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2000 (4)

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Heroes and States : On the Ideology of Restoration Tragedy
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ISBN: 081315958X 9780813159584 0813121256 9780813121253 0813193915 9780813193915 Year: 2000 Publisher: Lexington, Kentucky : The University Press of Kentucky,

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Abstract

To understand the cultural history of England during the Restoration, one need look no further than the theater, which was attended by the gentry as well as by members of the middle and lower classes. The theater of this period embodied the values, meanings, and power relations of Restoration England. In Heroes and States, Douglas Canfield argues that drama not only represents but actually helps constitute the value and belief systems of an entire culture. Heroes and States completes Canfield's two-volume cultural history of Restoration drama, begun in Tricksters and Estates: On the Ideology

Putting history to the question: power, politics and society in English Renaissance drama
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ISBN: 0231113323 Year: 2000 Publisher: New York, N.Y. Columbia University Press

Theatre and empire : Great Britain on the London stages under James VI and I
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ISBN: 152613473X 9781526134738 0719057485 9780719057489 1526134748 Year: 2000 Publisher: New York : Baltimore, Md. : Distributed exclusively in the USA by St. Martin's Press, Project MUSE,

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Theatre and empire looks at the genesis of British national identity in the reign of King James VI and I. While devolution is currently decentralising Britain, this book examines how the idea of a united kingdom was created in the first place. It does this by studying two things: the political language of the King's project to replace England, Scotland and Wales with a single kingdom of Great Britain; and cultural representations of empire on the public and private stages. The book argues that between 1603 and 1625 a group of playwrights celebrated a new national consciousness in works as diverse as Middleton's Hengist, King of Kent, Rowley's The Birth of Merlin and Shakespeare's Cymbeline. Specifically Jacobean interdisciplinary studies are few compared with Elizabethan and Caroline works, but the book attempts to redress the balance by offering a fresh appraisal of James Stuart's reign. Looking at both established and little-known plays and playwrights, Theatre and empire rewrites our understanding of the political and cultural context of the Jacobean stage.

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