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kubisme --- constructivisme --- avant-garde --- Bauhaus --- religieuze kunst --- spiritualiteit --- 20ste eeuw. --- Rusland.
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Architecture --- Bauhaus --- Dessau (Allemagne) --- 72.036 <43> --- 373.67 --- 727.1 --- 72.036 --- Gropius, Walter --- Dessau --- Sachsen-Anhalt --- Moderne bouwkunst. Architectuur van de 20e eeuw--Duitsland voor 1945 en na 1989 --- Onderwijs (architectuur) --- Architectuuronderwijs --- Scholen (architectuur) --- Schoolgebouwen --- Bauhaus (architectuur) --- 72.036 <43> Moderne bouwkunst. Architectuur van de 20e eeuw--Duitsland voor 1945 en na 1989 --- Buildings --- CDL --- Edifices --- Halls --- Structures --- Bauhaus. --- Staatliches Bauhaus --- Baohaosi --- Bauhaus Dessau --- Dessau (Dessau, Germany) --- Dessau (Halle, Germany) --- Dessau-Rosslau (Germany) --- Buildings, structures, etc. --- Built environment
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Klee, Paul --- Art, Swiss --- 75.07 --- 741.07 --- Schilderkunst ; 1ste helft 20ste eeuw ; Paul Klee --- 75.037 --- Schilderkunst ; Duits Expressionisme ; Der Blaue Reiter --- Schilderkunst ; Bauhaus --- Klee, Paul 1879-1940 (°Münchenbuchsee, Bern, Zwitserland) --- Catalogues raisonnés --- Swiss art --- Schilderkunst ; schilders --- Tekenkunst ; tekenkunstenaars A - Z --- Schilderkunst ; 1900 - 1950 --- Klee, Paul, --- קליי, פאול, --- Klee, Paul.
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Civilization, Modern --- -Arts, Modern --- -Peter Conrad --- kunst --- twintigste eeuw --- kunst en politiek --- modernisme --- Wenen --- Jugendstil --- film --- muziek --- futurisme --- kunst en wetenschap --- literatuur --- lichamelijkheid --- ruimtelijkheid --- tijdelijkheid --- relativiteitstheorie --- Einstein Albert --- dadaïsme --- surrealisme --- Picasso Pablo --- oorlog --- Rusland --- Sovjet-Unie --- communisme --- marxisme --- constructivisme --- Freud Sigmund --- psychoanalyse --- Bauhaus --- PArijs --- Berlijn --- primitieve kunst --- primitivisme --- ballet --- dans --- Chaplin Charles --- nazisme --- fascisme --- Verenigde Staten --- atoomenergie --- Hiroshima --- beat generation --- pop art --- naslagwerk --- nieuwe media --- technologie --- kunst en technologie --- 7.03 --- Modern arts --- Modern civilization --- Modernity --- Civilization --- Renaissance --- History --- -Civilization, Modern --- -Arts, Modern -
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Expressionism (Architecture) --- Architecture --- Expressionnisme (Architecture) --- History --- Histoire --- Architecte --- Ecole d'amsterdam --- Anthroposophie --- Art --- Histoire de l'architecture --- Expressionnisme --- Bauhaus --- Cinéma --- Eglise --- Modernisme --- Poelzig, Hans --- Behrens, Peter --- Taut, Bruno --- Scharoun, Hans --- Mendelsohn, Erich --- De Klerk, Michel --- Finsterlin, Hermann --- Hablik, Wenzel --- Hoetger, Bernard --- Kramer, P. --- Luckhardt, Bruder --- 20e siècle --- Europe --- École d'Amsterdam (architecture) --- Expressionnisme (architecture) --- Behrens, Peter, --- Hablik, Wenzel, --- Hoetger, Bernhard, --- Klerk, Michel de, --- Poelzig, Hans, --- Scharoun, Hans, --- Taut, Bruno, --- Mendelsohn, Erich, --- Mouvement moderne --- Scharoun, Hans, 1893-1972 --- Mendelsohn, Erich, 1887-1953 --- École d'Amsterdam (architecture)
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Music --- Music theory --- Art --- Musique --- Théorie musicale --- Philosophy and aesthetics --- Philosophy --- Philosophie et esthétique --- Philosophie --- Art. --- Art and music --- Art, Modern --- Abstraction --- Bauhaus --- Cubisme --- Dadaïsme --- Ecriture musicale --- Futurisme --- Graphisme --- Jazz --- Néo-plasticisme --- Serial art --- History and criticism --- Cage, John --- Delaunay, Robert --- Duchamp, Marcel --- Feldman, Morton --- Gleizes, Albert --- Kandinsky, Wassily --- Klee, Paul --- Kupka, Frantisek --- Leger, Fernand --- Ray, Man --- Matisse, Henri --- Messiaen, Olivier --- Mondrian, Piet --- Nouveau, Henri --- Picabia, Francis --- Ray, Charles --- Satie, Eric --- Van Doesburg, Théo --- Art and music. --- History and criticism. --- 20th century --- History --- 78.79 --- Art abstrait --- Cage, John, 1912-1992 --- Music - 20th century - History and criticism --- Art, Modern - 20th century
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Traditionally, there has been an implicit acceptance of the autonomy of the artwork and a blindness to what Mary Anne Staniszewski calls "the power of display." In this groundbreaking examination of installation design as an aesthetic medium, Staniszewski offers the first history of exhibitions at the most powerful and influential modern art museum--The Museum of Modern Art in New York. MoMA's displays are analyzed in relation to those of the avant-gardes of the first half of the 20th century to make visible the "political unconscious" of exhibitions and the often overlooked foundations of contemporary practices, such as viewer interactivity and site specificity, as well as multimedia, electronic, and installation-based art.
