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In this major study of a flexible and multifaceted mode of expression, Linda Hutcheon looks at works of modern literature, visual art, music, film, theater, and architecture to arrive at a comprehensive assessment of what parody is and what it does. Hutcheon identifies parody as one of the major forms of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode of coming to terms with the texts and discourses of the past. Looking at works as diverse as Tom Stoppard's Rosenkrantz and Guildenstern Are Dead, Brian de Palma's Dressed to Kill, Woody Allen's Zelig, Karlheinz Stockhausen's Hymnen, James Joyce's Ulysses, and Magritte's This Is Not a Pipe, Hutcheon discusses the remarkable range of intent in modern parody while distinguishing it from pastiche, burlesque, travesty, and satire. She shows how parody, through ironic playing with multiple conventions, combines creative expression with critical commentary. Its productive-creative approach to tradition results in a modern recoding that establishes difference at the heart of similarity. In a new introduction, Hutcheon discusses why parody continues to fascinate her and why it is commonly viewed as suspect--for being either too ideologically shifty or too much of a threat to the ownership of intellectual and creative property.

Parody in art. --- Aesthetics, Modern --- Arts, Modern --- 82-7 --- 82.01 --- -Parody in art --- Modern arts --- Humor. Satire --- Esthetica --- -82-7 --- 82.01 Esthetica --- 82-7 Humor. Satire --- -Parody in art. --- -Aesthetics, Modern --- Parody in art --- Aesthetics --- History --- 82-7 Prose satire. Humour, epigram, parody etc. --- Prose satire. Humour, epigram, parody etc. --- Aesthetics, Modern - 20th century. --- Arts, Modern - 20th century. --- Forme (esthétique) --- Art --- Littérature --- Parodie (art) --- Esthétique --- Arts --- 20e siècle --- Thèmes, motifs

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Literature --- Parody. --- Parody in literature. --- Parodies --- European literature --- Parodie --- Parodie dans la littérature --- Littérature européenne --- History and criticism. --- Histoire et critique --- 82-7 --- Humor. Satire --- 82-7 Humor. Satire --- Parodie dans la littérature --- Littérature européenne --- 82-7 Prose satire. Humour, epigram, parody etc. --- Prose satire. Humour, epigram, parody etc.

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Bible in literature --- Parody --- Lawrence, D. H. - (David Herbert), - 1885-1930 - Religion. --- Bible - In literature.

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Les enfants d'Espagne, de Grande-Bretagne, de Grèce ou de France sont-ils sensibles au même type d'humour ? Sur quelles références culturelles, sur quelles techniques, sur quels ressorts l'humour fonctionne-t-il dans la littérature de jeunesse ?

Children's literature --- Wit and humor ˜x History and criticism œv Congresses --- History and criticism --- Congresses --- 82-7 --- 82-93 --- Humor. Satire --- Kinderliteratuur. Jeugdliteratuur --- Conferences - Meetings --- 82-93 Kinderliteratuur. Jeugdliteratuur --- 82-7 Humor. Satire --- 82-7 Prose satire. Humour, epigram, parody etc. --- Prose satire. Humour, epigram, parody etc. --- Children's literature - History and criticism - Congresses --- Wit and humor ˆx History and criticism ‰v Congresses

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German literature --- -German literature --- -Irony in literature --- 82-7 --- 830 "17/18" --- History and criticism --- Humor. Satire --- Duitse literatuur--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- Irony in literature --- Irony --- 830 "17/18" Duitse literatuur--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- 82-7 Humor. Satire --- Sarcasm --- Cynicism --- Rhetoric --- Satire --- Tragic, The --- Understatement --- 82-7 Prose satire. Humour, epigram, parody etc. --- Prose satire. Humour, epigram, parody etc.