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Literary aesthetics : a reader
Authors: ---
ISBN: 0631208690 Year: 2000 Publisher: Oxford Blackwell

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Ästhetische Grundbegriffe (ÄGB) : historisches Wörterbuch in sieben Bänden
Authors: ---
ISBN: 3476009130 9783476009135 Year: 2000 Publisher: Stuttgart : Metzler,

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Von "Absenz" bis "Zeitalter/Epoche" enthält diese Enzyklopädie 170 Artikel, die von 150 renommierten Wissenschaftlern erarbeitet wurden. Ausgehend von der Gegenwart und ihrer Medienwelt wird die jeweilige Begriffsentwicklung im europäischen Kulturvergleich aufgezeigt. Im Vordergrund stehen jene Epochen, die durch die Ausbildung des Systems der Künste, die Geburt der Ästhetik als Disziplin und die Entstehung der Kunstphilosophie des deutschen Idealismus geprägt sind. Als Nachschlagewerk erweist dieses historische Wörterbuch nicht nur Lehrenden und Studenten wertvolle Dienste. Gerade in einer Zeit sich beschleunigenden Kulturwandels und globaler Öffnung aller Lebens- und Erfahrungsbereiche, wendet sich dieses Werk an alle, die sich mit dem Ästhetikbegriff auseinandersetzen wollen.

A theory of parody : the teachings of twentieth-century art forms
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ISBN: 0252069382 9780252069383 Year: 2000 Publisher: Urbana Chicago : University of Illinois Press,

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In this major study of a flexible and multifaceted mode of expression, Linda Hutcheon looks at works of modern literature, visual art, music, film, theater, and architecture to arrive at a comprehensive assessment of what parody is and what it does. Hutcheon identifies parody as one of the major forms of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode of coming to terms with the texts and discourses of the past. Looking at works as diverse as Tom Stoppard's Rosenkrantz and Guildenstern Are Dead, Brian de Palma's Dressed to Kill, Woody Allen's Zelig, Karlheinz Stockhausen's Hymnen, James Joyce's Ulysses, and Magritte's This Is Not a Pipe, Hutcheon discusses the remarkable range of intent in modern parody while distinguishing it from pastiche, burlesque, travesty, and satire. She shows how parody, through ironic playing with multiple conventions, combines creative expression with critical commentary. Its productive-creative approach to tradition results in a modern recoding that establishes difference at the heart of similarity. In a new introduction, Hutcheon discusses why parody continues to fascinate her and why it is commonly viewed as suspect--for being either too ideologically shifty or too much of a threat to the ownership of intellectual and creative property.

Revenge of the aesthetic : the place of literature in theory today
Authors: ---
ISBN: 0520220021 0520220048 0520923502 1597348694 9780520923508 0585391734 9780585391731 9780520220027 9780520220041 9781597348690 Year: 2000 Publisher: Berkeley : University of California Press,

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This collection of essays showcases the work of some of the most influential theorists of the last 30 years of the 20th century as they grapple with the question of how literature should be treated in contemporary theory. The contributors challenge trends that have recently dominated the field - especially those that emphasize social and political issues ofver close reading and other analytic methods traditionally associated with literary criticism.

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