Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art, American --- Art américain --- Exhibitions --- Expositions --- Art américain

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

ROMAN AMERICAIN --- LITTERATURE POPULAIRE --- BEAT GENERATION --- BEAT GENERATION --- 20E SIECLE --- ETATS-UNIS --- DANS LA LITTERATURE --- ROMAN AMERICAIN --- LITTERATURE POPULAIRE --- BEAT GENERATION --- BEAT GENERATION --- 20E SIECLE --- HISTOIRE ET CRITIQUE --- ETATS-UNIS --- HISTOIRE ET CRITIQUE --- DANS LA LITTERATURE

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

ROMAN AMERICAIN --- ROMAN POLICIER AMERICAIN --- LITTERATURE ET SOCIETE --- SUSPENSE DANS LA LITTERATURE --- CHANGEMENT SOCIAL DANS LA LITTERATURE --- ANGOISSE DANS LA LITTERATURE --- CRIMES DANS LA LITTERATURE --- 20E SIECLE --- HISTOIRE ET CRITIQUE --- ETATS-UNIS --- ROMAN AMERICAIN --- ROMAN POLICIER AMERICAIN --- LITTERATURE ET SOCIETE --- SUSPENSE DANS LA LITTERATURE --- CHANGEMENT SOCIAL DANS LA LITTERATURE --- ANGOISSE DANS LA LITTERATURE --- CRIMES DANS LA LITTERATURE --- 20E SIECLE --- HISTOIRE ET CRITIQUE --- HISTOIRE ET CRITIQUE --- ETATS-UNIS

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

More than any other writer, Raymond Chandler (1888-1959) is responsible for raising detective stories from the level of pulp fiction to literature. Chandler's hard-boiled private eye Philip Marlowe set the standard for rough, brooding heroes who managed to maintain a strong sense of moral conviction despite a cruel and indifferent world. Chandler's seven novels, including The Big Sleep (1939) and The Long Goodbye (1953), with their pessimism and grim realism, had a direct influence on the emergence of film noir. Chandler worked to give his crime novels the flavor of his adopted city, Los Angel

Detective and mystery stories, American --- Detective and mystery films --- Noir fiction, American --- Motion picture plays --- Marlowe, Philip (Fictitious character) --- Film noir --- Roman policier américain --- Films policiers --- Roman policier noir américain (Genre littéraire) --- Scénarios de cinéma --- Marlowe, Philip (Personnage fictif) --- Films noirs --- History and criticism. --- Histoire et critique --- Chandler, Raymond, --- Criticism and interpretation. --- Film and video adaptations. --- Motion picture plays. --- Influence. --- Roman policier américain --- Roman policier noir américain (Genre littéraire) --- Scénarios de cinéma --- צ׳אנדלר, ריימונד, --- צ׳נדלר, ריימונד, --- レイモンドチャンドラー, --- Detective and mystery films. --- Detective and mystery stories, American. --- CHANDLER (RAYMOND), 1888-1959 --- ROMAN POLICIER AMERICAIN --- ADAPTATIONS CINEMATOGRAPHIQUES ET TELEVISEES --- ADAPTATIONS CINEMATOGRAPHIQUES --- HISTOIRE ET CRITIQUE

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Uses a discussion of contemporary films and literary works to present an understanding of paranoia as a defining element in postmodern late-capitalist structure.

American fiction --- Literature and society --- Motion pictures --- Narration (Rhetoric) --- Paranoia in literature. --- Postmodernism --- History and criticism. --- History --- History. --- Sociology of literature --- Fiction --- American literature --- Psychological study of literature --- anno 1900-1999 --- Paranoia in literature --- History and criticism --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- ROMAN AMERICAIN --- LITTERATURE ET SOCIETE --- CINEMA AMERICAIN --- NARRATION --- PARANOIA DANS LA LITTERATURE --- POSTMODERNISME --- POSTMODERNISME (LITTERATURE) --- 20E SIECLE --- HISTOIRE ET CRITIQUE --- ETATS-UNIS