069.01 --- 77 <064> --- 779 --- Museologie museumpresentatie voorstelling van kunsttentoonstellingen --- Tentoonstellingen inrichten 20ste eeuw New York MOMA --- Tentoonstellingen New York MOMA geschiedenis --- 069.53 --- 069.01 Museologie --- Museologie --- 779 Fotografie--Fotoverzamelingen. Collecties --- Fotografie--Fotoverzamelingen. Collecties --- 77 <064> Fotografie--Tentoonstellingscatalogi. Museumcatalogi --- Fotografie--Tentoonstellingscatalogi. Museumcatalogi --- Museologie collecties techniek van het tentoonstellen --- Museum of Modern Art [New York, N.Y.] --- Mary Anne Staniszewski --- MoMA --- Museum of Modern Art New York --- Kiesler Frederick --- Reich Lily --- Barr Alfred --- Newhall Beaumont --- d'Harnoncourt René --- Steichen Edward --- Museology --- tentoonstellingsbouw --- Museum exhibits --- Museologie ; museumpresentatie ; voorstelling van kunsttentoonstellingen --- Tentoonstellingen ; inrichten ; 20ste eeuw ; New York ; MOMA --- Tentoonstellingen ; New York ; MOMA ; geschiedenis --- Display techniques --- Displays, Museum --- Museum displays --- Museums --- Exhibitions --- Museum techniques --- History --- Museologie ; collecties ; techniek van het tentoonstellen --- Museum of Modern Art (New York, N.Y.) --- New York (City). --- New York (N.Y.). --- Nyū Yōku Kindai Bijutsukan --- MOMA --- 069 --- 7.078 --- Bauhaus --- etnografie --- etnologie --- kunst --- kunst en politiek --- Lissitzky El --- Mies van der Rohe Ludwig --- modernisme --- musea --- museologie --- tentoonstellingen --- History.
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From 1957 to 1972 the artistic and political movement known as the Situationist International (SI) worked aggressively to subvert the conservative ideology of the Western world. The movement's broadside attack on "establishment" institutions and values left its mark upon the libertarian left, the counterculture, the revolutionary events of 1968, and more recent phenomena from punk to postmodernism. But over time it tended to obscure situationism's own founding principles. In this book, Simon Sadler investigates the artistic, architectural, and cultural theories that were once the foundations of situationist thought, particularly as they applied to the form of the modern city.
Architecture --- Avant-garde (Aesthetics) --- City planning. --- Art, Architecture & Applied Arts --- Aesthetics --- Modernism (Art) --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Cities and towns --- City planning --- Civic planning --- Land use, Urban --- Model cities --- Redevelopment, Urban --- Slum clearance --- Town planning --- Urban design --- Urban development --- Urban planning --- Land use --- Planning --- Art, Municipal --- Civic improvement --- Regional planning --- Urban policy --- Urban renewal --- Philosophy. --- History --- Philosophy --- Design and construction --- Government policy --- Management --- Internationale situationniste --- Mouvement international pour un Bauhaus imaginiste --- I.S. (Internationale situationniste) --- Internazionale situazionista --- Situationist International --- SI (Situationist International) --- S.I. --- Situationistische Internationale --- Katastasiakē Diethnēs --- Kansainväliset Situationistit --- Internacional situacionista --- Situat︠s︡ionistskiĭ internat︠s︡ional --- Ситуационистский интернационал --- Influence. --- Internationaal Situationisme --- Situationisme --- Situationist International (SI) --- 72.036 --- 72.03 --- 711.4 --- 72.01 --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Architectuur (geschiedenis) --- Architectuurgeschiedenis --- Stedenbouw --- Stedenbouw (theorie) --- Architectuurtheorie --- International situationniste --- Internationale Situationniste
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Art styles --- Iconography --- Art --- Architecture --- Applied arts. Arts and crafts --- Photography --- art [discipline] --- theater [discipline] --- architecture [discipline] --- decorative arts [discipline] --- avant-garde --- motion pictures [visual works] --- Bauhaus --- Malý, František --- Hradský, L'udovit --- Aufricht, Karol --- Balán, Alojz --- Bauernfreund, Jakub --- Bazovský, Milos Alexander --- Bellus, Emil --- Dohnányi, Milos --- Fleischmann, Arthur --- Fuchs, Bohuslav --- Funke, Jaromir --- Grossmann, Juraj --- Horová-Kovaciková, Julia --- Jurcovic, Dusan --- Juznic, Bohumil --- Kalivoda, F. --- Karfik, Vladimir --- Konrad, Jozef --- Kovats, Pál --- Kozehuba, Ladislav --- Kudlak, Ludovit --- Ladvenica, Ján --- Marko, Ilja Jozef --- Plicka, Karol --- Poljak, Pavol --- Protopopov, Sergej --- Reichental, Frantisek --- Rossmann, Zdenek --- Rossmannová-Dolezalová, Marie --- Rosulková-Kuviková, Dagmar --- Scheer, Michal --- Silinger, Klement --- Simerova-Martincekova, Ester --- Szalatnai-Slatinsky, Arthur --- Tamás, Stefan --- Tröster, Frantisek --- Vecsei, Ignac --- Vinecky, Josef --- Vydra, Josef --- Weinwurm, Bedrich --- Blühova, Irena --- Bortnyik, Sandor --- Fulla, Ludovit --- Galanda, Mikulas --- Palugyay, Zolo --- Weiner-Kral, Imre --- anno 1920-1929 --- anno 1930-1939 --- anno 1900-1999 --- Czech Republic --- Slovakia
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