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Philosophical anthropology. --- Physiology. --- Psychology. --- Apologetics. --- Apologetics --- Apologetics, Missionary --- Christian evidences --- Christianity --- Evidences, Christian --- Evidences of Christianity --- Fundamental theology --- Polemics (Theology) --- Theology, Fundamental --- Religious thought --- Theology --- Behavioral sciences --- Mental philosophy --- Mind --- Science, Mental --- Human biology --- Philosophy --- Soul --- Mental health --- Animal physiology --- Animals --- Biology --- Anatomy --- Anthropology, Philosophical --- Man (Philosophy) --- Civilization --- Life --- Ontology --- Humanism --- Persons --- Philosophy of mind --- Evidences --- Physiology --- Hartley, David,
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Philosophical anthropology --- Physiology --- Psychology --- Apologetics --- Hartley, David --- Hartley, David, - 1705-1757. - Observations on man.
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This social and economic history of Mauritius, from French colonization in 1721 to the mid-1930s, describes changing relationships between different elements in the society, slave, free and maroon, and East Indian indentured populations. First published in 1999, it brings the Mauritian case to the attention of scholars of slavery and plantation systems.
Sugar workers --- Sugar trade --- Plantation life --- Business & Economics --- Labor & Workers' Economics --- History --- History. --- Sugar bounties --- Sugar industry --- Country life --- Sweetener industry --- Employees --- History of Africa --- anno 1700-1799 --- anno 1800-1899 --- anno 1900-1909 --- anno 1910-1919 --- anno 1920-1929 --- anno 1930-1939 --- Mauritius
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While concepts from and debates within Continental philosophy have long formed a backdrop to arguments in film theory and criticism, exchanges between Anglo-American `analytic' philosophy and film studies have been relatively few and far between. In recent years this has begun to change, as the consensus around semiotic and psychoanalytic approaches has weakened, as film scholars have turned their attention to other sources such as cognitive theory and analytic philosophy, and as philosophers have taken a more focused interest in film.This volume provides further momentum to these developments. It is comprised of new essays on a wide range of topics by both film scholars and philosophers who share the commitment to conceptual investigation, logical consistency, and clarity of argument that characterizes analytic philosophy.The first section addresses the nature of cinematic representation, while the second section re-examines notions of authorship and intentionality in our understanding and appreciation of films. Sections 3 and 4 look at ideology and aesthetics respectively, while the final section considers the nature and place of emotion in film spectatorship. The diversity of the questions addressed here (aesthetics and politics in black film theory, film music, authorship, genre, comedy, epistemology, feminism, and film theory) is matched by the range of positions argued for and demonstrates a vital plurality of perspectives rather than a single line of thought.
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