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Computer-generated visual effects are now used extensively in feature films, commercials, music videos, and multimedia. The backbone of this process, the final and most important step, is known as digital compositing. The Art and Science of Digital Compositing is a comprehensive reference that provides a complete overview of the technical and the artistic nature of this process. This book covers a wide range of topics from basic image creation, representation, and manipulation, to a look at the visual cues that are necessary to create a believable composite. Designed as both an intro

Computer graphics. --- Image processing --- Digital image processing --- Digital electronics --- Automatic drafting --- Graphic data processing --- Graphics, Computer --- Computer art --- Graphic arts --- Electronic data processing --- Engineering graphics --- Digital techniques. --- Digital techniques

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OpenGL. --- Computer graphics. --- Computer graphics --- Automatic drafting --- Graphic data processing --- Graphics, Computer --- Open GL --- Monograph --- Computer art --- Graphic arts --- Electronic data processing --- Engineering graphics --- Image processing --- Digital techniques --- Open Graphics Library --- Infographie --- Computer software --- Logiciels --- Computer-aided design --- Conception assistée par ordinateur --- Development --- Développement. --- Computer programs --- Logiciels. --- OpenGL --- Conception assistée par ordinateur --- Développement.

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Joseph-Louis Lagrange (1736-1813), one of the greatest mathematicians of the 18th century, made important contributions to the theory of numbers and to analytical and celestial mechanics. His most important work is Mecanique Analytique (1788), the textbook on which all subsequent work in this field is based. A contempo­ rary reader is surprised to find no diagrams or figures of any kind in this book on mechanics. This reflects one extreme approach to graphics, namely considering it unimportant or even detracting as a teaching tool and not using it. Today, of course, this approach is unthinkable. Graphics, especially computer graphics, is commonly used in texts, advertisements, and movies to illustrate concepts, to emphasize points being discussed, and to entertain. Our approach to graphics has been completely reversed since the days of La­ grange, and it seems that much of this change is due to the use of computers. Computer graphics today is a mature, successful, and growing field. It is used by many people for many purposes and it is enjoyed by even more people. One criterion for the maturity of a field of study is its size. When a certain discipline becomes so big that no one person can keep all of it in their head, we say that that discipline has matured (or has come of age). This is what happened to computer graphics in the last decade or so.

Artificial intelligence. Robotics. Simulation. Graphics --- Computer graphics. --- Mathematical models. --- Computer science. --- Computer simulation. --- Mathematics. --- Engineering & Applied Sciences --- Technology - General --- Computer graphics --- Mathematical models --- Applied mathematics. --- Engineering mathematics. --- Simulation and Modeling. --- Computer Graphics. --- Applications of Mathematics. --- Engineering --- Engineering analysis --- Mathematical analysis --- Automatic drafting --- Graphic data processing --- Graphics, Computer --- Computer art --- Graphic arts --- Electronic data processing --- Engineering graphics --- Image processing --- Computer modeling --- Computer models --- Modeling, Computer --- Models, Computer --- Simulation, Computer --- Electromechanical analogies --- Simulation methods --- Model-integrated computing --- Mathematics --- Digital techniques --- Models, Mathematical

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Computer programming. --- Computer graphics. --- Programmation (Informatique) --- Infographie --- John Maeda ; foreword by Paola Antonelli --- computergrafiek --- computers --- kunst en technologie --- nieuwe media --- multimedia --- computerdesign --- internet --- interactiviteit --- design --- grafisch design --- grafisch ontwerp --- cyberspace --- Maeda John --- DBN --- 766.02 --- 791.5 --- Computer graphics --- Computer programming --- Computers --- Electronic computer programming --- Electronic data processing --- Electronic digital computers --- Programming (Electronic computers) --- Coding theory --- Automatic drafting --- Graphic data processing --- Graphics, Computer --- Computer art --- Graphic arts --- Engineering graphics --- Image processing --- Programming --- Digital techniques

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Computer graphics --- Real-time data processing --- Infographie --- Temps réel --- 681.3*I37 --- Fast-response data processing --- High-speed data processing --- Electronic data processing --- Automatic drafting --- Graphic data processing --- Graphics, Computer --- Computer art --- Graphic arts --- Engineering graphics --- Image processing --- Three-dimensional graphics and realism: animation; visible line/surface algorithms (Computer graphics) --- Digital techniques --- 681.3*I37 Three-dimensional graphics and realism: animation; visible line/surface algorithms (Computer graphics) --- Temps réel