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An Art of Our Own : The Spiritual in Twentieth Century Art.
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ISBN: 157062268X Year: 1998 Publisher: Boston (MA) : Shambhala,

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The dessau bauhaus building 1926 - 1999
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ISBN: 3764352906 0817652906 9783764352905 9780817652906 3764352884 9783764352882 Year: 1998 Publisher: Basel ; Berlin ; Boston : Birkhäuser,

Paul Klee : Catalogue Raisonné ; Vol.1: 1883-1912 ; Vol.2: 1913-1918 ; Vol.3: 1923-1926 ; Vol.4: 1923 - 1926 ; Vol.5: 1927-1930 ; Vol.6: 1931-1933 ; Vol.7: 1934-1938 ; Vol. 8: 1939 ; Vol.9: 1940 + addenda, corrigenda, comprehensive indexes
Authors: --- ---
ISBN: 0500092788 050009280X 0500092818 0500092826 0500092834 0500092842 0500092850 0500092869 0500092877 9780500092781 9780500092804 9780500092811 9780500092828 9780500092835 9780500092842 9780500092859 9780500092866 9780500092873 Year: 1998 Publisher: London Berne : Thames and Hudson Paul Klee Foundation,


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Modern times, modern places.
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ISBN: 0500018774 Year: 1998 Publisher: London Thames and Hudson

The power of display : a history of exhibition installations at the Museum of modern art
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ISBN: 0262692724 0262194023 Year: 1998 Publisher: Cambridge (Mass.) : MIT press,

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Traditionally, there has been an implicit acceptance of the autonomy of the artwork and a blindness to what Mary Anne Staniszewski calls "the power of display." In this groundbreaking examination of installation design as an aesthetic medium, Staniszewski offers the first history of exhibitions at the most powerful and influential modern art museum--The Museum of Modern Art in New York. MoMA's displays are analyzed in relation to those of the avant-gardes of the first half of the 20th century to make visible the "political unconscious" of exhibitions and the often overlooked foundations of contemporary practices, such as viewer interactivity and site specificity, as well as multimedia, electronic, and installation-based art.

Keywords

069.01 --- 77 <064> --- 779 --- Museologie museumpresentatie voorstelling van kunsttentoonstellingen --- Tentoonstellingen inrichten 20ste eeuw New York MOMA --- Tentoonstellingen New York MOMA geschiedenis --- 069.53 --- 069.01 Museologie --- Museologie --- 779 Fotografie--Fotoverzamelingen. Collecties --- Fotografie--Fotoverzamelingen. Collecties --- 77 <064> Fotografie--Tentoonstellingscatalogi. Museumcatalogi --- Fotografie--Tentoonstellingscatalogi. Museumcatalogi --- Museologie collecties techniek van het tentoonstellen --- Museum of Modern Art [New York, N.Y.] --- Mary Anne Staniszewski --- MoMA --- Museum of Modern Art New York --- Kiesler Frederick --- Reich Lily --- Barr Alfred --- Newhall Beaumont --- d'Harnoncourt René --- Steichen Edward --- Museology --- tentoonstellingsbouw --- Museum exhibits --- Museologie ; museumpresentatie ; voorstelling van kunsttentoonstellingen --- Tentoonstellingen ; inrichten ; 20ste eeuw ; New York ; MOMA --- Tentoonstellingen ; New York ; MOMA ; geschiedenis --- Display techniques --- Displays, Museum --- Museum displays --- Museums --- Exhibitions --- Museum techniques --- History --- Museologie ; collecties ; techniek van het tentoonstellen --- Museum of Modern Art (New York, N.Y.) --- New York (City). --- New York (N.Y.). --- Nyū Yōku Kindai Bijutsukan --- MOMA --- 069 --- 7.078 --- Bauhaus --- etnografie --- etnologie --- kunst --- kunst en politiek --- Lissitzky El --- Mies van der Rohe Ludwig --- modernisme --- musea --- museologie --- tentoonstellingen --- History.

The situationist city
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ISBN: 0262282801 0585028281 9780262282802 9780585028286 0262193922 9780262193924 0262692252 9780262692250 Year: 1998 Publisher: Cambridge, Mass. : MIT Press,

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From 1957 to 1972 the artistic and political movement known as the Situationist International (SI) worked aggressively to subvert the conservative ideology of the Western world. The movement's broadside attack on "establishment" institutions and values left its mark upon the libertarian left, the counterculture, the revolutionary events of 1968, and more recent phenomena from punk to postmodernism. But over time it tended to obscure situationism's own founding principles. In this book, Simon Sadler investigates the artistic, architectural, and cultural theories that were once the foundations of situationist thought, particularly as they applied to the form of the modern city.

Keywords

Architecture --- Avant-garde (Aesthetics) --- City planning. --- Art, Architecture & Applied Arts --- Aesthetics --- Modernism (Art) --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Cities and towns --- City planning --- Civic planning --- Land use, Urban --- Model cities --- Redevelopment, Urban --- Slum clearance --- Town planning --- Urban design --- Urban development --- Urban planning --- Land use --- Planning --- Art, Municipal --- Civic improvement --- Regional planning --- Urban policy --- Urban renewal --- Philosophy. --- History --- Philosophy --- Design and construction --- Government policy --- Management --- Internationale situationniste --- Mouvement international pour un Bauhaus imaginiste --- I.S. (Internationale situationniste) --- Internazionale situazionista --- Situationist International --- SI (Situationist International) --- S.I. --- Situationistische Internationale --- Katastasiakē Diethnēs --- Kansainväliset Situationistit --- Internacional situacionista --- Situat︠s︡ionistskiĭ internat︠s︡ional --- Ситуационистский интернационал --- Influence. --- Internationaal Situationisme --- Situationisme --- Situationist International (SI) --- 72.036 --- 72.03 --- 711.4 --- 72.01 --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Architectuur (geschiedenis) --- Architectuurgeschiedenis --- Stedenbouw --- Stedenbouw (theorie) --- Architectuurtheorie --- International situationniste --- Internationale Situationniste


Book
Das Bauhaus im Osten. Slowakische und Tschechische Avantgarde 1928-1939

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