogue and Three Colours series. In addition Z̆iz̆ek embroiders his text with characteristically dazzling asides - concerned with everything from Christian doctrine and the New Age obscurities of much of today's popular culture to the nature of cyberspace, the films of David Lynch, 'multivitamin'-flavoured fruit drinks, and Kleist's reading of Kant. -- from back cover.
Film criticism. --- Film criticism --- 791.471 KIESLOWSKI --- CDL --- Motion picture criticism --- Motion pictures --- Moving-picture criticism --- Criticism --- Evaluation --- Kieślowski, Krzysztof, --- Keslevskiĭ, Kshishtof, --- Criticism and interpretation.
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Art --- sculpture [visual works] --- installations [visual works] --- architecture [discipline] --- video art --- globalization --- Absalon --- Boden, Roland --- Dellbrügge & de Moll --- Peterman, Dan --- Stricker, Thomas --- Vece, Costa --- Wagner, Silke --- Wexler, Allan --- Bickerton, Ashley --- Tiravanija, Rirkrit --- Höller, Carsten --- Hohenbüchler, Christine --- Hohenbüchler, Irene --- Nicolai, Olaf --- Orta, Lucy --- Rehberger, Tobias --- Wodiczko, Krysztof --- Zittel, Andrea --- Metzel, Olaf --- Atelier Van Lieshout [Rotterdam] --- anno 1990-1999 --- anno 2000-2009 --- Wodiczko, Krzysztof
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Iconography --- Art --- Sculpture --- art [discipline] --- art theory --- monuments --- public spaces --- kunst in de openbare ruimte --- Hrdlicka, Alfred --- Buren, Daniel --- Oldenburg, Claes --- Finlay, Ian Hamilton --- Kummer, Raimund --- Lewandowsky, Via --- Kippenberger, Martin --- Haacke, Hans --- Haring, Keith --- Herz, Rudolf --- Hoheisel, Horst --- Christo --- Mahn, Inge --- Spiegelman, Art --- van der Heijden, Liselot --- Weisz, Florence --- Koons, Jeff --- Serra, Richard --- Schütte, Thomas --- Holzer, Jenny --- Smith, Kiki --- Gerz, Jochen --- Houshiary, Shirazeh --- Filliou, Robert --- Katase, Kazuo --- Levine, Les --- Lin, Maya --- Ulrichs, Timm --- Wodiczko, Krysztof --- Zaugg, Remy --- Metzel, Olaf --- Asher, Michael --- Wodiczko, Krzysztof
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Er zijn maar weinig woorden die de afgelopen periode zo vaak en zo verkeerd zijn gebruikt als postmodernisme. In dit boek wordt aan de hand van een levendige, uitvoerige en heldere beschrijving uitgelegd wat het postmodernisme precies voor de hedendaagse kunst heeft betekend. De postmodernisten verruilden het modernistische geloof in universaliteit, oorspronkelijkheid en artistieke vooruitgang door een ander wereldbeeld : kunstwerken veranderden in teksten, geschiedenis werd een mythe, de kunstenaar een fictief personage, en werkelijkheid was een gedateerd concept. In dit boek worden de belangrijkste ontwikkelingen in de postmoderne kunst besproken, zoals het neo-expressionisme, de anti-esthetische beweging, commodity critics, postmodern feminisme en postmodern multiculturalisme. En passant komen boeiende vragen aan de orde als : wat is kunst zonder de kunstenaar? Waarom is de fotografie hét postmoderne medium bij uitstek? Hoe kon een beweging die niet wilde dat kunst een handelsartikel zou worden zelf zo'n invloed op de dolgedraaide kunstmarkt hebben?
