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Architecture and energy conservation --- College buildings --- Commercial buildings --- 69.504 --- 69.504 Building and the environment. Sustainable building --- Building and the environment. Sustainable building --- Mercantile buildings --- Store buildings --- Buildings --- Universities and colleges --- University buildings --- College facilities --- School buildings --- Energy conservation and architecture --- Energy efficient buildings --- Energy conservation --- Architecture --- architecture [discipline] --- sustainable architecture --- Zero energy buildings

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edited by Ken Freidman --- Fluxus (Group of artists). --- Art, Modern --- Avant-garde (Aesthetics). --- Avant-garde (Aesthetics) --- Fluxus (Group of artists) --- 7.038 --- concept art --- conceptuele kunst --- film --- Fluxus --- installaties --- kunst --- performances --- sixties --- twintigste eeuw --- video --- videokunst --- Aesthetics --- Modernism (Art) --- Affichistes (Group of artists) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- FLUXUS (GROUP OF ARTISTS) --- MODERN ART --- AVANT-GARDE (ESTHETIQUE) --- 20th CENTURY

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Much acclaimed and highly controversial, Michael Fried's art criticism defines the contours of late modernism in the visual arts. This volume contains twenty-seven pieces, including the influential introduction to the catalog for 'Three American Painters,' the text of his book 'Morris Louis,' and the renowned "Art and Objecthood." Originally published between 1962 and 1977, they continue to generate debate today. These are uncompromising, exciting, and impassioned writings, aware of their transformative power during a time of intense controversy about the nature of modernism and the aims and essence of advanced painting and sculpture. Ranging from brief reviews to extended essays, and including major critiques of Jackson Pollock, Morris Louis, Kenneth Noland, Jules Olitski, Frank Stella, and Anthony Caro, these writings establish a set of basic terms for understanding key issues in high modernism: the viability of Clement Greenberg's account of the infralogic of modernism, the status of figuration after Pollock, the centrality of the problem of shape, the nature of pictorial and sculptural abstraction, and the relationship between work and beholder. In a number of essays Fried contrasts the modernist enterprise with minimalist or literalist art, and, taking a position that remains provocative to this day, he argues that minimalism is essentially a genre of theater, hence artistically self-defeating. For this volume Fried has also provided an extensive introductory essay in which he discusses how he became an art critic, clarifies his intentions in his art criticism, and draws crucial distinctions between his art criticism and the art history he went on to write. The result is a book that is simply indispensable for anyone concerned with modernist painting and sculpture and the task of art criticism in our time.

Olitski, Jules --- Poons, Larry --- Noland, Kenneth --- Stella, Frank --- Bolus, Michael --- Davis, Ron --- Pollock, Jackson --- Caro, Anthony --- Louis, Morris --- kunsttheorie --- kunstkritiek --- schilderkunst --- beeldhouwkunst --- twintigste eeuw --- Stella Frank --- Morris Louis --- Olitski Jules --- Caro Anthony --- Davis Ronald --- Noland Kenneth --- Bolus Michael --- Poon Larry --- Judd Donald --- Oldenburg Claes --- Twombly Cy --- De Kooning Willem --- 7.01 --- 7.038 --- Art, Modern --- Art. --- Art --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art, Primitive

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Le jeu de l'art contemporain dans les arts plastiques se joue à trois partenaires. Transgressions des frontières de l'art par les artistes, réactions négatives du public, intégrations par les spécialistes engendrent des propositions un peu plus provocantes, des rejets plus violents et des institutionnalisations toujours plus sidérantes. Ainsi ne cessent de s'élargir, depuis les années cinquante, les limites de la notion de l'oeuvre d'art, à la faveur d'un mouvement conflictuel en forme de surenchère, où s'affrontent des paradigmes artistiques inconciliables. Frontières matérielles du musée, frontières mentales du consensus sur ce qui est ou n'est pas de l'art: c'est en les transgressant que les artistes les révèlent, méthodiquement, et contribuent à les déplacer. Ils s'avèrent ainsi des sociologues en acte, que le chercheur n'a qu'à suivre pas à pas pour expliciter les règles du jeu.

Art and society --- Art, Modern --- History --- 709.04 --- #SBIB:316.7C210 --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Arts 20th century (1900 - 1999) --- Cultuursociologie: kunst: algemeen --- Ecrit théorique --- Analyse de l'art --- Théorie de l'art --- Art contemporain --- Art et société --- Art --- Histoire --- Art and society - History - 20th century --- Art, Modern - 20th century --- ART --- ART ET SOCIETE --- CRITIQUE D'ART --- ART, MODERN --- ART AND SOCIETY --- ART CRITICISM --- 1970 - 2000 --- APPRECIATION --- FRANCE --- 20th CENTURY

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In Outside Lobbying, Ken Kollman explores why and when interest group leaders in Washington seek to mobilize the public in order to influence policy decisions in Congress. In the past, political scientists have argued that lobbying groups make outside appeals primarily because of their own internal dynamics--to recruit new members, for example. Kollman, however, grants a more important role to the need for interest group leaders to demonstrate popular support on particular issues. He interviewed more than ninety interest group leaders and policy makers active on issues ranging from NAFTA to housing for the poor. While he concludes that group leaders most often appeal to the public when they perceive that their stand has widespread popular support, he also shows that there are many important and revealing exceptions to this pattern. Kollman develops his theory of outside lobbying through a combination of rational choice modeling and statistical tests that compare public opinion data with data from his interviews about interest groups' policy positions and activities. The tests reveal that group leaders use outside lobbying to take advantage of pre-existing public preferences, not to recruit members or to try to generate the mere appearance of grass-roots support. Kollman's innovative book will clarify the complex relationship among lobbying, public opinion, and public policy, and will set a new standard for interest group research.

Lobbying --- Pressure groups --- United States. --- Constituent communication. --- 3M Corporation. --- American Petroleum Institute. --- Banks, Jeffrey. --- Bonner and Associates. --- Business Roundtable. --- Chaffee plan. --- Clinton, Bill. --- Donnelly, Brian (D-MA). --- Endangered Species Act. --- Exxon Corporation. --- First Amendment. --- General Motors Corporation. --- Gray Panthers. --- Greenpeace USA. --- Jews. --- Jones, Brian. --- Kernell, Samuel. --- Kingdon, John. --- LTV Corporation. --- Moe, Terry. --- Olson, Mancur. --- United We Stand. --- Wall Street Journal. --- Weingast, Barry. --- Zero Population Growth. --- agenda-shaping stage. --- conflict expansion. --- coordination problems. --- direct mail fundraising. --- factor analysis. --- focal points. --- framing. --- hat trick story. --- health care. --- inside lobbying. --- intensity dilemma. --- logit analysis. --- mail to Congress. --- mass media. --- need for action stage. --- persuasion theory. --- popularity. --- press conferences. --- referendums. --- resource mobilization theories. --- right wing groups. --- salience. --- senior citizen groups. --- signaling. --- teachers unions. --- truck drivers.