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White men still hold most of the political and economic cards in the United States; yet stories about wounded and traumatized men dominate popular culture. Why are white men jumping on the victim bandwagon? Examining novels by Philip Roth, John Updike, James Dickey, John Irving, and Pat Conroy and such films as Deliverance, Misery, and Dead Poets Society-as well as other writings, including The Closing of the American Mind-Sally Robinson argues that white men are tempted by the possibilities of pain and the surprisingly pleasurable tensions that come from living in crisis.

Psychological study of literature --- Thematology --- Sociology of culture --- United States --- Men, White --- Masculinity --- Men in popular culture --- Men in literature. --- Blancs --- Masculinité --- Hommes dans la culture populaire --- Hommes dans la littérature. --- Masculinity. --- Men in popular culture. --- Men, White. --- United States. --- White men. --- Gender & Ethnic Studies --- Social Sciences --- Gender Studies & Sexuality --- United States of America

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Autobiografie --- Autobiographie --- Autobiography --- Hommes dans la littérature --- Ik in de literatuur --- Mannelijkheid in de literatuur --- Mannen in de literatuur --- Masculinity in literature --- Masculinité dans la littérature --- Men in literature --- Moi dans la littérature --- Self in literature --- Doyle, Arthur Conan, --- Soi dans la littérature --- Zelf in de literatuur --- Doyle, Arthur Conan --- Knowledge --- Psychology --- Characters --- Men --- Autobiographical fiction [English ] --- History and criticism --- Authors [Scottish ] --- Biography --- Spiritualists --- Physicians --- DOYLE (ARTHUR CONAN, SIR), 1859-1930 --- MASCULINITE (PSYCHOLOGIE) --- ROMAN AUTOBIOGRAPHIQUE ANGLAIS --- AUTEURS ECOSSAIS --- AUTOBIOGRAPHIE (GENRE LITTERAIRE) --- MOI --- DANS LA LITTERATURE --- HISTOIRE ET CRITIQUE --- BIOGRAPHIE --- GRANDE-BRETAGNE