Postmodern --- Art --- Architecture --- anno 1900-1999 --- anno 2000-2099 --- 7.038 --- kunst 20e eeuw --- postmodernisme --- 705.8 --- Anti-estheten --- Artschwager, Richard --- Baldessari, John --- Baselitz, Georg --- Basquiat, Jean-Michel --- Bickerton, Ashley --- Burgin, Victor --- Campbell, Steven --- Charlesworth, Sarah --- Chia, Sandro --- Clemente, Francesco --- Colescott, Robert --- De Chirico, Giorgio --- Feminimse --- Fischl, Eric --- Gilbert and George --- Girls, Guerrilla --- Guangyi, Wang --- Haacke, Hans --- Halley, Peter --- Heap of birds, Edgar --- Holzer, Jenny --- Immendorff, Jörg --- Jaar, Alfredo --- Johnson, Philip --- Kelly, Mary --- Kiefer, Anselm --- Koons, Jeff --- Kosuth, Joseph --- Kruger, Barbara --- Lawler, Louise --- Le Brun, Christopher --- Levine, Sherrie --- Longo, Robert --- Mapplethorpe, Robert --- Mariani, Carlo Maria --- McCollum, Allan --- Morimura, Yasumasa --- Multiculturalisme --- Neo-expressionisme --- Piper, Adrian --- Polke, Sigmar --- Pope, Carl --- Postmodernisme --- Prince, Richard --- Richter, Gerhard --- Rosenquist, James --- Salle, David --- Schilderkunst --- Schnabel, Julian --- Sherman, Cindy --- Simmons, Laurie --- Simpson, Loma --- Steinbach, Haim --- Tansey, Mark --- Weiner, Lawrence --- Wilson, Fred --- Wodiczko, Krzysztof --- 20e eeuw --- kunstgeschiedenis --- neo-expressionisme --- kunstgeschiedenis - kunst na 1945 --- kunstgeschiedenis, 20e eeuw --- hedendaagse kunst --- postmodernisme (kunst) --- Contemporary [style of art] --- ruimtelijke kunst --- Art styles
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Art --- installations [visual works] --- art [discipline] --- painting [image-making] --- photography [process] --- psychology --- sociology --- ecology --- humor --- space [composition concept] --- video art --- performance art --- time --- motion pictures [visual works] --- structure [attributes] --- memory [psychological concept] --- identity --- play [recreation] --- sculpting --- graphic arts --- longing --- power --- kunstsociologie --- opstand --- paradox --- consumptie (kunst) --- spiritualiteit --- lach (kunst) --- verlies (kunst) --- Adams, Robert --- Mann, Sally --- Sullivan, Catherine --- Marshall, Kerry James --- El Anatsui --- Altmejd, David --- Tabaimo --- Reid Kelley, Mary --- Downes, Rackstraw --- Antin, Eleanor --- Antoni, Janine --- Puryear, Martin --- Murray, Elizabeth --- assume vivid astro focus --- Bradford, Mark --- Charles, Michael Ray --- Feodorov, John --- Bourgeois, Louise --- Hancock, Trenton Doyle --- Hawkinson, Tim --- Herrera, Arturo --- Herring, Oliver --- Kilgallen, Margaret --- Korot, Beryl --- Spero, Nancy --- Abramovic, Marina --- Manglano-Ovalle, Iñigo --- McElheny, Josiah --- McGee, Barry --- Osorio, Pepón --- Pfaff, Judy --- Pfeiffer, Paul --- Schorr, Collier --- Sikander, Shahzia --- Simmons, Laurie --- Suh, Do Ho --- Rydingsvard, von, Ursula --- Stockholder, Jessica --- Allora and Calzadilla --- Lê, An-My --- Cai Guo Qiang --- Serra, Richard --- Tuttle, Richard --- Pettibon, Raymond --- Kelley, Mike --- Horn, Roni --- Ryman, Robert --- Holzer, Jenny --- Barney, Matthew --- Turrell, James --- Dion, Mark --- Celmins, Vija --- Kruger, Barbara --- Nauman, Bruce --- Ritchie, Matthew --- Sugimoto, Hiroshi --- Sze, Sarah --- Walker, Kara --- Smith, Kiki --- Orozco, Gabriel --- Huyghe, Pierre --- Hamilton, Ann --- Benglis, Lynda --- Chin, Mel --- Gallagher, Ellen --- Ligon, Glenn --- Lin, Maya --- Mangold, Robert Peter --- Opie, Catherine --- Pittman, Lari --- Rothenberg, Susan --- Wegman, William --- Wilson, Fred --- Wodiczko, Krysztof --- Zittel, Andrea --- Ali, Laylah --- Jaar, Alfredo --- Ai Weiwei --- Anderson, Laurie --- Applebroog, Ida --- anno 2000-2099 --- Wodiczko, Krzysztof
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