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Architecture --- History --- Itō, Toyoo,
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Ito, Toyo --- Architecture --- architects --- Japan --- architecture [discipline]
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Bouroulec, Ronan --- Chia, Patrick --- Ghion, Christian --- Li-Edelkoort --- Ora-Ito
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72 ITO, TOYO --- 72.036 <52> --- J6500 --- J6008.90 --- J6013.51 --- Architecture --- -Ito, Toyo --- Toyo Ito (°1941, Seoul, Korea) --- Tentoonstellingscatalogi ; Antwerpen ; De Singel --- Architectuur ; 1971-2000 ; Toyo Ito --- 72.07 --- (069) --- 72.038 --- Toyo Ito (° 1941, Seoel, Korea) --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Architectuur. Bouwkunst--ITO, TOYO --- Moderne bouwkunst. Architectuur van de 20e eeuw--Japan en omliggende eilanden --- Japan: Art and antiquities -- architecture --- Japan: Art and antiquities -- history -- postwar Shōwa (1945- ), Heisei period (1989- ), contemporary --- Japan: Art and antiquities -- musea, exhibitions, collections, fairs in Europe -- Germany (West) --- Architecten. Stedenbouwkundigen A - Z --- (Musea. Collecties) --- Architectuurgeschiedenis ; 1950 - 2000 --- Design and construction --- Itō, Toyo --- Exhibitions --- History --- Itō, Toyoo, --- 72.036 <52> Moderne bouwkunst. Architectuur van de 20e eeuw--Japan en omliggende eilanden --- 72 ITO, TOYO Architectuur. Bouwkunst--ITO, TOYO --- Ito, Toyo --- Itō, Toyoo, --- Ito, Toyo, --- Yidong, Fengxiong, --- 伊東豊雄, --- Architecture, Primitive
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Iconography --- Sculpture --- outdoor sculpture --- Nature --- sculpting --- Endo, Toshikatsu --- Fujita, Akiko --- Hayasi, Takeshi --- Ito, Kosho --- Kuniyasu, Takamasa --- Maita, Masafumi --- Toya, Shigeo --- Tsuchiya, Kimio --- Kitayama, Yoshio
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"Claude Cahun, Maya Deren, and Cindy Sherman were born in different countries, in different generations - Cahun in France in 1894, Deren in Russia in 1917, and Sherman in the United States in 1954. Yet they share a deeply theatrical obsession that shatters any notion of a unified self. All three try out identities from different social classes and geographic environments, extend their temporal range into the past and future, and transform themselves into heroes and villains, mythological creatures, and sex goddesses. The premise of Inverted Odysseys is that this expanded concept of the self - this playful urge to "try on" other roles - is more than a feminist or psychological issue. It is central to our global culture, to our definition of human identity in a world where the individual exists in a multicultural and multemporal environment. This book is an "odyssey" through historical, theoretical, critical, and literary perspectives on the three artists viewed in the context of these issues."--Jacket.
Photography, Artistic --- Visual Arts --- Art, Architecture & Applied Arts --- Photography --- Cahun, Claude, --- Deren, Maya --- Sherman, Cindy --- Derenkowsky, Elenora --- Derenkowsky, Eleanora --- Deren, Elenora --- Deren, Eleanora --- Bardacke, Elenora --- Bardacke, Eleanora --- Hammid, Elenora --- Hammid, Eleanora --- Hammid, Maya --- Ito, Maya --- Courlis, Claude, --- Schwob, Lucy,
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Ando, Tadao --- Meier, Richard --- Irie, Kei'ichi --- Bruder, William --- Joy, Rick --- Ito, Toyo --- Niles, Edward R. --- Yyagi, Atsushi --- Woodard, Kramer E. --- Sugi, Chiharu --- Takahashi, Manami --- Hertz, David --- Bruder, William P. --- Yagi, Atsushi
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"In an age dominated by the Internet and electronic media it is becoming increasingly clear that our perception of space is also undergoing a profound transformation. The author takes the reader on a fascinating journey, revealing who has played a part in this transformation. Avant-garde artists, including Boccioni, Duchamp and Kandinsky, the architect Gropius, philosophers such as Wittgenstein and psychoanalysts like Carl Gustav Jung all contributed to this development. Today, our awareness of traditional architectural space is changing; buildings are being rendered transparent, fleeting and intangible, enhanced by virtual potential. The author looks at works by Rem Koolhaas, Jean Nouvel, Frank Gehry, Zaha Hadid, James Wines, Daniel Libeskind, Toyo Ito, which reflect building in an age of virtual realism."
