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Inscriptions, Greek --- Inscriptions, Latin --- Inscriptions grecques --- Lydia (Kingdom) --- Mysia (Turkey) --- Lydie (Royaume) --- Mysia (Turquie) --- Antiquities. --- Antiquités --- -Inscriptions, Greek --- -Inscriptions, Latin --- -Latin inscriptions --- Latin language --- Latin philology --- Greek inscriptions --- Greek language --- Greek philology --- -Mysia (Turkey) --- -History --- History --- -Lydia (Kingdom) --- Antiquités --- Latin inscriptions --- Inscriptions, Greek - Turkey - Lydia (Kingdom) --- Inscriptions, Greek - Turkey - Mysia. --- Inscriptions, Latin - Turkey - Lydia (Kingdom) --- Turquie --- Lydie (turquie) --- Mysie (turquie) --- Éolie

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Deceuninck, Philip --- Dessel, Geert Van --- Handschutter, Sarah De --- Kümel, Lydia --- Mecibah, Idir --- Roey, Bruno Van --- Weyers & Borms

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Publisher description: Tyrus Miller breaks new ground in this study of early twentieth-century literary and artistic culture. Whereas modernism studies have generally concentrated on the vital early phases of the modernist revolt, Miller focuses on the turbulent later years of the 1920s and 1930s, tracking the dissolution of modernism in the interwar years. In the post-World War I reconstruction and the worldwide crisis that followed, Miller argues, new technological media and the social forces of mass politics opened fault lines in individual and collective experience, undermining the cultural bases of the modernist movement. He shows how late modernists attempted to discover ways of occupying this new and often dangerous cultural space. In doing so they laid bare the ruin of the modernist aesthetic at the same time as they transcended its limits. In his wide-ranging theoretical and historical discussion, Miller relates developments in literary culture to tendencies in the visual a rts, cultural and political criticism, mass culture, and social history. He excavates Wyndham Lewis's hidden borrowings from Al Jolson's The Jazz Singer situates Djuna Barnes between the imagery of haute couture and the intellectualism of Duchamp uncovers Beckett's affinities with Giacometti's surrealist sculptures and the Bolshevik clowns Bim-Bom and considers Mina Loy as both visionary writer and designer of decorative lampshades. Miller's lively and engaging readings of culture in this turbulent period reveal its surprising anticipation of our own postmodernity. Library of Congress subject headings for this publication: English fiction 20th century History and criticism, Modernism (Literature) Great Britain, Great Britain Social life and customs 1918-1945, American fiction 20th century History and criticism, Politics and literature History 20th century, Barnes, Djuna Criticism and interpretation, Lewis, Wyndham, 1882-1957 Fictional works, Beckett, Samuel, 1906- Fictional works, Poli tical fiction History and criticism, Modernism (Literature) United States, Loy, Mina Insel.

Fiction --- Thematology --- Barnes, Djuna --- Lewis, Wyndham --- Beckett, Samuel --- English fiction --- Modernism (Literature) --- American fiction --- Politics and literature --- Political fiction --- Roman anglais --- Modernisme (Littérature) --- Roman américain --- Politique et littérature --- Polique-fiction --- History and criticism. --- History --- Histoire et critique --- Histoire --- Lewis, Wyndham, --- Beckett, Samuel, --- Barnes, Djuna. --- English --- Languages & Literatures --- English Literature --- History and criticism --- Loy, Mina --- Criticism and interpretation. --- Fictional works. --- Great Britain --- Social life and customs --- Literature --- Literature and politics --- American literature --- Crepuscolarismo --- Literary movements --- Postmodernism (Literature) --- English literature --- Political aspects --- Pei-kʻo-tʻe, Sa-miao-erh, --- Beḳeṭ, Samuel, --- Beckett, Sam, --- Беккет, Сэмюэль, --- בעקעט, סאמועל --- בקט, סמואל --- בקט, סמואל, --- بكت، ساموئل --- Lewis, Percy Wyndham, --- Lady of fashion, --- Steptoe, Lydia --- בארנס, דז׳ונה --- Bikit, Sāmūʼil, --- Loy, Mina.