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Coleridge (samuel taylor), 1772-1834 --- Coleridge (samuel taylor), 1772-1834

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Coleridge's relation to his German contemporaries constitutes the toughest problem in assessing his standing as a thinker. For the last half-century this relationship has been described, ultimately, as parasitic. As a result, Coleridge's contribution to religious thought has been seen primarily in terms of his poetic genius. This book revives and deepens the evaluation of Coleridge as a philosophical theologian in his own right. Coleridge had a critical and creative relation to, and kinship with, German Idealism. Moreover, the principal impulse behind his engagement with that philosophy is traced to the more immediate context of English Unitarian-Trinitarian controversy of the eighteenth and nineteenth centuries. The book re-establishes Coleridge as a philosopher of religion and as a vital source for contemporary theological reflection.

Philosophy, German --- Coleridge, Samuel Taylor, --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Philosophy. --- Religion. --- Contributions in religion. --- Contributions in philosophy. --- Criticism and interpretation. --- Arts and Humanities --- Religion

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This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation.

English literature --- Gothic revival (Literature) --- Romanticism --- Canon (Literature) --- Literary form. --- Form, Literary --- Forms, Literary --- Forms of literature --- Genre (Literature) --- Genre, Literary --- Genres, Literary --- Genres of literature --- Literary forms --- Literary genetics --- Literary genres --- Literary types (Genres) --- Literature --- Classics, Literary --- Literary canon --- Literary classics --- Best books --- Criticism --- History and criticism. --- History and criticism --- Wordsworth, William, --- Baillie, Joanna, --- Scott, Walter, --- Author of "Waverley," "Ivanhoe," &c., --- Cleishbotham, Jedediah, --- Layman, --- Malagrowther, Malachi, --- Paul, --- S., W. --- Scott, W. --- Skott, Valʹter, --- Skott, Walter, --- Somnambulus, --- Ssu-ko-tʻe, --- Ssu-ko-tʻe, Wa-erh-tʻe, --- Sukotsu, --- Sukotto, --- Templeton, Laurence, --- W. S. --- Wa-erh-tʻe Ssu-ko-tʻe, --- "Waverley," "Ivanhoe," &c., Author of, --- סקאט, וואלטער, --- סקוט, וולטר, --- Bailie, Johanna, --- Coleridge, Samuel Taylor, --- Criticism and interpretation. --- Literary form --- 82-312.9 --- 82-392 --- 82-312.9 Fantastische literatuur --- Fantastische literatuur --- History --- Literatuur. Gotische roman(ce) --- Scott, Walter --- Author of "Waverley," "Ivanhoe," &c. --- Cleishbotham, Jedediah --- Malagrowther, Malachi --- Paul --- Skott, Valʹter --- Skott, Walter --- Somnambulus --- Ssu-ko-tʻe --- Ssu-ko-tʻe, Wa-erh-tʻe --- Sukotsu --- Sukotto --- Templeton, Laurence --- Wa-erh-tʻe Ssu-ko-tʻe --- "Waverley," "Ivanhoe," &c., Author of --- Canon (Literature). --- Arts and Humanities --- 18th century --- Great Britain --- 19th century --- Baillie, Joanna --- Criticism and interpretation --- Scott, Walter, Sir --- Wordsworth, William