Architectuur en digitalisering --- Computer Aided Design CAD --- Architectuur en informatica NURBS ALIAS MAYA --- 72:681.3 --- Architectuur en computerwetenschappen --- Hyper architectuur ; in het elektronisch tijdperk ; 1970-1999 --- Virtuele architectuur --- Museumarchitectuur ; Parijs ; Centre Pompidou --- Koolhaas, Rem ; Zentrum für Kunst und Medientechnologie ; Karlsruhe --- Architectuur ; Toyo Ito ; Sendai Mediatheek ; 1998-2001 --- Duchamp, Marcel ; en invloeden op architectuur --- Architectuur ; architectuurtheorie ; 2de helft 20ste eeuw --- Architectuur ; theorie, filosofie, esthetica --- Architectural design --- 72.01 --- Ito, Toyo --- Data processing --- Architecture --- hedendaagse architectuur --- anno 1990-1999 --- Modern [style or period] --- architecture [object genre] --- Architectuur (theorie) --- Architectuurtheorie --- Architectuur ; en informatica ; NURBS ; ALIAS ; MAYA --- Computer Aided Design ; CAD --- ARCHITECTURE --- ESPACE (ARCHITECTURE) --- MOUVEMENT --- Aspect de l'environnement (ancienne vedette) --- 20e SIECLE
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Shaking the Foundations reveals the personalities and passions hidden behind the cool, abstract exterior of the Japanese design scene in the form of a collection of interviews. Renowned architects such as Tadao Ando and Kisho Kurokawa speak out on issues ranging from the rebirth of Japanese design after World War II to progressive technologies, while newcomers disclose the trials and tribulations of "making it" in today's highly competitive commissions market. These frank, controversial, and at times humorous exchanges provide an informative overview of a lively and multifaceted professional discourse. All the architects interviewed show a special interest in creating a particularly Japanese architecture for the coming century. If any one view on this topic identifies Japanese architecture as a distinct movement, it is the conscious decision to contradict Western architecture, to swim against the tide of European and American cultural imperialism.This radical position reflects the freedom Japanese architecture has attained through its strong international presence and unique cultural character. And if the past and the present are any indication of the future, then this volume predicts that Japanese architecture will gain a stronger foothold and following in global design theory in the decades to come.
Architects --- Architecture --- History --- 72.036 --- Japan --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- J6500 --- Japan: Art and antiquities -- architecture --- 72.03 --- Architectuurgeschiedenis --- architects --- Shinohara, Kazuo --- Hasegawa, Itsuko --- Kitagawara, Atsushi --- Kuma, Kengo --- Ando, Tadao --- Yamamoto, Riken --- Naito, Hiroshi --- Hara, Hiroshi --- Suzuki, Ryoji --- Maki, Fumihiko --- Ito, Toyo --- Isozaki, Arata --- Kurokawa, Kisho --- Architectes --- Histoire
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"Claude Cahun, Maya Deren, and Cindy Sherman were born in different countries, in different generations - Cahun in France in 1894, Deren in Russia in 1917, and Sherman in the United States in 1954. Yet they share a deeply theatrical obsession that shatters any notion of a unified self. All three try out identities from different social classes and geographic environments, extend their temporal range into the past and future, and transform themselves into heroes and villains, mythological creatures, and sex goddesses. The premise of Inverted Odysseys is that this expanded concept of the self - this playful urge to "try on" other roles - is more than a feminist or psychological issue. It is central to our global culture, to our definition of human identity in a world where the individual exists in a multicultural and multemporal environment. This book is an "odyssey" through historical, theoretical, critical, and literary perspectives on the three artists viewed in the context of these issues."--Jacket.
ed. by Shelley Rice ; with contr. by Lynn Gumpert, Lucy R. Lippard, Jonas Mekas [et al.] ; also incl. Heroines : A Fictional Text by Claude Cahun, transl. by Norman MacAfee --- fotografie --- Cahun Claude --- literatuur --- Deren Maya --- film --- Verenigde Staten --- Frankrijk --- experimentele film --- Sherman Cindy --- feminisme --- gender studies --- psychologie --- identiteit --- 7.036 --- 77.036 --- 791.43 --- Deren, Maya --- Sherman, Cindy --- Cahun, Claude --- Photography, Artistic --- Cahun, Claude, --- Derenkowsky, Elenora --- Derenkowsky, Eleanora --- Deren, Elenora --- Deren, Eleanora --- Bardacke, Elenora --- Bardacke, Eleanora --- Hammid, Elenora --- Hammid, Eleanora --- Hammid, Maya --- Ito, Maya --- Schwob, Lucy, --- Courlis, Claude, --- Identity --- Artists --- Film directors --- Images of women --- Book
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