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Music --- History and criticism --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Muziekwetenschappen --- 20e eeuw

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Music --- -Serialism (Music) --- Serial composition (Music) --- Total serialism (Music) --- Composition (Music) --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Serialism (Music)

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The aim of the psychology of music is to understand musical phoneomena in terms of mental functions--to characterize the ways in which one perceives, remembers, creates, and performs music. Since the First Edition of "The Psychology of Music" was published the field has emerged from an interdisciplinary curiosity into a fully ramified subdiscipline of psychology due to several factors. The opportunity to generate, analyze, and transform sounds by computer is no longer limited to a few researchers with access to large multi-user facilities, but rather is available to individual investigators on a widespread basis. Second, dramatic advances in the field of neuroscience have profoundly influenced thinking about the way that music is processed in the brain. Third, collaborations between psychologists and musicians, which were evolving at the time the first edition was written, are now quite common to a large extent now speaking a common language and agreeing on basic philosophical issues. "The Psychology of Music," Second Edition has been completely revised to bring the reader the most up-to-date information, additional subject matter, and new contributors to incorporate all of these important variables. The book is intended as a comprehensive reference source for both musicians and psychologists.

Music --- Musique --- Psychology --- Psychologie --- Psychological aspects --- 159.9:7 --- -#PBIB:2002.1 --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Psychologie van de kunst --- Psychological aspects. --- 159.9:7 Psychologie van de kunst --- #PBIB:2002.1 --- Music psychology --- Music Philosophy --- Music, Dance, Drama & Film --- Music - Psychological aspects

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The second volume of studies based on the work of Heinrich Schenker, now recognised as the twenty-first century's most influential figure in the areas of music theory and analysis. The first section of the book contains three archival studies that derive from the contents of Schenker's Nachlass, recently made available to scholars. Schenker's unpublished papers also supplement several of the analytical studies in the second, larger section of the book. Eleven essays fall into four groups: studies in the Classic and Romantic repertory, studies in twentieth-century music, rhythmic studies and studies in the theory of Schenker's fundamental analytical constructs, the Urline and the Ursatz.

Analyse schenkerienne --- Analyse van Schenker --- Schenkerian analysis --- Music --- Musique --- Schenker, Théorie de --- Congresses. --- Congrès --- Schenker, Heinrich, --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Theory --- -Congresses --- Schenker, Heinrich --- -Theory --- Schenker, Théorie de --- Congrès --- 78.60.0 --- Music theory --- Musical theory --- Theory of music

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Music --- Musique --- Vivaldi, Antonio, --- Criticism and interpretation. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism --- Prete rosso, --- Vivaldis, A., --- Vivaldi, A. --- Vivarudi, Antonio, --- Vivaldi, Antonio --- Criticism and interpretation --- Italy --- Venice (Italy) --- 18th century --- 78.21.2 Venice --- 78.21.1 Vivaldi