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Blue whale --- Endangered species --- Conservation --- Planning. --- Government policy

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#BIBC:ruil --- Securities --- -346.09209492 --- Jb2.1.enld --- Blue sky laws --- Capitalization (Finance) --- Investment securities --- Portfolio --- Scrip --- Securities law --- Underwriting --- Investments --- Investment banking --- Law and legislation --- -Law and legislation --- -Securities --- -Law and legislation -

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This book examines the regulation of the earliest securities markets in England and the United States, from their origins in the 1690s until the 1850s. Professor Banner argues that during the reign of Queen Anne a complex and moderately effective body of regulatory control was already extant, reflecting widespread Anglo-American attitudes toward securities speculation. He uses both traditional legal materials (including court opinions, statutes, and legal treatises) and as a broad range of non-legal sources (novels, broadsides, contemporary engravings) to examine contemporary images of stock markets and speculation practices, and he shows that securities regulation has a much longer ancestry than is often supposed. Insights from both legal and cultural history are utilised to explain how popular thought about the securities market was translated into regulation and, reciprocally, how that regulation influenced market structures and the activities of speculators.

Securities --- Great Britain --- History --- United States --- Arts and Humanities --- Money market. Capital market --- anno 1600-1699 --- anno 1700-1799 --- anno 1800-1899 --- England --- History. --- Blue sky laws --- Capitalization (Finance) --- Investment securities --- Portfolio --- Scrip --- Securities law --- Underwriting --- Investments --- Investment banking --- Law and legislation --- United States of America

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Money market. Capital market --- Financial law --- Finances --- Geldwezen --- 347.73 <493> --- EEC / European Union - EU -Europese Unie - Union Européenne - UE --- BE / Belgium - België - Belgique --- 333.610 --- 333.612 --- 333.611 --- 333.660 --- 347.731 --- Securities --- -Securities --- -346.092094 --- Jb1.a --- Blue sky laws --- Capitalization (Finance) --- Investment securities --- Portfolio --- Scrip --- Securities law --- Underwriting --- Investments --- Investment banking --- Effectenbeurzen: algemeenheden. --- Officiële beursnoteringen. Noteringsmethodes van effecten. --- Organisatie, reglement, bewaking. --- Uitgifte van effecten: algemeenheden. Bankconsortiums. --- Wetgeving op effectenbeurzen, de goederenbeurzen en de deviezenbeurzen. Raider. --- Law and legislation --- -Law and legislation --- -347.73 <493> --- Effectenbeurzen: algemeenheden --- Officiële beursnoteringen. Noteringsmethodes van effecten --- Organisatie, reglement, bewaking --- Uitgifte van effecten: algemeenheden. Bankconsortiums --- Wetgeving op effectenbeurzen, de goederenbeurzen en de deviezenbeurzen. Raider --- -Money market. Capital market

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David MacDougall is a pivotal figure in the development of ethnographic cinema and visual anthropology. As a filmmaker, he has directed in Africa, Australia, India, and Europe. His prize-winning films (many made jointly with his wife, Judith MacDougall) include The Wedding Camels, Lorang's Way, To Live with Herds, A Wife among Wives, Takeover, PhotoWallahs, and Tempus de Baristas. As a theorist, he articulates central issues in the relation of film to anthropology, and is one of the few documentary filmmakers who writes extensively on these concerns. The essays collected here address, for instance, the difference between films and written texts and between the position of the filmmaker and that of the anthropological writer.In fact, these works provide an overview of the history of visual anthropology, as well as commentaries on specific subjects, such as point-of-view and subjectivity, reflexivity, the use of subtitles, and the role of the cinema subject. Refreshingly free of jargon, each piece belongs very much to the tradition of the essay in its personal engagement with exploring difficult issues. The author ultimately disputes the view that ethnographic filmmaking is merely a visual form of anthropology, maintaining instead that it is a radical anthropological practice, which challenges many of the basic assumptions of the discipline of anthropology itself. Although influential among filmmakers and critics, some of these essays were published in small journals and have been until now difficult to find. The three longest pieces, including the title essay, are new.

Ethnology. Cultural anthropology --- Film --- Documentary films --- Motion pictures in ethnology. --- History and criticism. --- Motion pictures in ethnology --- History and criticism --- Cinéma en anthropologie sociale et culturelle --- Documentaires --- Histoire et critique --- PERFORMING ARTS / Film & Video / History & Criticism. --- Akazama. --- Ananas. --- Ballantyne, Tanya. --- Baruya Muka Archival. --- Bhumbra, Jaswant Singh. --- Blue, James. --- Bresson, Robert. --- Brown, Quentin. --- Bunuel, Luis. --- Caldwell, Erskine. --- Cantrill, Corinne. --- Chakrabarty, Dipesh. --- Dali, Salvador. --- Familiar Places. --- Geddes, William. --- German expressionism. --- Greek tragedy. --- Gurrmanamana, Frank. --- Hemingway, Ernest. --- Hollywood. --- Jarmusch, Jim. --- Kabuki theatre. --- Leacock, Richard. --- Lunacharsky, Anatoli. --- absence. --- aesthetics. --- anthropological writing. --- anthropology. --- chronophotography. --- cognitive science. --- collaboration. --- conflict structure. --- connotation. --- consciousness. --- contextualization. --- denotation. --- dialogue. --- documentary film. --- embodiment. --- epistemology. --- ethnocentrism. --- ethnography. --- film editing. --- film structure. --- filmmaking encounter. --- freeze-frame. --- history. --- identification. --- illustrative films. --- indigenous media. --- intersubjectivity. --- kinesics. --- logocentrism. --- Anthropologie --- Ethnologie --- Visuelle Medien --- Moving-pictures in ethnology --- Visual anthropology --- Documentary films - History and criticism